Items Similar to Snow on the Aspetuck.
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Kerr EbySnow on the Aspetuck. 1927
1927
About the Item
Snow on the Aspetuck. 1927. Etching. Giardina catalog 109 state iii. Image: 6 1/16 x 10 7/8 (sheet 9 x 13 3/4). Trial proof, apart from the edition of 90. A rich impression with plate tone printed on cream-laid paper. Signed and annotated 'trial proof' and 'imp' (imprimit) in pencil, indicating a proof printed Eby
Kerr Eby is one of the great 20th-century printmakers, heralded for his use of negative space and plate tone. His plates usually held a combination of drypoint and etched lines, resulting in an interplay of strong lines and delicate details. His landscapes are just as telling of his talents and skilled hand. They speak to his ability to edit, as he would enlist only one or two lines to do the work of many- letting the almost unmarked plate convey a sense of vast open space with great depth and dimension. His prints continue to inspire artists to this day, and also serve as a rich historical account of the 20th century.
- Creator:Kerr Eby (1890 - 1946, American)
- Creation Year:1927
- Dimensions:Height: 6.07 in (15.42 cm)Width: 10.88 in (27.64 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU335211543022
Kerr Eby
Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. Returning to that country when he was three, Eby grew up studying art, which his parents encouraged, as his mother came from a family of prominent artists. Harold Kerr Eby was born to Canadian Methodist missionaries in Tokyo, Japan, on October 19, 1889. At the age of three his family moved to Vancouver, B.C. and by the time he was twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge. He worked as a 'printer's devil' on the Bracebridge paper, and at fifteen he took his savings and moved to New York with the dream of becoming an artist After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League.. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, life became desperate for the young artist. Starving and feeling defeated, he left in the spring for home in Canada and was employed by a surveying party in Northern Ontario. While in this northern wilderness, Eby regained his dream of becoming an artist, and in his spare time he started to draw his surroundings. By fall he had saved enough money to return to New York. He attended night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed a number of influential friendships with major artists such as John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through study and practice, Eby refined both his drawing and printing techniques. Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr Eby's work can be found in these collections of the Library of Congress, The Fine Arts Museums of San Francisco, Harvard Art Museums, New York Public Library, Navy Art Collection.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
702 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Under the BridgeBy Lawrence WilburLocated in Storrs, CTUnder the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...Category
20th Century American Modern Figurative Prints
MaterialsDrypoint, Etching
- Fly Fishing, Saranac LakeBy Winslow HomerLocated in Storrs, CTFly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibly intended 100; highest numb...Category
Late 19th Century American Modern Figurative Prints
MaterialsEtching
- New England Winter: The Old Homestead.By Gustave Adolph HoffmanLocated in Storrs, CTNew England Winter: The Old Homestead. 1896. Etching and aquatint printed in grey-green. 7 3/4 x 11 3/4 (sheet 10 x 13 1/16). A rich impression in p...Category
Late 19th Century American Modern Landscape Prints
MaterialsEtching, Aquatint
- The Gothic SpiritBy John Taylor ArmsLocated in Storrs, CTThe Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...Category
1920s American Modern Landscape Prints
MaterialsDrypoint, Etching
- Old Colony Statehouse, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTOld Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching
- Guardians of the Spire (Amiens Cathedral Number 2)By John Taylor ArmsLocated in Storrs, CTGuardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...Category
1920s American Modern Landscape Prints
MaterialsDrypoint, Etching
You May Also Like
- Steps to the Grand Canal, St. Mark's in the distance, Venice.By Donald Shaw MacLaughlanLocated in Middletown, NYA lovely view of Venice from the water. Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...Category
Early 20th Century American Modern Landscape Prints
MaterialsLaid Paper, Drypoint, Etching
- Somewhere in FranceBy John Taylor ArmsLocated in Middletown, NYEtching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Gloria, Saint Riquier; The Church of Saint Riquier; Gloria Ecclesiae AntiquaeBy John Taylor ArmsLocated in Middletown, NYEtching on antique cream laid paper with an "England" watermark; 13 7/8 x 8 5/8 inches (353 x 221 mm), full margins. Signed, dated, titled, numbered "III," and inscribed in pencil. O...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Etching, Laid Paper
- Cathedral of Saint Cyr and Saint Julitta, NeversBy John Taylor ArmsLocated in Middletown, NYEtching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- La Tour D'Horloge, DinanBy John Taylor ArmsLocated in Middletown, NYtching on green-hued antique laid Japon paper, 9 7/16 x 4 1/16 (240 x 104 mm), full margins. Signed, dated and inscribed "Ed. 100 II." One of a total edition on 124 impressions, prin...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
- Sunlight on Stone; Caudebec-en-CauxBy John Taylor ArmsLocated in Middletown, NYAn extremely scarce impression from the artist's own collection. Etching on watermarked antique laid J Whatman Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signe...Category
Mid-20th Century American Modern Landscape Prints
MaterialsHandmade Paper, Laid Paper, Etching
Recently Viewed
View AllMore Ways To Browse
Kerr Eby
Paris Loafer
Yugoslavia Glass
A Drury
Egypt And Nubia
Retro National Park Posters
Vintage American Flag Fabric
After Claude Lorrain
Utrillo Lithographs
16th Century Colored Engraving
Carl Alexander
English Lucas Art
Piranesi Veduta
Thomas Hart Benton Original
Claude Etching Lorrain
Loggan Print Of Eton College
Piranesi Views Of Rome
Antique Currier Ives Prints