Woodcut Figurative Prints
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Medium: Woodcut
Snowy Owl - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Snowy Owl a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) .
Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name ...
Category
1870s Modern Woodcut Figurative Prints
Materials
Woodcut
Osprey - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Osprey is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) .
Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name o...
Category
1870s Modern Woodcut Figurative Prints
Materials
Woodcut
Alpine Swift - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Alpine Swift is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) .
Woodcut print on ivory-colored paper.
Hand-colored, published by Lond...
Category
1870s Modern Woodcut Figurative Prints
Materials
Woodcut
Great White Heron - Original Woodcut Print - 1870
Located in Roma, IT
Great White Heron is a modern artwork realized in 1870. Woodcut print, hand colored, published by London, Bell & Sons, 1870.
Name of the bird printed ...
Category
1870s Modern Woodcut Figurative Prints
Materials
Woodcut
Ex Libris Dolezal - Original Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex Libris Dolezal is an original Contemporary Artwork realized in the mid-20th Century.
Original Ex Libris.
Original B/W woodcut print on ivory-colored paper.
The work is glued...
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Ex Libris Obratil - Original Woodcut on Paper - Mid-20th Century
Located in Roma, IT
Ex Libris Obratil is an original Contemporary Artwork realized in the Mid-20th Century.
Original Ex Libris.
Original B/W woodcut print on ivory-colored paper. Hand-signed in penci...
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Ex Libris Susi Kolar - Original Woodcut Print - Mid-20th Century
Located in Roma, IT
Ex Libris Susi Kolar is an original Contemporary Artwork realized in the mid-20th Century.
Original Ex Libris.
Original B/W Woodcut print on ivory-colored paper. Sigled in pencil ...
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Salvador Dalí, News of the The Limbos (Michler/Löpsinger 1039-1138; F. 189-200)
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Inscription: Unsigned and unnumbered, as issued. Catalogue Raisonne Reference: Michler/Löpsinger 1039-1138; Field 189-200. Goo...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
HEAVEN CANTO 30
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut, Paper
Stonechat - Woodcut Print by Alexander Francis Lydon - 1870
Located in Roma, IT
Stonechat is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) .
Woodcut print, hand colored, published by London, Bell & Sons, 1870. Nam...
Category
1870s Modern Woodcut Figurative Prints
Materials
Woodcut
HEAVEN CANTO 28
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut, Paper
Heaven 33 : Prayer of Saint Bernard - Color woodcut - 1963
Located in Paris, FR
Salvador Dali (1904-1989)
Heaven 33 - Prayer of Saint Bernard
Color woodcut
with the signature printed in the plate
1960/63
Printed on paper Vélin BFK Rives
Size 32,8 x 26,4 cm (c. ...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
HEAVEN CANTO 29
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut, Paper
Werner Drewes, Winter, 1933, modernist woodcut
Located in New York, NY
A modernist fantasy winter scene created by Werner Drewes, this print brings key aspects of the period together. His cubist-inspired woodcut technique is utilized here to bring the s...
Category
1930s American Modern Woodcut Figurative Prints
Materials
Woodcut
Hell 34 : The Appearance of Pluto - Original woodcut - 1963 (Field p 189 à 200)
Located in Paris, FR
Salvador Dali (1904-1989)
Hell 34 - The Appearance of Pluto
From the Divine Comedy (Dante)
Original woodcut
Signature printed in the plate
1960/63
Printed on paper Vélin BFK Rives
S...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut
Dhude( Surfer) - Figurative Print - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Woodcut print of my surfing logo. One of my first images in woodcut from 1989 titled; " Dr Zongo shoots the tube." Stlyish surf stance,dont you think?
Dhude( Surfer) - Figurative ...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
The Key to the Virgin Mary
Located in San Francisco, CA
This artwork titled "The Key to the Virgin Mary" 1975, is an original colors woodcut on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated an...
Category
Late 20th Century Surrealist Woodcut Figurative Prints
Materials
Woodcut
Jonah on the Way
Located in San Francisco, CA
This artwork titled "Jonah on the Way" 1975, is an original colors wood block print on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated and...
Category
Late 20th Century Surrealist Woodcut Figurative Prints
Materials
Woodcut
Pinocchio
By Jim Dine
Located in New York, NY
This is a silkscreen and woodcut print created in 2007. It is signed and numbered in graphite from the edition of 118 (plus 18 APs). This print comes directly from the publisher, Lin...
