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Arthur John Trevor BriscoeThe Helmsman1929
1929
About the Item
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally rare proof printed by the artist. Signed and annotated 'trial by self' in pencil.
n 1922, after a meeting with the etcher James McBey, Briscoe returned to etching once more producing plates of some of his sea sketches. The two artists sailed together in Briscoe's, forty-ton yacht, the "Golden Vanity." Briscoe produced 189 etchings dealing with the sea and the sailing ship. Starting with his publisher, Harold Dickens of London, in 1925, his works were eagerly sought after and purchased by collectors throughout the 1930's. A His work was always technically accurate and very evocative of the last years of square-rigged sailing ships.Most of Briscoe left an invaluable historical record of the workings of the last great commercial vessels.
- Creator:Arthur John Trevor Briscoe (1873 - 1943, British)
- Creation Year:1929
- Dimensions:Height: 7 in (17.78 cm)Width: 10.88 in (27.64 cm)
- More Editions & Sizes:Trial proof, apart from the edition of 75 Price: $2,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU335213400682
Arthur John Trevor Briscoe
Muirhead Bone was born in Partick, a suburb of Glasgow in 1876. As a young man, he was apprenticed to a firm of architects and in the evenings attended classes at the Glasgow School of Art. Aware his vocation was art, and not architecture, he devoted his time almost exclusively to drawing. He continually sketched the streets, buildings, and slums of Glasgow imbuing the urban decay with dignity and sentiment he so admired in the work of the Dutch artists whose townscapes he had studied in the Glasgow Corporation Art Galleries. Bone moved to London in 1901, holding his first exhibition at the Carfax Gallery in 1902. His success both critically and financially was rapid. His status as an etcher in the early years of the last century placed him among the world's most celebrated artists. It is not an exaggeration to say that his international reputation among collectors and the curators of the 'Great Print Rooms' of Europe and America was without parallel. He was appointed the first Official War Artist in World War I and was the doyen of War Artists in the Second World War. He was instrumental in the foundation of The Imperial War Museum and became a Trustee of The Tate and The National Gallery. He was knighted for his services to art in 1937.
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International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
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