Engraving Prints and Multiples
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Medium: Engraving
Untitled (Plate 2)
By Terry Haass
Located in Fairlawn, OH
Untitled (Plate 2)
Engraving, sugar-lift, and aquatint , 1970
Signed and numbered in pencil (see photo)
From: Variations (8 plates)
Edition: 100 (100/100) (see photo)
Printed by Lac...
Category
1970s Abstract Engraving Prints and Multiples
Materials
Engraving
I Won't Eat You, Limited edition print, Animal print, Lion, Yellow, Illustrative
Located in Deddington, GB
I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Oil Pastel, Mixed Media, Drypoint, Etching
"Three Herons" - Hand Watercolor Engraving
Located in Soquel, CA
"Three Herons" - Hand Watercolor Engraving
"Three Herons" from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Bird...
Category
17th Century French School Engraving Prints and Multiples
Materials
Watercolor, Engraving, Paper
Saint Christopher with the Christ Child
By Lucas van Leyden
Located in Greenwich, CT
Lucas Van Leyden (Dutch, 1494-1533)
Engraving
Dimensions: 4 1⁄4” H x 3” W, plate ; 108x75 mm;
framed 13 ½ x 10 ¼ inches
Monogrammed “LL” lower left in plate
Reference : Bartsch 1...
Category
17th Century Renaissance Engraving Prints and Multiples
Materials
Engraving
Antique Birds - 17th Century Hand Watercolor Engraving
Located in Soquel, CA
Antique Birds - 17th Century Hand Watercolored Etching
Antique Birds, from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Di...
Category
17th Century French School Engraving Prints and Multiples
Materials
Watercolor, Engraving, Paper
"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
Located in Soquel, CA
"Collection Of The Most Rare Birds" - Hand Colored Engraving
Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Birds t...
Category
17th Century French School Engraving Prints and Multiples
Materials
Engraving, Watercolor, Paper
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine
Year: 1789-1810
Medium: Set of Six Original Hand-Colored Engra...
Category
1780s Victorian Engraving Prints and Multiples
Materials
Intaglio, Laid Paper, Engraving, Watercolor
"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11.13" x 18.25"
Image size (platemark) (each): approx. 7.5" x 14.5"
Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Moor Tower" and "Kirkham Priory" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328)
Portfolio: Buck's Antiquities or Venerable R...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Conisborough Castle" and "Morlashe Castle" from "Buck's Antiquities" /// UK Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Cockersand Abbey" and "Sandal Castle" from "Buck's Antiquities" /// British Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some O...
Category
1740s Old Masters Engraving Prints and Multiples
Materials
Intaglio, Engraving, Laid Paper, Watercolor
"Louth Park Abbey" and "Easby Abbey" from "Buck's Antiquities" /// Architecture
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324)
Portfolio: Buck's Antiquities or Venerabl...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Knaresborough Castle" and "Sawley Abbey" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 5.75" x 4.75"
Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Engraving Prints and Multiples
Materials
Intaglio, Engraving, Watercolor
Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773)
Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards"
Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History
Year: 1743-1764
Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers
Limited edition: Unknown
Printer: C. Rickaby, London, UK
Publisher: William Gardiner and Messrs. Robinson, London, UK
Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198
Sheet size (each): approx. 11.25" x 9"
Image size (each): approx. 8.63" x 7.38"
Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors
Notes:
Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included.
Biography:
George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...
Category
1740s Old Masters Engraving Prints and Multiples
Materials
Intaglio, Engraving, Laid Paper, Watercolor
"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or ...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Pendragon Castle" and "Lincoln Castle" from "Buck's Antiquities" /// British UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170)
Portfolio: Buck's Antiquities or Vener...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
"Torksey Hall" and "Newark Castle" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable ...
Category
1720s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category
1780s Old Masters Engraving Prints and Multiples
Materials
Intaglio, Engraving, Laid Paper
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.13" x 8.75"
Image size (each): approx. 4.75" x 4.5"
Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Engraving Prints and Multiples
Materials
Engraving, Intaglio, Watercolor
Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "Le Pied de Griffon (Griffin's Foot)", "La Laureole (The Laurel)", and "Le Cabaret d'Europe (The European Cabaret)"
Portfolio: Herb...
