Kenny Scharf

Check Fest print by Kenny Scarf, 1999 (blue and yellow pop surrealism)

1999

This edition was printed in approximately 40 colors on Lanaquarelle paper with a deckled edge. The print is signed, numbered and dated, 2011 by the artist. The print comes directly f...

This archival pigment print on Canson paper comes directly from the publisher, Lincoln Center Editions. It is signed and numbered en verso by the artist. It is in excellent condition and has never been framed. Carrie Mae Weems (b. 1953) is an American artist whose extensive body of work investigates cultural identity, sexism, class, political systems, and the consequences of power. Weems is widely recognized for her revolutionary approach to the expression of narratives about women, people of color and working-class communities, “conjuring lush art...

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...

This print has a deep blue background and brightly colored red and orange billiards balls. John Gibson has been painting delicate still-life arrangements of balls since the 1990s. T...

One photograph on rag paper, 2006, signed in pencil, dated 2005, from the edition of 54, sheet: 704 by 856 mm, 27 3/4 by 33 5/8 inches. Printed by Chad Kleitsch, New York, published ...

This is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...

Artist: Robert Indiana, American (1928 - 2018) Title: Number 7 from the American Dream Portfolio Year: 1968 (1997) Medium: Screenprint on Wove Paper Edition Size: 395 Image Size: 16....

Painting, 1999 Michael Craig-Martin Screenprint in colours, on wove Signed, dated and numbered from the edition of 50 in Roman numerals Published by Alan Cristea Gallery, London She...

Artist: Seymour Chwast Title: Where's Father? Year: circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 50 Image Size: 22 x 19.5...

God Save the Green by Artist Harry Bunce is a limited edition print. An expressionistic piece, depicting a rabbit with the caption above 'God Save the Green'. Harry Bunce artist wit...

"Mickey (II.265)" is a screenprint with diamond dust created by Andy Warhol in 1981. The print is signed, in pencil, lower left "Andy Warhol 138/200". The print size is 38 x 38 inche...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF V Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 Pa...