Items Similar to Estève, Face à face, XXe Siècle (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Estève, Face à face, XXe Siècle (after)1968
1968
About the Item
Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, XXe Siècle, n°30, 1968. Published by Editions XXe Siècle, Paris; Printed by Mourlot, Paris, 1968.
MAURICE ESTEVE (1904-2001), was a French painter. Maurice Estève was born in the French town of Culan (Département Cher) on 2 May 1904. In 1913 he moved to Paris with his parents, where he soon began his education as an artist. Estève worked for a year as designer in a textile factory in Barcelona 1923. During his visits to the Louvre in the 1920s, Estève was particularly impressed by the painters Jean Fouquet and Paolo Uccello. Among the modern artists, Paul Cézanne had the greatest influence on Estève. Maurice Estève was largely self-educated, having only attended the free studio of the Académie Colarossi in 1924, where he tried to constructively implement of his motifs according to the model of Georges Braque and Fernand Léger, thus creating a kind of Cubist Fauvism. Estève began to move away from realism in 1928, and was influenced in the following years by Léger, Matisse, Picasso, and Bonnard. His first one-man exhibition was given at the Galerie Yvangot, Paris, 1930. He worked as assistant to Robert Delaunay on huge decorative panels for the 1937 Paris International Exhibition. In the 1940s his stylized figure, still-life and landscape compositions with strong colors gradually became completely abstract, with tight-knit interlocking shapes in rich, bold colors. Has made a number of watercolors and collages, and designed stained glass in 1957 for a church at Berlincourt in the Bernese Jura.
Estève's extensive work was not limited to the genre of painting. He was also active in collage, textile design and murals. Estève avoided the extrovert circles of Avant-garde but still belonged to the core of the artists who brought about the breakthrough of École de Paris after 1945.
Maurice Estève took part in the Venice Biennale in 1954. His œuvre, just like the works of his art colleagues Riopelle and Bazaine, established a new pictorial language: Lyrical abstractions with the aim of depicting form and color with an almost poetic attitude. His works have established themselves in many well-known museums and collections around the world.
- Creation Year:1968
- Dimensions:Height: 13.375 in (33.98 cm)Width: 9.5 in (24.13 cm)
- Medium:
- Movement & Style:
- After:Maurice Estève (1904 - 2001, French)
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465214085422
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2002
1stDibs seller since 2021
868 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Auburn Hills, MI
- Return PolicyA return for this item may be initiated within 1 day of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Rattner, Adam and Eve, Abraham Rattner: Twenty-four plates (after)By Abraham RattnerLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Abraham Rattner: Twenty-four plates 1956. Published by University of...Category
1950s Modern Abstract Prints
MaterialsLithograph
- Rattner, The seekers, Abraham Rattner: Twenty-four plates (after)By Abraham RattnerLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Abraham Rattner: Twenty-four plates 1956. Published by University of...Category
1950s Modern Abstract Prints
MaterialsLithograph
- Rattner, Architectural drawing, Abraham Rattner: Twenty-four plates (after)By Abraham RattnerLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Abraham Rattner: Twenty-four plates 1956. Published by University of...Category
1950s Modern Abstract Prints
MaterialsLithograph
- Kandinsky, Composition, XXe Siècle (after)By Wassily KandinskyLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 8, 1957. Published by ...Category
1950s Modern Figurative Prints
MaterialsLithograph
- Miró, Composition, XXe Siècle (after)By Joan MiróLocated in Auburn Hills, MILithograph on wove paper. Good Condition; never framed or matted. Notes: From the volume, XXe Siècle, vol. no. 24, 1964. Published by Editions XXe Siècle, Paris; Printed by Mourlot,...Category
1960s Modern Figurative Prints
MaterialsLithograph