Category
1780s Old Masters Engraving Prints and Multiples
Materials
Intaglio, Engraving, Laid Paper
Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: Set of Six Hand-Colored Engravings
Portfolio: The Botanical Magazine
Year: 1796-1829
Medium: Set of Six Original Hand-Colored Engra...
Category
1790s Victorian Engraving Prints and Multiples
Materials
Intaglio, Engraving, Watercolor
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Kamtschatkan Thrush", "Spotted-sided Grosbeak", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 4.5" x 4.5"
Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Engraving Prints and Multiples
Materials
Intaglio, Engraving, Watercolor
Hommage a Picasso (Cannes) (Cote d'Azur) /// Surrealism Salvador Dali Surrealist
Located in Saint Augustine, FL
Artist: Salvador Dali (Spanish, 1904-1989)
Title: "Hommage a Picasso (Cannes) (Cote d'Azur)"
*Signed by Dali in pencil lower right
Year: 1973
Medium: Original Drypoint Etching on Rives BFK paper
Limited edition: L/CC (50/200)
Printer: Atelier Rigal, Paris, France
Publisher: Felicia, New York, NY and EGI, Beverly Hills, CA
Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 73-5, page 84; "Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924-1980" - Michler/Löpsinger No. 719, page 252
Sheet size: 26" x 19.63"
Image size: 19.88" x 14.5"
Condition: In excellent condition
Rare
Notes:
Provenance: private collection - Clearwater, FL. Numbered by Dali in pencil lower left. BFK Rives watermark lower right. Some dealer reference numbers pencil inscribed on verso. Dali executed this etching in Cannes, France when he learned of Picasso's death.
We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic.
Biography:
Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Intaglio, Drypoint, Etching
Une Escale au Brasil (A Stopover in Brazil)
Located in New York, NY
Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...
Category
1920s Modern Engraving Prints and Multiples
Materials
Drypoint, Etching
Snail in a Bowl (Artist Proof inscribed to Fritz Eichenberg)
Located in New Orleans, LA
Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg.
While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting.
Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked.
Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium.
Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print.
There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers.
But making mezzotints was not a paying job. Marchant and his South African wife...
Category
1980s Modern Engraving Prints and Multiples
Materials
Mezzotint
County Map of Virginia and West Virginia /// American Cartography Geography Art
Located in Saint Augustine, FL
Artist: Samuel Augustus Mitchell (American, 1790-1868)
Title: "County Map of Virginia and West Virginia" (Plate 27)
Portfolio: Mitchell's New General Atlas
Year: 1863
Medium: Origina...
Category
1860s Academic Engraving Prints and Multiples
Materials
Watercolor, Engraving
Sidney Sussex College, Cambridge and Sidney Street engraving by Challis
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Ebenezer Challis (1806 - 1881)
Sidney Sussex College...
Category
Mid-19th Century Realist Engraving Prints and Multiples
Materials
Engraving
Elephant Art print, Animal print, Handmade, Elephant art, Wild animal print
Located in Deddington, GB
Elephant is a limited edition drypoint etching by Kate Boxer. Elephant is a beautifully printed monochromatic work with a classically subtle and witty Kate Boxer twist - the elephant...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint, Etching
I Robert, Art print, Animal print, Handmade, Rabbit art, Contemporary
Located in Deddington, GB
I Robert by Kate Boxer is a limited edition work. The piece depicts an elegant looking Rabbit in a poised stature. Above this characterful depiction is the title 'I Robert'.
ADDITIO...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Drypoint, Paper, Etching
The Great Speckled Diver (Great Speckled Loon) /// Thomas Pennant Ornithology
Located in Saint Augustine, FL
Artist: Thomas Pennant (Welsh, 1726-1798)
Title: "The Great Speckled Diver (Great Speckled Loon)" (Plate K*)
Portfolio: The British Zoology, Class II: Birds
Year: 1761-1766 (First ed...
Category
1760s Old Masters Engraving Prints and Multiples
Materials
Engraving, Laid Paper, Watercolor
The Royston Crow (Hooded Crow) /// Thomas Pennant Ornithology Bird Animal Art
Located in Saint Augustine, FL
Artist: Thomas Pennant (Welsh, 1726-1798)
Title: "The Royston Crow (Hooded Crow)" (Plate D1)
Portfolio: The British Zoology, Class II: Birds
Year: 1761-1766 (First edition)
Medium: O...
