Items Similar to Leda and the Swan IX, Etching by Reuben Nakian
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Reuben NakianLeda and the Swan IX, Etching by Reuben Nakian1979
1979
About the Item
Leda and the Swan IX by Reuben Nakian, American (1897–1986)
Date: circa 1979
Etching with Chine Colle, signed and numbered in pencil
Edition of 25 (in Roman Numerals)
Size: 20 in. x 26 in. (50.8 cm x 66.04 cm)
- Creator:Reuben Nakian (1897-1986, American)
- Creation Year:1979
- Dimensions:Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:
About the Seller
4.8
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1979
1stDibs seller since 2014
2,717 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- "Harvest (Sugar Beets), " Aquatint Etching by Manuel Robbe, circa 1910By Manuel RobbeLocated in Long Island City, NYThis etching with aquatint was created by French printmaker Manuel Robbe. Robbe’s innovative techniques, along with his sense of color harmony and his choice of subjects: stylish wom...Category
1910s Impressionist Figurative Prints
MaterialsEtching, Aquatint
- Jean Francois Millet, "La Boullie (The Porridge)", Drypoint Etching, 1861By Jean François MilletLocated in Long Island City, NYEtching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...Category
1860s Impressionist Figurative Prints
MaterialsDrypoint, Etching, Intaglio
- Leda and the Swan III, Minimalist Nude Etching by Reuben NakianBy Reuben NakianLocated in Long Island City, NYLeda and the Swan III by Reuben Nakian, American (1897–1986) Date: circa 1979 Sepia Drypoint Etching with Chine Colle, signed in ink and numbered in pencil Edition of 25 Image Size: ...Category
1970s Impressionist Figurative Prints
MaterialsEtching
- Couler Voyage Pour Attaper, Aquatint Etching by Theo TobiasseBy Théo TobiasseLocated in Long Island City, NYArtist: Theo Tobiasse Title: Couler Voyage Pour Attaper Year: 1983 Medium: Aquatint Etching with Carborundum, signed and numbered in pencil Image Size: 40 x 28 inches Paper Size: 53....Category
1980s Impressionist Figurative Prints
MaterialsEtching, Aquatint
- Granada, Modern Framed Etching by Marc ChagallBy (after) Marc ChagallLocated in Long Island City, NYArtist: Marc Chagall, After, Russian (1887 - 1985) Title: Granada Year: 1962 Medium: Etching with Aquatint (Restrike) Image Size: 13 x 9 inches Size: 19 in. x 15 in. (48.26 cm x 38.1...Category
1960s Impressionist Figurative Prints
MaterialsEtching
- Interference, Football Color Etching by LeRoy Neiman 1972By LeRoy NeimanLocated in Long Island City, NYArtist: LeRoy Neiman, American (1921 - 2012) Title: Interference Year: 1972 Medium: Etching, signed and numbered in pencil Edition: 54/150 Image Size: 7.5 x 8.4 inches Size: 9 x 9.25...Category
1970s American Impressionist Figurative Prints
MaterialsEtching
You May Also Like
- Mère et enfant by Lélia Pissarro - EtchingBy Lelia PissarroLocated in London, GBMère et enfant by Lélia Pissarro (b. 1963) Etching 3 x 3 cm (1 ¹/₈ x 1 ¹/₈ inches) Signed lower left, Lélia Pissarro Inscribed lower right: E.A (artist proof in French) Artist biog...Category
21st Century and Contemporary Impressionist Figurative Prints
MaterialsEtching
- Le Chapeu Epinglé - Etching by Pierre Auguste Renoir - 1894By Pierre Auguste RenoirLocated in Roma, ITLe chapeu épinglé is a modern artwork realized by Pierre Auguste Renoir. Etching on laid paper. Signed on the plate lower left. Pencil inscriptions bearing the artist's personal d...Category
1890s Impressionist Figurative Prints
MaterialsEtching
- The Venetian MastBy James Abbott McNeill WhistlerLocated in Storrs, CTThe Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...Category
1870s American Impressionist Landscape Prints
MaterialsDrypoint, Etching
- Lady Hailing a Carriage Dame, eine Droschke rufend - German ImpressionismBy Lesser UryLocated in London, GBThis original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is also hand numbered in pencil from the edition of 150, at the lower ...Category
1910s Impressionist Figurative Prints
MaterialsDrypoint, Etching
- Noon Time LullBy Louis Oscar GriffithLocated in Fairlawn, OHNoon Time Lull Etching, c. 1930 Signed by the artist in pencil lower right (see photo) Note: An image done in South Carolina. An impression of this image is in the permanent collecti...Category
1930s American Impressionist Figurative Prints
MaterialsEtching
- Five Pigeons (Jardin du Luxembourg, Paris)By Harold AltmanLocated in San Francisco, CAArtist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...Category
Late 20th Century American Impressionist Landscape Prints
MaterialsEtching, Aquatint