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Rembrandt van RijnThe Ringball Player By Rembrandt Van Rijn1654
1654
About the Item
Rembrandt van Rijn
1606-1669 Dutch
The Ringball Player
Etching on paper
New Hollstein’s first state of two
Signed and dated lower left: Rembrandt F. 1654
Among the foremost figures of the Old Masters, the esteemed Dutch artist Rembrandt van Rijn is often regarded as the preeminent etcher in art history. As the most significant Dutch printmaker, his body of work includes nearly 300 authenticated prints, marked by pioneering techniques that set new standards in the medium. This exceptional etching, titled The Ringball Player, exemplifies the intricate artistry and meticulous detail that distinguish Rembrandt's prints.
This print is closely related to the ones of the early life of Christ, etched in the same year, and of a similar size, using long straight hatching lines to model the figures and the background. In Rembrandt’s oeuvre, this is also one of the very rare subject matters connected with sports and leisure time. The title refers to ringball, a reference to a form of indoor croquet called beugelen, which involves a spade-like scoop. It was a popular pastime in 16th and 17th century Holland.
The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art — first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman, known for his historical paintings. Rembrandt was an exceptionally gifted student and mastered his craft in a mere six months. At 22 years old, he returned to Leiden and was soon so highly regarded that he was able to take students of his own.
Though known today primarily for his paintings, Rembrandt’s fame spread outside of the Netherlands thanks to his etchings. He made hundreds of etchings throughout his career from 1626 until 1660, the year he was forced to sell his presses. He created etchings of numerous subjects, including self-portraits, biblical subjects, saints and allegories, and his work was avidly admired and collected, even during his lifetime.
Dated 1654
Etching: 3 7/8" high x 6 3/4" wide (9.84 x 17.15 cm)
Frame: 20 1/4" high x 16 1/4" wide (51.12 x 41.28 cm)
Provenance:
Unidentified, initials fB in brown ink verso
Dr. Edward Peart (1756/58-1824)
London and Butterwick
Christie’s London, 1822, lot 77
William Benoni White, London
Christie’s London, 1879, lot 290
Sir Byron Edmund Walker, Toronto
Art Gallery of Ontario, Toronto
Private collection, The Netherlands, 2021
M.S. Rau, New Orleans
Literature
Bartsch, Adam. Catalogue Number 125. In Le Peintre graveur.
Hind, Arthur M. Catalogue Number 272. In A Catalogue of Rembrandt’s Etchings.
Nowell-Usticke, G. W. C1. In A Descriptive Catalogue of Rembrandt’s Etchings. 1967.
The New Hollstein Dutch. Catalogue Number 282: The First State (of II), Plate in Existence.
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:1654
- Dimensions:Height: 20.13 in (51.14 cm)Width: 16.25 in (41.28 cm)Depth: 0.88 in (2.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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