Category
Early 2000s Pop Art Woodcut Figurative Prints
Materials
Screen, Woodcut
original woodcut
By Raoul Ubac
Located in Henderson, NV
Medium: original woodcut. This original Raoul Ubac woodcut was issued in 1958 for the hard-to-find XXe Siecle (No. 10), published in Paris by San Lazzaro. Sheet size 12 3/8 x 9 1/2 i...
Category
1950s Woodcut Figurative Prints
Materials
Woodcut
Brutalist Graveside Scene Patriotic Dead Soldier, Gas Mask & Skeletons
Located in Exton, PA
Brutalist woodcut circa 1976 by Nicholas Sperakis. The image, which depicts skeletal figures around the grave of a soldier, is in very good condition. Note the American flag feature...
Category
1970s Expressionist Woodcut Figurative Prints
Materials
Woodcut
On the Beach at Long Branch - The Children's Hour
Located in Fairlawn, OH
On the Beach at Long Branch - The Children's Hour
Wood engraving, 1874
Published in "Harper's Weekly" August 15, 1874 (p. 672)
Image size: 9 1/4 x 13 5/8 inches
Provenance: Wunderlic...
Category
1870s Hudson River School Woodcut Figurative Prints
Materials
Woodcut
Kabuki Actor in Water Lily Robe with Samurai Sword - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor in Water Lily Robe with Samurai Sword- Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor ("Master Haranyuki Sawamura") is standing on stage with mountainous backdrop, wearing a robe in a water lily pattern. He is wearing a samurai sword.
Presented in a gold colored frame with a silk mat.
Frame size: 20"H x 14.25"W
Image size: 14"H x 9"W
Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
Category
Early 19th Century Edo Woodcut Figurative Prints
Materials
Ink, Rice Paper, Woodcut
The Bridge - Woodcut by Paul Emile Colin - Mid-20th Century
Located in Roma, IT
The Mill is a Woodcut realized by Paul Emile Colin in the Mid-20th Century.
Hand-signed.
Numbered.Edition, 31/50.
Good conditions with slight foxing.
The artwork is realized thro...
Category
Mid-20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Jewish Rabbi Looking Heavenward German Expressionist Woodcut Israeli "Psalm"
Located in Surfside, FL
Jacob Steinhardt, 1887-1968
Hand signed in pencil, woodblock print woodcut.
Frame: 22.5" x 18"
Image: 16.75" X 12.5"
"Psalm"
12/30
Jakob Steinhardt, Painter and Woodcut Artist. b. 1887, Yaacov Steinhardt was born in the then remote, largely Polish town of Zerkow in the Posen District of Germany. (poland/german) Immigrated 1933. Studies: 1906 School of Art, 1906 Studied in Berlin Arts and Crafts School. Berlin; 1907 painting with Lovis Corinth and engraving and etching with Hermann Struck; advanced studies, 1908-10 Paris, with Henri Matisse and Steinlen; 1911 Italy. Teaching: Bezalel, Jerusalem, 1953-57 Director. 1910 Participated in the “New Sezession”, Berlin. 1912 together with Ludwig Meidner and Janthur he founded the "Pathetiker" group very early in the German expressionist movement. Running afoul of the Nazis, he fled to Tel-Aviv and then Jerusalem in the early 30s, showing in “Der Sturm” Gallery. 1914 Exhibited with ludwig Meidner at first Expressionist Exhibition in Berlin. Worked mainly in woodcuts depicting biblical and other Jewish subjects. 1955-58 International awards for his woodcuts. receives graphic commissions from Fritz Gurlitt. 1922 Marries Minni Gumpert. Active in organizing Secession exhibits. 1925 Trips to Mark Brandenburg and Holy Land. Turns primarily to painting; stops work on etchings and lithographs. 1933 Emigrates to the Palestine. 1934 Moves to Jerusalem and opens an art school; attempts some etchings. 1948 Closes the art school and becomes Chairman of Graphics Department, Bezalel School for Arts and Crafts. 1954-57 Director of Bezalel School for Arts and Crafts. Taken up by J. B. Neumann who became the agent for his etchings. Exhibited Sturm Gallery, Herbst-salon. 1914 Outbreak of World War I; Steinhardt enlists in German army. 1916-18 First on Eastern Front in Poland and Lithuania, then after short training period in Berlin, sent to Macedonia. 1917 Exhibition of Lithuanian drawings at Berlin Secession in Spring. Elected member of the Secession.
He often used wood-cutting techniques that were popular amongst German Expressionists. Steinhardt was driven to express ideas clearly and decisively through art.
