Yves BrayerPortrait of Henry de Montherlant - Original Etching by Yves BrayerMid 20th Century
Mid 20th Century
About the Item
- Creator:Yves Brayer (1907 - 1990, French)
- Creation Year:Mid 20th Century
- Dimensions:Height: 9.26 in (23.5 cm)Width: 7.29 in (18.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Yves Brayer
Yves Brayer stands among the most celebrated modern French painters. Although Brayer was faithful to the figurative tradition, his ample métier was enriched by his vision. Brayer’s oeuvre proved to be very diverse, for besides his well-known landscapes, he also painted vast canvases, portraits and still lifes. A lover of Mediterranean landscapes, Brayer sojourned in Morocco, Spain and Italy before settling down in Provence. There, Brayer was enchanted by the diverse and architectural forms of the Alpilles mountains and by the vast expanse of the Camargue region with its ubiquitous white horses and black bulls. From then on, Brayer spent several months each year working in Provence. Brayer also traveled internationally, where he was quick to grasp the unique rhythm and light of each country. When Brayer was in Paris in 1942, Jacques Rouché appointed Brayer costume-and-set designer for a ballet at the Opera de Paris. Brayer passed away in Paris in 1990. A large collection of his paintings are on permanent display both at the Museum of Modern and Contemporary Art in Cordes, France and at the Musée Yves Brayer in Les Baux de Provence, as well as many regional museums in his home country. In the United States, Brayer's works form part of the collection of New York's Metropolitan Museum of Modern Art, among others.
- ShippingRetrieving quote...Ships From: Grasse, France
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Portrait - Etching by Claudin Felix - 19th centuryLocated in Roma, ITPortrait is an original artwork realized by Claudin Felix (1875-1956). Original etching. Image Dimensions: 19.5 x 16 cm. Good conditions except for some foldings. The artwork rep...Category
19th Century Modern Figurative Prints
MaterialsEtching
- Le Matin - Etching by James Tissot - 1886By James TissotLocated in Roma, ITWonderful mezzotint and etching on China paper applied. The inscription reads: "Le matin/ J. J. Tissot Sc. et ex. 1886". Titled, signed and dated on plate on the lower margin, below ...Category
1880s Modern Figurative Prints
MaterialsEtching, Aquatint
- Bust of Nero - Original Etching by P. Fontana After B. Nocchi - 1821By Pietro FontanaLocated in Roma, IT“Busto di Nerone” (Bust of Nerone) is a beautiful black and white burin and etching on paper, realized by the Italian artist Pietro Fontana, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò./ Pietro Fontana incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XVII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roma Emperor, Nerone, realized with neoclassical style and a wise touch In excellent conditions with some light signs of the time, with some sporadic minor stains along the margins above all on the lower, and a usual yellowing of the paper on the lower margin, this wonderful burin has preserved still today his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello...Category
1820s Modern Figurative Prints
MaterialsEtching
- Rienz, inspiré de Ribera - b/w Etching by Charles Jacque - 1868By Charles-Emile JacqueLocated in Roma, ITRienz, inspiré de Ribera is a wonderful etching realized in 1868 by Charles Jacque (1813-1894). This is the fifth plate from a suite of eight etchings inspi...Category
1860s Modern Portrait Prints
MaterialsEtching
- Portrait - Etching by James Hogg - 1810Located in Roma, ITPortrait is an original etching artwork realized by James Hogg for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", London,...Category
1810s Modern Figurative Prints
MaterialsEtching
- The Revelation - Etching by William Bromley - 1810By William BromleyLocated in Roma, ITThe Revelation is an original etching artwork realized by William Bromley for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankin...Category
1810s Modern Figurative Prints
MaterialsEtching
- La Duchesse de Marlborough, Consuelo VanderbiltBy Paul César HelleuLocated in Storrs, CTPaul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...Category
Late 19th Century Modern Portrait Prints
MaterialsDrypoint, Etching
- Dorian Gray at Opium Den from "The Picture of Dorian Gray" surreal portraitBy Jim DineLocated in New York, NYThis surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit. His face is obscured by a mass of hair, tangles of which seem to grow from the sleeves, pant legs, and from beneath the jacket. Dine's notes are written on the image: at his feet reading "WHITE BOOTS" and "White Vinyl Suit" alongside the jacket. On the left edge of the image handwritten text reads "DORIAN GRAY AT OPIUM DEN". In Oscar Wilde's novel Dorian Gray keeps opium in an ornate box in his home, and frequents sites of consumption on the East side of London: “There were opium dens where one could buy oblivion, dens of horror where the memory of old sins could be destroyed by the madness of sins that were new”. An opium den is where Sybil's brother James discovers Dorian. The brother attempts to capture the man he believes is responsible for the death of his sister. Dorian flees to his home, ultimately slashing the portrait that has kept him young for so long. Etching by Jim Dine from one of his most important artist’s books – completely designed and illustrated by Dine. Study for the Rings on Dorian Gray’s Hand from “The Picture of Dorian Gray...Category
1960s Modern Figurative Prints
MaterialsEtching
- Self PortraitBy Augustus Edwin JohnLocated in Storrs, CTSelf Portrait. 1920. Etching and drypoint. Dodgson 138. 6 1/8 x 5 (sheet 13 1/4 x 11). Edition 105. A rich impression with plate tone, printed on cream wove paper. Slight toning in ...Category
Early 20th Century Modern Portrait Prints
MaterialsDrypoint, Etching
- Portrait of Albert Einstein with Multi-Colored WiresBy Lilya VorobeyLocated in Soquel, CAPortrait of Albert Einstein, a color collotype print, watercolor with electric wires, by Lilya Vorobey (American, 20th Century). Signed and dated "L. Vorobey '89" lower right. On mat...Category
1980s American Modern Figurative Prints
MaterialsWire
- Head of a WomanBy Henry MooreLocated in London, GBEtching on paper. Hand signed and numbered by the artist. Paper size: 57 x 46 cm Edition of 50Category
1980s Modern Portrait Prints
MaterialsEtching
- RembrandtBy Salvador DalíLocated in Missouri, MORembrandt Salvador Dali (Spanish, 1904-1989) Signed Lower Right "E.A." (Artist Edition) Lower Left 12 x 10 inches 23.25 x 19.25 inches with frame Salvador Dali was born in May 11, 1...Category
20th Century Modern Portrait Prints
MaterialsEtching