Items Similar to The Gargoyle and His Quarry
Want more images or videos?
Request additional images or videos from the seller
1 of 5
John Taylor ArmsThe Gargoyle and His Quarry1922
1922
About the Item
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' cream laid paper. Signed and annotated in pencil. Housed in a 16 x 20-inch archival mat, suitable for framing.
John Tayler Arms was born on April 19, 1887, in Washington D.C., and studied law at Princeton University and then transferred to the Massachusetts Institute of Technology to study architecture, earning a master's degree in 1912. For five years after his graduation, he worked for Carrere and Hastings, an architectural firm and then became a partner in another firm named Clark and Adams.
In 1913, he made his first etching and by 1927 began exhibiting his architectural etchings at the National Arts Club and the Salmagundi Club in New York. He also worked in aquatint and drypoint and often combined the three methods. In addition to medieval architecture, he etched scenes of Maine and a series of American cities.
Arms became one of the most famous printmakers of the early 20th century. He was known for his medieval architectural etchings that combined precise realism with a sense of soaring spirituality. He believed that Gothic architecture was man's greatest achievement, uniting spiritual and aesthetic values, and was best known for his renderings of gargoyles and European churches. He was remarkably prolific, considering that he worked slowly and deliberately and spent much time traveling, writing, and lecturing. He was a member of principal art organizations including the National Institute of Arts and Letters, and he wrote several books on prints and printmaking including "Handbook on Printmaking and Printmakers."
Arms etched 429 prints before his death on October 15, 1953, at age 66.
John Taylor Arms (1887–1953) is one of the foremost American printmakers of the first half of the 20th century. Trained as an architect, he spent the majority of his 50-year career documenting Europe’s great Gothic churches. Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented “the most significant expression of man’s aspirations.” He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society.
- Creator:John Taylor Arms (1887 - 1953, American)
- Creation Year:1922
- Dimensions:Height: 7.13 in (18.12 cm)Width: 5.25 in (13.34 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33528526262
John Taylor Arms
John Taylor Arms was born in Washington, D.C., in 1887. Arms studied architecture at Princeton and MIT and later became the country’s finest etcher of his age. His renderings of European and American architectural subjects are not only beautiful, but they are unrivaled in their technical virtuosity and nuanced light. In a recent exhibit, the Cleveland Museum noted, Arms believed that art could be a tool for the spiritual and moral improvement of mankind and that Gothic cathedrals represented the most significant expression of man’s aspirations. He viewed printmaking as a vehicle for disseminating images of subjects that would uplift and inspire contemporary society. He served as President of the Society of American Etchers and as an ambassador for American printmakers and printmaking throughout the world.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
701 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Under the BridgeBy Lawrence WilburLocated in Storrs, CTUnder the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...Category
20th Century American Modern Figurative Prints
MaterialsDrypoint, Etching
- The Gothic SpiritBy John Taylor ArmsLocated in Storrs, CTThe Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...Category
1920s American Modern Landscape Prints
MaterialsDrypoint, Etching
- Guardians of the Spire (Amiens Cathedral Number 2)By John Taylor ArmsLocated in Storrs, CTGuardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...Category
1920s American Modern Landscape Prints
MaterialsDrypoint, Etching
- House on Cliff Walk, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTHouse on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
- Old Brownstones -- New YorkBy Lawrence WilburLocated in Storrs, CTOld Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood. Painter and printmaker Lawrence Nelson Wilbur...Category
20th Century American Modern Figurative Prints
MaterialsDrypoint, Etching
- Manhattan MountainsBy Lawrence WilburLocated in Storrs, CTManhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...Category
20th Century American Modern Figurative Prints
MaterialsDrypoint, Etching
You May Also Like
- Irving Guyer, Christmas Trees on Second Street (NYC)By Irving GuyerLocated in New York, NYPhiladelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...Category
1930s American Modern Figurative Prints
MaterialsEtching, Drypoint
- Tugs on the HudsonBy Charles Frederick William MielatzLocated in Middletown, NYDrypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City rive...Category
Early 20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Drypoint, Etching
- Steps to the Grand Canal, St. Mark's in the distance, Venice.By Donald Shaw MacLaughlanLocated in Middletown, NYA lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...Category
Early 20th Century American Modern Landscape Prints
MaterialsLaid Paper, Drypoint, Etching
- Low Country (South Carolina)By Elizabeth VernerLocated in Middletown, NYAn enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...Category
Early 20th Century American Modern Landscape Prints
MaterialsArchival Paper, Drypoint, Etching
- Comanche Dance, Ildefonso Pueblo, New Mexico Southwest Framed EtchingBy Gene KlossLocated in Denver, COComanche Dance at San Ildefonso Pueblo (New Mexico). Etching and drypoint, artist's proof from an edition of 50 prints. Presented in a custom frame, outer dimensions measure 22 ¼ x 18 ½ x ½ inches. Image size is 11 ¾ x 14 ½ inches. Print is clean and in very good vintage condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Gene (Alice Geneva) Kloss is considered one of America’s master printmakers. She was born in Oakland, California and established herself as an artist on the West coast. Kloss was introduced to etching by Perham Nahl while at UC Berkley. She graduated in 1924, and in 1925 married poet Phillips Kloss. In her late twenties, Kloss moved to Taos, New Mexico and began her life’s work of the New Mexican landscape and peoples. It was at this time that she received national acclaim. Her artwork exudes an unmistakable content and style. Enchanted by the architecture, mountainous landscapes and rituals of the inhabitants, Kloss captured the beauty of the Southwest and surrounding areas. Her style was bold yet deftly simple, masterfully expressing the elusive Southwestern light...Category
1980s American Modern Figurative Prints
MaterialsDrypoint, Etching
- The Old Smyth Gate, Charleston, South CarolinaBy Alfred HuttyLocated in Middletown, NYA view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House. Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...Category
Early 20th Century American Modern Landscape Prints
MaterialsLaid Paper, Drypoint, Etching, Handmade Paper