Amongst the themes found in his work the prophets of the Bible, such as Jonah, are noticeable. Steinhardt identified deeply with Jonah due to his attempt to run from God's call to duty.
Additionally, the image of beggars was often found in Steinhardt's works and in his artistic presentation of the less fortunate, the artist's love for his fellow man becomes evident.
Moreover, the grotesque was a theme noticeable in Steinhardt's earliest pieces. These were fantastical images; it was unclear whether or not they were human or demon. In the 1950's, Steinhardt returned to these images upon learning of the Holocaust of Europe's Jews. At that time he resided in New York and there, in the shadow of the skyscrapers, Steinhardt's reaction to WWII was expressed through his art.
A Collection of Works by Artists of the Land of IsraelThe Bezalel National Museum, Jerusalem 1940 Artists: Shemi, Menahem Rubin...
Category
20th Century Expressionist Woodcut Figurative Prints
Materials
Woodcut
Nihon Embankment in Yoshiwara Japanese Woodblock Print
Located in Houston, TX
Woodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper.
The p...
Category
1850s Edo Woodcut Figurative Prints
Materials
Woodcut
Dana Schutz, Back Surgery in Bed - Woodcut, Contemporary Painter, Signed Print
By Dana Schutz
Located in Hamburg, DE
Dana Schutz (American, born 1976)
Back Surgery in Bed, 2014
Medium: Woodcut on wove paper
Dimensions: 71.8 x 53 cm
Edition of 50: Hand-signed, numbered and dated in pencil
Condition....
Category
21st Century and Contemporary Contemporary Woodcut Figurative Prints
Materials
Woodcut
La Jolla - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
La Jolla - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in t...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in t...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Surflow - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Surflow - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in th...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Surf Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Surf Elements - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Dhude Intensity - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Dhude Intensity - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourse...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Wahini #2 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in ...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Three Turns - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Three Turns - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself i...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Conked
By Alison Saar
Located in New York, NY
Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...
Category
1990s Contemporary Woodcut Figurative Prints
Materials
Woodcut
In The Shell - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
In The Shell - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself ...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Buddies - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Buddies - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in th...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Tight Tuck - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Tight Tuck - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Wahini - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Wahini - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in the...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
'Sailor and His Girl' —Mid-Century Modernism, WWII
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'Sailor and His Girl', wood engraving, 1941, edition 35. Signed, titled, and numbered '21/35' in pencil. Signed in the block, lower right. A superb, richly-in...
Category
1940s American Modern Woodcut Figurative Prints
Materials
Woodcut
All The Things - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
All The Things - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yoursel...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Hanaley Macho - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Hanaley Macho - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in the captiv...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Rascale in Paradise - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Rascale in Paradise - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yo...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Hair Wave - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Hair Wave - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in ...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
3 Leaves - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
3 Leaves - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in the captivating...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
3 Turns (ladies) - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
3 Turns (ladies) - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse your...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Cheater 5 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Cheater 5 - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in ...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
In The Flow - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
In The Flow - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself i...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Island Life - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Island Life - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself i...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Fishing - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Fishing - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in the captivating ...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
HEAVEN CANTO 27
Located in Aventura, FL
Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German.
...
Category
1960s Surrealist Woodcut Figurative Prints
Materials
Woodcut, Paper
"Landschaft mit Frauen" original woodcut
By Aloys Wach
Located in Henderson, NV
Medium: original woodcut. The title means "Landscape with Women". Printed in 1920 for the German Expressionist art revue Das Kunstblatt, published in Berlin by Verlag Gustav Kiepenhe...
Category
1920s Expressionist Woodcut Figurative Prints
Materials
Woodcut
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
Located in Soquel, CA
Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals"
A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...
Category
1850s Realist Woodcut Figurative Prints
Materials
Printer's Ink, Rice Paper, Woodcut
"Lendas Africanas Da Bahia" from the suite.
Located in San Francisco, CA
This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube.
About the artist:
Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.
Quick Facts Born, Died ...
Carybé
Born
Héctor Julio Páride Bernabó
7 February 1911
Lanús, Argentina
Died
2 October 1997 (aged 86)
Salvador, Bahia, Brazil
Nationality
Brazilian
Known for
Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist
Close
He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá.
Orixá Panels in the Afro-Brazilian Museum in Salvador
Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968.
Murals at Miami International Airport
American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport.
As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport.
The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West.
Carybé's Woodcuts in Gabriel García Márquez's Books
Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story.
Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience.
Timeline
1911 — Birth in Lanús, Argentina.
1919 — Moved to Brazil.
