Shepard Fairey

Climate Clash Set - Cream & White (Animals, Mascots, Climate change, Strength)

2024

Disinformation Damage Set (Disinformation, Damage, Social Media, Politics, Credible Journalism) 2 x Screen prints on thick white and cream Speckletone paper Year: 2024 Size: 12x24 in...

Shepard Fairey Climate Clash (Animals, Mascots, Climate change, Strength, Collaboration, Francisco Reyes) Screen print on thick cream Speckletone paper Year: 2024 Size: 24x24 inches ...

Shepard Fairey Climate Clash (Animals, Mascots, Climate change, Strength, Collaboration, Francisco Reyes) Screen print on thick white Speckletone paper Year: 2024 Size: 24x24 inches ...

Jean-Marie Guiny "Les Printemps D'Uranus Cheval" Lithograph Signed and numbered by the artist Edition: H.C. Size: 19.5 x 25.75 inches COA provided *Condition: Good; no foxing, stain...

Jean-Marie Guiny "Les Printemps D'Uranus Cheval" Lithograph Signed and numbered by the artist Edition: H.C. Size: 19.5 x 25.75 inches

Theodore Waddell Osage Sheep State II Year: 1994 Color Lithograph Edition: 30 Papers: Arches Cover, Black Paper Size: 22.5 x 30 inches Image Size: Same Signed and numbered by hand CO...

Screenprint in colors with glitter on heavy wove paper. Hand signed in pencil verso, numbered from the edition of 150 verso with artists copyright inkstamp. Published by Other Crite...

Pigeons is a contemporary artwork realized by Marcello Pirro in 1970s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Editio...

Fernando Aceves Humana (Mexico, 1969) 'Lo que nos trajeron', 2007 mezzotint on paper 17.4 x 13.8 in. (44 x 35 cm.) Edition of 20 ID: ACE-101 Unframed

Mariana Magdaleno (Mexico, 1982) 'Baila conmigo', 2018 silkscreen on paper Feltmark 300 g 29.4 x 21.3 in. (74.5 x 54 cm.) Edition of 50 ID: MAM-101 Unframed

'Your Son Just Bit My Dog' is by Jacob Taylor, a young Welsh artist currently working in a care home to subsidize his early career. His first exhibition in July 2022 at Laz Emporium ...

Ann Craven Sunset Moon Bird, 2023 18 color screen print on Somerset Velvet warm white 400gsm paper Pencil signed, titled, dated and numbered 58/100 by Anne Craven on the front 29 9/10 × 23 3/5 inches Unframed Pencil signed, titled, dated and numbered 59/100 by Anne Craven on the front. This print was created to celebrate the ICA's 75th anniversary. Ann Craven has been making paintings of birds since the late 1990s, inspired by colour-plates found in her Italian grandmother’s vintage ornithology books. Like the moon the birds serve as a touchstone for memory, each repetition of the image a revisiting of a moment, a recalling of loved ones. Paintings of other animals, flowers, portraits of family and friends soon followed, in the same diaristic deployment. For Craven, her bird paintings have totemic power: each is unique but each is also a stand-in for the people and scenarios she might have painted, were she a portrait painter. They embody memories, and offer a chance for the artist to covet her artistic history while encoding it with her current inner-life. More about Anne Craven: Ann Craven (b. 1967, Boston) makes self-reflexive paintings that comment on devotion, loss, and the immortalizing nature of her medium. Primarily using unabashedly high-key colors, she paints and repaints her key subjects—winsome animals and flowers modeled after those found in vintage books and postcards, among other sentimental twentieth-century sources, and the moon as observed by the artist herself. Craven’s emotional conceptualism inheres in these affectively charged repetitions, each of which is accompanied by an indexical canvas Palette used for the respective work’s color mixing and archived by the artist, like her Stripes, for her future reference. Like On Kawara...