18th Century English School

Lambeth Plate, English Delftware, Blue and White Design c. 1750

c.1755

Plaster, raised pins and later coloured to simulate terracotta Height: 32 3⁄4 inches (83.5 cm). Full of elegance and liveliness, it conveys the consummate ability of the artist. Be...

Hope-Pinker was born in Peckham, Surrey, the son of a stonemason and builder employing 5 or 6 men c.1871 in Hove, Sussex, who seems to have taught his son much of his stone-carving skills, although he also attended the Royal Academy Schools (c.1871). Hope-Pinker typically carved without a model from drawings. The bulk of his work was portrait sculpture and John Hunter...

Carved Oak, 20th Century European School Nude Statue Height: 21 3/4 inches

Circle of Henri-Gaudier-Breska 1891-1915 Reclining Figure Carved marble Height 5 inches Born Henri Alphonse Séraphin Marie Gaudier near Orléans in France, Gaudier-Brzeska started using his hyphenated name in 1910 when he met the Polish writer Sophie Brzeska. They moved to London together in January 1911 and adopted their new names and the identity of brother and sister in order to make their cohabitation respectable. Gaudier-Brzeska started to establish himself as a sculptor in 1912. Initially influenced heavily by Rodin, he later assimilated more influences from the modernist movement of cubism and from examples of non-European art he saw in London’s museums. He met the sculptor Jacob Epstein in June 1912, who further encouraged him to break with classical Greek tradition. While working from 25 Winthorpe Road in 1913–14, Gaudier-Brzeska became increasingly involved in London’s avant-garde art scene. He exhibited at the London Salon in July 1913, where he met the poet and arts patron Ezra Pound. Pound described Brzeska as ‘like a well-made young wolf or some soft-moving, bright-eyed wild thing’. Gaudier-Brzeska subsequently became associated with the vorticist movement led by Wyndham Lewis, contributing two important articles to Lewis’s magazine Blast and signing his name against the vorticist manifesto. He was also a founding member of the London Group, which formed when the all-male Camden Arts Group joined with independent artists to challenge the dominance of the Royal Academy of Arts. Other founding members included Walter Sickert, Robert Bevan and Spencer Gore...

Hand Carved Fruit Wood Length: 16 inches (40.5 inches) A striking, richly hand carved frame in high relief. It shows a rich decor of natural organic forms alongside a collection of ...

English School Early 20th Century Head of a Young Boy Bronze with stone base Height: 12 3/4 inches (32.5 cm)

Pichet gravé gris Ed. 500 pcs, 1954 White clay with grey engobe painting, partially glazed in white and black with incised decor. H. 30 cm Stamped underside : Madoura, Edition Picass...

Grayson Perry (British, b. 1960) Home Worker & Key Worker Staffordshire Figures, 2021 Medium: The complete set of four white earthenware ceramic figures painted in colours and glazed...

Corrida sur fond noir, Picasso, Multiple, 1950's, Animal, Toros, Spanish, Plate Corrida sur fond noir Ed. 500 pcs 25.09.1953 White earthenware c...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Joueur de flûte, Picasso, Limited Edition, Sculpture, Design, 1950's, Ceramic Joueur de flûte Ed. 40 pcs 1951 Earthenware clay covered with enamel D. 24.5 cm Stamped on the back : M...

Irina Zaytceva was born in Moscow in 1957. She graduated from Moscow Art Institute ( Poljgrapfichesky) with an MFA in book illustration. Having illustrated a number of children books, she found porcelain by chance; a friend had given her a piece of clay, which prompted her to experiment with the new media and fell in love with it. Fine porcelain is a perfect canvas for her drawings, and with the ability to bend her “canvas,” she can add sculptural elements to the picture. Someone called this hybrid media narrative sculpture, a term Irina thinks aptly describes her work. Never formally trained in ceramics, Irina had to invent ways to handle it. Unlike many of her colleagues who paint with oil based colors, she uses water based colors and has developed her own techniques in this media. She does not use casting but hand rolls her vases, cups, and, sculptures. With every piece porcelain yields its secrets to her. Since 1998, Irina resides in USA and presently have her studio near Princeton, New Jersey. Selected Public Collections Racine Art Museum, Racine, WI Grand Rapids Art Museum, Grand Rapids, MI Fine Art Museum of San Francisco, CA Hermitage Museum, St. Petersburg, Russia University of Michigan Art Museum, Ann Arbor, MI "Ghost of the Lotus Shoes...