1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro.
1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro.
1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro.
1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina.
1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper.
1938 — Sent to Salvador by newspaper Prégon.
1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro.
1940 — Illustrates the book Macunaíma, by Mário de Andrade.
1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina.
1941–1942 — Study trip around several South American countries.
1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina).
1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina).
1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings.
1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house.
1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro.
1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro.
1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina).
1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro.
1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia.
1950–1997 — Settles in Salvador, Bahia.
1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto.
1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts.
1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP).
1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ).
1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia.
1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil.
1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA.
1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes.
1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP).
1963 — Awarded the title of Honorary Citizen of Salvador, Bahia.
1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ).
1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP).
1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA).
1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia).
1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ).
1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA).
1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP).
1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury.
1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile.
1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia.
1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ).
1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ).
1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile.
1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro.
1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research.
1982 — Receives the title of Honorary Doctor of the Federal University of Bahia.
1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria.
1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA).
1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio.
1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ).
1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP).
1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians.
1997 — Illustration of the book Poesias de Castro Alves.
Exhibitions
ммIndividual Exhibitions:
1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery
1944 — Salta (Argentina) — at the Consejo General de Educacion
1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ
1947 — Salta (Argentina) — Agrupación Cultural Femenina
1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP.
1952 — São Paulo SP — MAM/SP
1954 — Salvador BA — Oxumaré Gallery
1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery
1962 — Salvador BA - MAM/BA
1963 — Rio de Janeiro RJ — Bonino Gallery
1965 — Rio de Janeiro RJ — Bonino Gallery
1966 — São Paulo SP — Astrea Gallery
1967 — Rio de Janeiro RJ — Santa Rosa Gallery
1969 — London (England) — Varig Airlines
1970 — Rio de Janeiro RJ — Galeria da Praça
1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP
1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater
1973 — São Paulo SP — A Galeria
1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent
1980 — São Paulo SP — A Galeria
1981 — Lisbon (Portugal) — Cassino Estoril
1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria
1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center
1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André
1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco
1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP
1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte
Collective Exhibitions:
1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes
1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize
1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery
1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery
1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia
1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP
1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion.
1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP
1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP
1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal
1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing
1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial
1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP
1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA
1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School.
1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room
1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal
1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino
1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery
1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery
1968 — São Paulo SP — Bahian Artists, at the A Gallery
1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...
Category
Late 20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Rare Sighiting - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Rare Sighiting - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yoursel...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Surf Goddess - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Surf Goddess - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself ...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
Geisha - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Located in Carmel, CA
Geisha - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
Limited Edition 01/04
This masterwork is exhibited in the Zimmerman Gallery, Carmel CA.
Immerse yourself in the...
Category
2010s Contemporary Woodcut Figurative Prints
Materials
Woodcut
"Lendas Africanas Da Bahia" from the suite.
Located in San Francisco, CA
This artwork titled " Lendas Africanas Da Bahia" from the suite, 1978, is an original colors woodcut by renown Brazilian/Argentinian artist Hector Julio Paride Barnabo Carybe, 1911-1997. It is hand signed and numbered 83/200 in pencil by the artist. The Wood block mark (image) is 23.65 x 15.75 inches, sheet size is 26.75 x 19 inches. It is in excellent condition, has never been framed. It will be shipped in a 8 inches diameter heavy duty tube.
About the artist:
Héctor Julio Páride Bernabó (7 February 1911 – 2 October 1997) was an Argentine-Brazilian artist, researcher, writer, historian and journalist. His nickname and artistic name, Carybé, a type of piranha, comes from his time in the scouts. He died of heart failure after the meeting of a candomblé community's lay board of directors, the Cruz Santa Opô Afonjá Society, of which he was a member.
Quick Facts Born, Died ...
Carybé
Born
Héctor Julio Páride Bernabó
7 February 1911
Lanús, Argentina
Died
2 October 1997 (aged 86)
Salvador, Bahia, Brazil
Nationality
Brazilian
Known for
Painter, engraver, draughtsman, illustrator, potter, sculptor, mural painter, researcher, historian and journalist
Close
He produced thousands of works, including paintings, drawings, sculptures and sketches. He was an Obá de Xangô, an honorary position at Ilê Axé Opô Afonjá.