Category
1760s Old Masters Engraving Prints and Multiples
Materials
Laid Paper, Engraving, Watercolor
Shags, Art print, Animal print, Handmade, Bird art
Located in Deddington, GB
Shags (2022)
ADDITIONAL INFORMATION:
Drypoint on Paper
106.6 H x 78 W x 0.1 D cm (41.97 x 30.71 x 0.04 in)
Sold unframed
Image size:
Height: 98.5cm (38.78 in)
Width: 73cm (28.74 ...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint, Etching
Ramblas
Located in London, GB
Lithograph, drypoint, etching in colours, 1987/88, on handmade wove paper, signed in pencil, numbered from the edition of 75, printed and published by Polígrafa Obra Gráfica, Barcelo...
Category
1980s Abstract Expressionist Engraving Prints and Multiples
Materials
Drypoint, Etching, Lithograph
Joan Ponç - UNTITLED Etching. Spanish Surrealism Contemporary Art Purple
By Joan Ponç
Located in Madrid, Madrid
Joan Ponç - SIN TÍTULO 1
Date of creation: 1975
Medium: Etching on paper
Edition number: 70/75
Size: 56 x 76 cm
Condition: In perfect conditions and never framed
Observations: Etchin...
Category
1970s Surrealist Engraving Prints and Multiples
Materials
Engraving, Etching
Soho Dreams
Located in London, GB
Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...
Category
1980s Abstract Expressionist Engraving Prints and Multiples
Materials
Drypoint, Etching, Aquatint
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Engraving Prints and Multiples
Materials
Engraving, Woodcut
Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Antoni Clavé - GUERRERO (Warrior) Etching Spanish Abstraction Contemporary
By Antoni Clavé
Located in Madrid, Madrid
Antoni Clavé - GUERRERO (WARRIOR)
Date of creation: 1966
Medium: Etching on paper
Edition number: 17/50
Size: 78 x 56,5 cm
Condition: In very good conditions and never framed
Observa...
Category
1960s Abstract Engraving Prints and Multiples
Materials
Archival Paper, Engraving, Etching
St John's College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
1670s Realist Engraving Prints and Multiples
Materials
Engraving
Black Cherries
Located in Paris, FR
Engraving, 1965
Publisher : Éditions Berggruen, Paris
56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper)
47.00 cm. x 62.50 cm. 18.5 in. x 24.61 in. (image)
Mezzotint
BFK Rives pap...
Category
1960s Abstract Engraving Prints and Multiples
Materials
Engraving
Blue Sparks
Located in Paris, FR
Engraving, 1985
Handsigned by the artist in pencil
Edition : 31/99
Publisher : La Hune (Paris)
66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper)
39.00 cm. x 29.00 cm. 15.35 in. x...
Category
1980s Abstract Engraving Prints and Multiples
Materials
Engraving
Untitled
Located in Paris, FR
Engraving, 1980
Handsigned by the artist in pencil
91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper)
49.00 cm. x 45.50 cm. 19.29 in. x 17.91 in. (image)
Etching, drypoint and aqua...
Category
1980s Abstract Engraving Prints and Multiples
Materials
Engraving
Untitled
Located in Paris, FR
Engraving, 1980
Handsigned by the artist in pencil
Edition : 31/50
91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper)
68.00 cm. x 44.00 cm. 26.77 in. x 17.32 in. (image)
Etching, d...
Category
1980s Abstract Engraving Prints and Multiples
Materials
Engraving
No title
Located in Paris, FR
Engraving, 1980
Handsigned by the artist in pencil
Edition : 31/50
91.00 cm. x 63.00 cm. 35.83 in. x 24.8 in. (paper)
69.00 cm. x 49.00 cm. 27.17 in. x 19.29 in. (image)
Etching, d...
Category
1980s Abstract Engraving Prints and Multiples
Materials
Engraving
Omar’s Cup
Located in Fairlawn, OH
Omar’s Cup
Power drypoint engraving, 1958
Printed in red, black with gold leaf highlights
Annotated in pencil on detached bottom margin: “Printed by the artist’s own press at 4 rue ...
