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Jim DineJim Dine- Five Feet of Colorful Tools1980
1980
About the Item
"The Tel-Avic Museum hosts the Museum Modern Art Museum of NY February April 1980 in a retrospective of American Art in the 20th Century"
Poster created for a retrospective exhibition of American art in the 20th century, which was hosted by the Tel Aviv Museum in collaboration with the Museum of Modern Art (MoMA) in New York.
During this exhibition from February to April 1980, the Tel Aviv Museum lshowcased a wide range of artworks by prominent American artists, including Jim Dine, as part of a comprehensive survey of American art from the 20th century.
Jim Dine's inclusion in this retrospective highlighted his significant contributions to American art, particularly his exploration of pop art, neo-expressionism, and printmaking during that era.
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- Creator:Jim Dine (1935, American)
- Creation Year:1980
- Dimensions:Height: 35 in (88.9 cm)Width: 24.5 in (62.23 cm)
- More Editions & Sizes:41 x 34, 500Price: $350
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:All items are carefully stored. Condition is a main concern, unless otherwise indicated, all items are in mint condition. Additional pictures are available upon request. Feel free to contact our team if you have any questions or concerns. Thank you.
- Gallery Location:Brooklyn, NY
- Reference Number:
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
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