Orixá Panels in the Afro-Brazilian Museum in Salvador
Some of Carybé's work can be found in the Afro-Brazilian Museum in Salvador: 27 cedar panels representing different orixás or divinities of the Afro-Brazilian religion candomblé. Each panel shows a divinity with their associated implements and animal. The work was commissioned by the former Banco da Bahia S.A., now Banco BBM S.A., which originally installed them in its branch on Avenida Sete de Setembro in 1968.
Murals at Miami International Airport
American Airlines, Odebrecht and the Miami-Dade Aviation Department partnered to install two of Carybé's murals at Miami International Airport. They have been displayed in the American Airlines terminal at John F. Kennedy International Airport in New York since 1960. The 16.5 x 53-foot murals were accredited when Carybé won the first and the second prize in a contest of public art pieces for JFK airport.
As its terminal at that airport was due for demolition, American Airlines donated the murals to Miami-Dade County, and Odebrecht invested in a project to remove, restore, transport and install the murals at Miami International Airport.
The mural "Rejoicing and Festival of the Americas" portrays colorful scenes from popular festivals throughout the Americas, and "Discovery and Settlement of the West" depicts the pioneers’ journey into the American West.
Carybé's Woodcuts in Gabriel García Márquez's Books
Carybé illustrated four books by the Colombian writer Gabriel García Márquez, including One Hundred Years of Solitude, The Autumn of the Patriarch, Chronicle of a Death Foretold, and Love in the Time of Cholera "Carybé: um mestre da cultura baiana". ArqBahia Arquitetura, design, arte e lifestyle (in Brazilian Portuguese). 26 April 2023.. In particular, the woodcuts in One Hundred Years of Solitude are well-known for providing a visual image of the fictional town of Macondo, where the story takes place. The illustrations depict the colorful and winding houses, the railway bridge, and the hot and humid climate of the region, contributing to the reader's immersion in the story.
Carybé's woodcuts are, therefore, an important part of Gabriel García Márquez's literary legacy, bringing a visual dimension to his stories that further enriches the reader's experience.
Timeline
1911 — Birth in Lanús, Argentina.
1919 — Moved to Brazil.
1921 — The name Carybé is first given to him by the Clube do Flamengo scouts group, in Rio de Janeiro.
1925 — Beginning of his artistic endeavours, going to the pottery workshop of his elder brother, Arnaldo Bernabó, in Rio de Janeiro.
1927–1929 — Studies at the National School of Fine Arts, in Rio de Janeiro.
1930 — Worked for the newspaper Noticias Gráficas, in Buenos Aires, Argentina.
1935–1936 — Works with the writer Julio Cortázar and as a draughtsman for the El Diario newspaper.
1938 — Sent to Salvador by newspaper Prégon.
1939 — First collective exhibition, with the artist Clemente Moreau, at the Buenos Aires City Museum of Fine Arts, Argentina; illustrates the book Macumba, Relatos de la Tierra Verde, by Bernardo Kardon, published by Tiempo Nuestro.
1940 — Illustrates the book Macunaíma, by Mário de Andrade.
1941 — Draws the Esso Almanach, the payment for which allows him to set on a long journey through Uruguay, Brazil, Bolivia, and Argentina.
1941–1942 — Study trip around several South American countries.
1942 — Illustration for the book La Carreta by Henrique Amorim, published by El Ateneo (Buenos Aires, Argentina).
1943 — Together with Raul Brié, translates the book Macunaíma, by Mário de Andrade, into Spanish; produces the illustrations for the works Maracatu, Motivos Típicos y Carnavalescos, by Newton Freitas, published by Pigmaleon, Luna Muerta, by Manoel Castilla, published by Schapire, and Amores de Juventud, by Casanova Callabero; also publishes and illustrates Me voy al Norte, for the quarterly magazine Libertad Creadora; awarded First Prize by the Cámara Argentina del Libro (Argentine Book Council) for the illustration of the book Juvenília, by Miguel Cané (Buenos Aires, Argentina).
1944 — Illustrates the books The Complete Poetry of Walt Whitmann and A Cabana do Pai Tomás, both published by Schapire ; as well as and Los Quatro Gigantes del Alma by Mira y Lopez, Salvador BA; attends capoeira classes, visits candomblé meetings and makes drawings and paintings.
1945 — Does the illustrations for Daniel Defoe's Robinson Crusoe, for the Viau publishing house.
1946 — Helps in setting up the Tribuna da Imprensa newspaper, in Rio de Janeiro.
1947 — Works for the O Diário Carioca newspaper, in Rio de Janeiro.
1948 — Produces texts and illustrations for the book Ajtuss, Ediciones Botella al Mar (Buenos Aires, Argentina).