Category
1950s Abstract Expressionist Engraving Prints and Multiples
Materials
Drypoint
La Ronde, Drypoint by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - La Ronde, Year: 1883, Medium: Drypoint, signed in pencil, Image Size: 4 x 5.75 inches, Size: 13.25 x 9.5 in. (33.66 x 24.13 cm), Reference: Del...
Category
1880s Old Masters Engraving Prints and Multiples
Materials
Drypoint
Yellow Sky, Art print, Horse, Cowboy, Horse riding, Back and white art
Located in Deddington, GB
Yellow Sky is a limited edition drypoint print by artist Kate Boxer, featuring two cowboys riding through a dessert scene.
This work is sold unmounted and unframed.
ADDITIONAL INF...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint, Etching
NIGHT WINDOWS
By John Sloan
Located in Portland, ME
Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed "100 Proofs," all in pencil...
Category
1910s Engraving Prints and Multiples
Materials
Drypoint, Etching
Poesies de Mallarme
Located in Henderson, NV
Medium: engraving (after the 1932 etching for Poésies de Mallarmé). Printed in 1933 on watermarked Montgolfier laid paper and published in Paris by Arts et Métiers Graphiques. Size: ...
Category
1930s Engraving Prints and Multiples
Materials
Engraving
THE TRAWLERS
Located in Portland, ME
Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.
Category
20th Century Engraving Prints and Multiples
Materials
Drypoint
Abstract Drypoint Etching Cheryl Warrick African American Woman Artist
Located in Surfside, FL
Cheryl Warrick (American, b. 1956),
"Peace Makes Plenty"
Color etching, soft ground, white ground, drypoint, and chine colle, on Hahnemuhle Copperplate paper
Hand signed in pencil.
...
Category
Early 2000s Abstract Engraving Prints and Multiples
Materials
Drypoint, Etching
I Refuse to have a Bath until I see the Trees, Art print, Cowboy, Word art, Blue
Located in Deddington, GB
I Refuse To Have A Bath Until I See The Trees is a limited edition drypoint etching by Kate Boxer. Kate Boxer's combination of imagery and text in I Refuse To Have A Bath Until I See...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint, Pastel, Etching
Christ's College, Cambridge engraving by Richard Bankes Harraden
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
1830s Realist Engraving Prints and Multiples
Materials
Engraving
Jeanne d'Arc II, Art print, Woman, Butterfly, Print, Handmade
Located in Deddington, GB
Jeanne d'Arc II is a hand coloured limited edition drypoint etching with carborundum by Kate Boxer. The work depicts the famous saint Joan of Arc. According to legend, butterflies fo...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint, Etching
Bucking Bronco, Art print, Horse, Cowboy, Horse riding, Back and white art
Located in Deddington, GB
Bucking Bronco is a limited edition drypoint etching by Kate Boxer. Bucking Bronco depicts a horse rearing up with the rider trying to control it. This contemporary artwork is in Kat...
Category
2010s Contemporary Engraving Prints and Multiples
Materials
Paper, Drypoint, Etching
Find Engravings and Other Fine Art Prints on 1stDibs
Art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, engravings and other types of fine art prints can help enhance your space while supporting your effort to tie an interior design together.
An engraving is a print made by incising lines into a metal plate with a sharp tool called a burin. After the image is drawn, the plate is inked, wiped clean, and then firmly pressed to paper so the ink remaining in the incised grooves is transferred. Considerable force is required to mark the metal, so the lines made by engraving tend to be stronger than those made through etching, and characterized by gentle tapering. Light and shade have to be created through cross-hatching since the technique is line-based.
Albrecht Dürer, Pieter Bruegel the Elder, and Francisco Goya are among the Old Masters admired for their engravings, but postwar and contemporary artists have made the most of the technique as well.
Vija Celmins, for example, engraved wood to create her series of ocean surfaces, while Louise Bourgeois, who spoke about the symbolic power of engraving to convert aggression into something useful, revisited the medium throughout her long career. For Jasper Johns, recognized as one of the most innovative, masterful print artists of all time, printmaking was ideal for exploring the ideas of repetition, seriality, patterning, semiotics, order and symbolism that intrigued him. His crosshatch prints (and paintings, for that matter) are a wonderful reference to the engraving process but also a brilliant conceptual update of Abstract Expressionist brushstroke, which Johns subverted again and again.
Find engravings and other fine art prints today on 1stDibs.
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