- Rattner, Pieta, Abraham Rattner: Twenty-four plates (after)By Abraham RattnerLocated in Auburn Hills, MILithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Abraham Rattner: Twenty-four plates 1956. Published by University of...Category
1950s Modern Abstract Prints
MaterialsLithograph
You May Also Like
- Fernand Leger School Prints Colorful Modernist King of Hearts Drawing LithographBy (after) Fernand LégerLocated in Surfside, FLBright vibrant blue, orange, red, yellow, green lithograph in color. This is signed in the plate and dated. Leger's abstract drawing lithograph was drawn by the artist direct on to p...Category
1940s Modern Abstract Prints
MaterialsLithograph
- Raoul Dufy School Prints Colorful Modernist Drawing Lithograph Marching BandBy (after) Raoul DufyLocated in Surfside, FLBright vibrant blue, yellow lithograph in color. This is signed in the plate and dated. Dufy's abstract drawing lithograph was drawn by the artist direct on to plastic plates newly d...Category
1940s Modern Abstract Prints
MaterialsLithograph
- Large Venezuelan Modernist Lithograph "The Balcony #3" Color PrintBy Marius SznajdermanLocated in Surfside, FLMarius Sznajderman was a painter, printmaker and scenic designer living and working in the United States. Born in Paris, France in 1926 his Jewish parents had migrated to France from Poland in 1923. In November 1942 the family fled Nazi-occupied France for Spain before settling in Caracas, Venezuela. He attended the School of Fine Arts in Caracas where his teachers included illustrator Ramon Martin Durban, scenic designer Charles Ventrillon-Horber and painter Rafael Monasterios. and immigrated to the United States in 1949, where he received a Bachelor of Fine Arts and Master of Fine Arts from Columbia University in New York. He settled in Hackensack, New Jersey, where he lived and had a studio for more than 50 years before moving to Amherst, Massachusetts in 2015. His work, which includes painting, prints and collages, as well as set designs, is in more than 45 museum and public institution collections in the United States, Latin America and Israel. He held more than 40 solo exhibitions at galleries and museums and participated in more than 75 group shows around the globe. He helped found the Taller Libre de Arte, an experimental workshop for the visual arts, sponsored by the Ministry of Education. The Taller Libre de Arte was a center for young artists to work and to meet with critics and intellectuals to discuss avant-garde ideas and artistic trends from Europe and Latin America. Among the notable artists who participated in the Taller Libre de Arte were Ramón Vásquez Brito, Carlos González Bogen, Luis Guevara Moreno, Mateo Manaure, Virgilio Trómpiz...Category
20th Century Modern Figurative Prints
MaterialsLithograph
- Blues, important signed/N lithograph by renowned African American artist FramedBy Elizabeth CatlettLocated in New York, NYElizabeth Catlett Blues, 1983 Color lithograph on cream wove paper Signed, titled, dated and numbered in graphite pencil on the front Printed and published by the Brandywine Workshop...Category
1980s Modern Figurative Prints
MaterialsLithograph, Pencil
- Morning (Carolina Morning)By Romare BeardenLocated in New York, NYA very good impression of this color lithograph on wove paper. Signed and numbered 74/175 in pencil by Bearden. Published by London Arts, Inc., Detroit. Catalogue reference: Gelburg...Category
1970s Modern Figurative Prints
MaterialsColor, Lithograph
- A Maiakovski (For Mayakovsky) signed by Alechinsky & Christine Rochefort #10/50By Pierre AlechinskyLocated in New York, NYPierre Alechinsky A Maiakovski, 1958 (For Mayakovsky) Color lithograph and offset lithograph with text Pencil numbered 10/50 and signed by BOTH artist Pierre Alechinsky and writer C...Category
Mid-20th Century Modern Abstract Prints
MaterialsOffset, Lithograph, Pencil
Recently Viewed
View AllMore Ways To Browse
Modern Faces
Face A Face Glasses
Vintage Face Glass
Print Knit
Maurice Man
Matisse Faces
Modern Stained Glass Panels
Stained Glass Circles
Fernand Leger Composition
Picasso Lithograph Face
Chers French
Paolo Picasso
Church Stained Glass Panel
Paolo Uccello
Maps Of Venice
Salvador Dali Large
Vintage Circus Man
Vintage Good Humor