1949–1950 — Invited by Carlos Lacerda to work at the Tribuna da Imprensa, in Rio de Janeiro.
1950 — Invited by the Education Secretary Anísio Teixeira, moves to Bahia, and produces two panels for the Carneiro Ribeiro Education Center (Park School), in Salvador, Bahia.
1950–1997 — Settles in Salvador, Bahia.
1950–1960 — Actively participate in the plastic arts renewal movement, alongside Mário Cravo Júnior, Genaro de Carvalho, and Jenner Augusto.
1951 — Produces texts and illustrations for the works of the Coleção Recôncavo, published by Tipografia Beneditina and illustrations for the book, Bahia, Imagens da Terra e do Povo, by Odorico Tavares, published by José Olímpio in Rio de Janeiro; for the latter work he receives the gold medal at the 1st Biennial of Books and Graphic Arts.
1952 — Makes roughly 1,600 drawings for the scenes of the movie O Cangaceiro, by Lima Barreto; also works as the art director and as an extra on the film (São Paulo, SP).
1953 — Illustrations for the book A Borboleta Amarela, by Rubem Braga, published by José Olímpio (Rio de Janeiro, RJ).
1955 — Illustrates the work O Torso da Baiana, edited by the Modern Art Museum of Bahia.
1957 — Produces etchings, with original designs, for the special edition of Mário de Andrade's Macunaíma, published by the Sociedade dos 100 Bibliófilos do Brasil.
1958 — Makes an oil painting mural for the Petrobras Office in New York, USA; illustrates the book As Três Mulheres de Xangô, by Zora Seljan, published by Editora G. R. D. (Rio de Janeiro, RJ); Receives a scholarship grant in New York, USA.
1959 — Takes part in the competition for the New York International Airport panels project, in New York, USA, winning first and second prizes.
1961 — Illustrates the book Jubiabá, by Jorge Amado, published by Martins Fontes (São Paulo, SP).
1963 — Awarded the title of Honorary Citizen of Salvador, Bahia.
1965 — Illustrates A Muito Leal e Heróica Cidade de São Sebastião do Rio de Janeiro, published by Raymundo Castro Maya (Rio de Janeiro, RJ).
1966 — With Jorge Amado, co-authors Bahia, Boa Terra Bahia, published by Image (Rio de Janeiro, RJ); writes and illustrates the book Olha o Boi, published by Cultrix (São Paulo, SP).
1967 — Receives the Odorico Tavares Prize – Best Plastic Artist of 1967, in a competition ran by the state government to stimulate the development of plastic arts in Bahia; makes the Orixás Panels for the Banco da Bahia (currently at the UFBA Afro-Brazilian Museum) (Salvador, BA).
1968 — Illustrates the books Carta de Pero Vaz de Caminha ao Rei Dom Manuel, published by Sabiá (Rio de Janeiro) and Capoeira Angolana, by Waldeloir Rego, published by Itapoã (Bahia).
1969 — Produces the illustrations for the book Ninguém Escreve ao Coronel, by Gabriel Garcia Marquez, published by Sabiá (Rio de Janeiro, RJ).
1970 — Illustrates the books O Enterro do Diabo and Os Funerais de Mamãe Grande, published by Sabiá (Rio de Janeiro, RJ), Agotimé her Legend, by Judith Gleason, published by Grossman Publishers (New York, USA).
1971 — Illustrates the books One Hundred Years of Solitude, by Gabriel Garcia Marquez and A Casa Verde by Mario Vargas Llosa, both published by Sabiá (Rio de Janeiro, RJ); produces texts and illustrations for the book Candomblé da Bahia, published by Brunner (São Paulo, SP).
1973 — Illustrations for Gabriel Garcia Marquez's A Incrível e Triste História de Cândida Erendira e sua Avó Desalmada (Rio de Janeiro, RJ); paints the mural for the Legislative Assembly and the panel for the Bahia State Secretary of the Treasury.
1974 — Produces woodcuts for the book Visitações da Bahia, published by Onile.
1976 — Illustrates the book O Gato Malhado e a Andorinha Sinhá: uma história de amor, by Jorge Amado (Salvador, BA); receives the title of Knight of the Order of Merit of Bahia.
1977 — Certified with the Honor for Afro-Brazilian Cult Spiritual Merit, Xangô das Pedrinhas ao Obá de Xangô Carybé (Magé, RJ).
1978 — Makes the concrete sculpture Oxóssi, in the Catacumba Park; illustrates the book A Morte e a Morte de Quincas Berro D´Água, by Jorge Amado, published by Edições Alumbramento (Rio de Janeiro, RJ).
1979 — Produces woodcuts for the book Sete Lendas Africanas da Bahia, published by Onile.
1980 — Designs the costumes and scenery for the ballet Quincas Berro D´Água, at the Teatro Municipal in Rio de Janeiro.
1981 — Publication of the book Iconografia dos Deuses Africanos no Candomblé da Bahia (Ed. Raízes), following thirty years of research.
1982 — Receives the title of Honorary Doctor of the Federal University of Bahia.
1983 — Makes the panel for the Brazilian Embassy in Lagos, Nigeria.
1984 — Receives the Jerônimo Monteiro Commendation – Level of Knight (Espírito Santo); receives the Castro Alves Medal of Merit, granted by the UFBA Academy of Arts and Letters; makes the bronze sculpture Homenagem à mulher baiana (Homage to the Bahian woman), at the Iguatemi Shopping Center (Salvador, BA).
1985 — Designs the costumes and sets for the spectacle La Bohème, at the Castro Alves Theater; illustrates the book Lendas Africanas dos Orixás, by Pierre Verger, published by Currupio.
1992 — Illustrates the book O sumiço da santa: uma história de feitiçaria, by Jorge Amado (Rio de Janeiro, RJ).
1995 — Illustration of the book O uso das plantas na sociedade iorubá, by Pierre Verger (São Paulo, SP).
1996 — Making of the short film Capeta Carybé, by Agnaldo Siri Azevedo, adapted from the book O Capeta Carybé, by Jorge Amado, about the artist Carybé, who was born in Argentina and became the most Bahian of all Brazilians.
1997 — Illustration of the book Poesias de Castro Alves.
Exhibitions
ммIndividual Exhibitions:
1943 — Buenos Aires (Argentina) — First individual exhibition, at the Nordiska Gallery
1944 — Salta (Argentina) — at the Consejo General de Educacion
1945 — Salta (Argentina) — Amigos del Arte, Buenos Aires (Argentina) — Motivos de América, at the Amauta Gallery, Rio de Janeiro RJ — individual exhibition at the IAB/RJ
1947 — Salta (Argentina) — Agrupación Cultural Femenina
1950 — Salvador BA — First individual exhibit in Bahia, at the Bar Anjo Azul; São Paulo SP — MASP.
1952 — São Paulo SP — MAM/SP
1954 — Salvador BA — Oxumaré Gallery
1957 — New York (USA) — Bodley Gallery; Buenos Aires (Argentina) — Bonino Gallery * 1958 - New York (USA) — Bodley Gallery
1962 — Salvador BA - MAM/BA
1963 — Rio de Janeiro RJ — Bonino Gallery
1965 — Rio de Janeiro RJ — Bonino Gallery
1966 — São Paulo SP — Astrea Gallery
1967 — Rio de Janeiro RJ — Santa Rosa Gallery
1969 — London (England) — Varig Airlines
1970 — Rio de Janeiro RJ — Galeria da Praça
1971 — Rio de Janeiro RJ — MAM/RJ, São Paulo SP — A Galeria; Belo Horizonte MG, Brasília DF, Curitiba PR, Florianopolis SC, Porto Alegre RS, Rio de Janeiro RJ and São Paulo SP — The Orixás Panel (exhibition tour), at the Casa da Cultura in Belo Horizonte, MAM/DF, the Public Library of Paraná, the Legislative Assembly of Santa Catarina State, the Legislative Assembly of Rio Grande do Sul, MAM/RJ and MAM/SP
1972 — The Orixás Panel in Fortaleza CE — at the Ceará Federal University Art Museum, and in Recife PE — at the Santa Isabel Theater
1973 — São Paulo SP — A Galeria
1976 — Salvador BA — at the Church of the Nossa Senhora do Carmo Convent
1980 — São Paulo SP — A Galeria
1981 — Lisbon (Portugal) — Cassino Estoril
1982 — São Paulo SP — Renot Art Gallery, São Paulo SP — A Galeria
1983 — New York (USA) — Iconografia dos Deuses Africanos no Candomblé da Bahia, The Caribbean Cultural Center
1984 — Philadelphia (USA) — Art Institute of Philadelphia; Mexico — Museo Nacional de Las Culturas; São Paulo SP — Galeria de Arte André
1986 — Lisbon (Portugal) — Cassino Estoril; Salvador BA — As Artes de Carybé, Núcleo de Artes Desenbanco
1989 — Lisbon (Portugal) — Cassino Estoril; São Paulo SP — MASP
1995 — São Paulo SP — Documenta Galeria de Arte, São Paulo SP — Casa das Artes Galeria, Campinas SP — Galeria Croqui, Curitiba PR — Galeria de Arte Fraletti e Rubbo, Belo Horizonte MG — Nuance Galeria de Arte, Foz do Iguaçu PR — Ita Galeria de Arte, Porto Alegre RS — Bublitz Decaedro Galeria de Artes, Cuiabá MT — Só Vi Arte Galeria, Goiânia GO — Época Galeria de Arte, São Paulo SP — Artebela Galeria Arte Molduras, Fortaleza CE — Galeria Casa D'Arte, Salvador BA — Oxum Casa de Arte
Collective Exhibitions:
1939 — Buenos Aires (Argentina) — Carybé and Clemente Moreau Exhibition, at the Museo Municipal de Belas Artes
1943 — Buenos Aires (Argentina) — 29th Salon de Acuarelistas y Grabadores — first prize
1946 — Buenos Aires (Argentina) — Drawings by Argentine Artists, at the Kraft Gallery
1948 — Washington (USA) — Artists of Argentina, at the Pan American Union Gallery
1949 — Buenos Aires (Argentina) — Carybé and Gertrudis Chale, at the Viau Gallery; Salvador BA — Bahian Showroom of Fine Arts, at the Hotel Bahia
1950 — Salvador BA — 2nd Bahian Showroom of Fine Arts; São Paulo SP — MAM/SP
1951 — São Paulo SP — 1st São Paulo Art Biennial, Trianon Pavilion.
1952 — Salvador BA — 3rd Bahian Showroom of Fine Arts, at Belvedere da Sé; São Paulo SP — MAM/SP
1953 — Recife PE — Mario Cravo Júnior and Carybé, at the Santa Isabel Theater; São Paulo SP — 2nd São Paulo Art Biennial, at MAM/SP
1954 — Salvador BA — 4th Bahian Showroom of Fine Arts, at the Hotel Bahia. — Bronze medal
1955 — São Paulo SP — 3rd São Paulo Art Biennial, at MAM/SP — first prize for drawing
1956 — Salvador BA — Modern Artists of Bahia, at the Oxumaré Gallery; Venice (Italy) — 28th Venice Biennial
1957 — Rio de Janeiro RJ — 6th National Modern Art Show — exemption from the jury; São Paulo SP — Artists from Bahia, at the MAM/SP
1958 — San Francisco (USA) — Works by Brazilian Artists, at the Fine Arts Museums of San Francisco, Washington and New York (USA) — Works by Brazilian Artists, at the Pan American Union and the MoMA
1959 — Seattle (USA) — 30th International Exhibition, at the Seattle Art Museum; Salvador BA — Modern Artists of Bahia, at the Dentistry School.
1961 — São Paulo SP — 6th São Paulo Art Biennial, at MAM/SP — special room
1963 — Lagos (Nigeria) — Brazilian Contemporary Artists, at the Nigerian Museum; São Paulo SP — 7th São Paulo Art Biennial Bienal, at the Fundação Bienal
1964 — Salvador BA — Christmas Exhibition, at the Galeria Querino
1966 — Baghdad (Iraq) — collective exhibition sponsored by the Calouste Gulbenkian Foundation; Madrid (Spain) — Artists of Bahia, at the Hispanic Culture Institute; Rome (Italy) — Piero Cartona Palace; Salvador BA — 1st National Biennial of Plastic Arts (Bienal da Bahia) — special room; Salvador BA — Draughtsmen of Bahia, at the Convivium Gallery
1967 — Salvador BA — Christmas Exhibition at the Panorama Art Gallery; São Paulo SP — Artists of Bahia, at the A Gallery
1968 — São Paulo SP — Bahian Artists, at the A Gallery
1969 — London (England) — Tryon Gallery; São Paulo SP — 1st Panorama of Current Brazilian Art at the MAM/SP; São Paulo SP — Carybé, Carlos Bastos...
Category
Late 20th Century Modern Woodcut Figurative Prints
Materials
Woodcut
Woodcut figurative prints for sale on 1stDibs.
Find a wide variety of authentic Woodcut figurative prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, yellow, blue, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Salvador Dalí, Mino Maccari, Michel Fingesten, and Utagawa Kunisada (Toyokuni III). Frequently made by artists working in the Modern, Surrealist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Woodcut figurative prints, so small editions measuring 0.04 inches across are also available
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