Delphine Brabant

Union V by Delphine Brabant - Abstract geometric sculpture, terracotta, white

2023

Unity V is a unique terracotta sculpture by contemporary artist Delphine Brabant, dimensions are 28 × 18 × 8 cm (11 × 7.1 × 3.1 in). The sculpture is signed and comes with a certifi...

This sculpture is part of the sculptor’s most recent work, in which she uses paper porcelain (porcelain with 0.5% paper fibre added for greater flexibility) to create organic, dynami...

Bird is a unique fired clay constructed and painted sculpture by contemporary artist Patricia Volk, dimensions are 54 × 56 × 30 cm (21.3 × 22 × 11.8 in). The sculpture is signed and...

Ignite is a unique fired clay constructed, painted and mounted on glass sculpture by contemporary artist Patricia Volk, dimensions are 63 × 51 × 8 cm (24.8 × 20.1 × 3.1 in). The scu...

Rattle is a unique painted fired clay mounted on granite sculpture by contemporary artist Patricia Volk, dimensions are 93 × 36 × 36 cm (36.6 × 14.2 × 14.2 in). The sculpture is sig...

Harmony is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 31 × 30 × 14 cm (12.2 × 11.8 × 5.5 in). The scul...

Sculpture Original porcelain raku technique Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment...

Moon arch is an original contemporary artwork realized by Maryam Pezeshki in 2009. Mixed media and terracotta sculpture. Original title: Arco di Luna Maryam Pezeshki was born in Tehran on August 18, 1977. SHe began to paint at the age of three. Her first painting was a Pinocchio. Participate in national and international painting competitions and festivals among Asian and Iranian children, winning first prize each time. At the age of ten she participated in a television program entitled "Little Great Artists". At the age of fourteen she won the prize for the best drawing and sculpture among Iranian teenagers, and she enrolled in the artistic high school, continuing to do her first personal exhibitions of sculpture, painting and drawing. From the age of seventeen to nineteen she won the national prize for best sculpture at the youth festival for three consecutive years. At seventeen he enrolled at the University of Art in the graphics sector and at twenty-one he graduated with full marks. In the same year she began studying for the master of graphics and managed to be among the seven students admitted. At the age of twenty-five she finished his studies and won a competition for teaching drawing and sculpture at the University of Art. In the meantime, visit the European and Indian museums...

Reinata Sadimba Senza Titolo Scultura in ceramica e grafite cm 40 x 26 x 22 Opera firmata a punta secca. Opera accompagnata da certificato di autenticità rilasciato dalla Fondazione ...

Title : Covered Jar Materials : Terracotta, white gold luster Date : 2016 Dimensions : 18.5 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Materials : Terracotta, white gold luster Date : 2016 Dimensions : 16 x 8.5 x 8.5 inches Description : wheel thrown and altered terracotta, cone 04 oxidation, glazes and luster COA provided Mariko Brown Harkin about her work: "My fascination with pottery comes from my desire to make art and to produce something that is not only functional but visually appealing. Porcelain allows me stretch and shape the clay in any way I choose and offers a blank canvas for my floral imagery and luscious, rich glazes to blend. The forms I create are tight and precise with a sense of restricted volume. I use bands around the form to constrict specific areas of each piece, while at the same time creating space for the volume and fullness to escape. The bands create registers to frame my drawings and paintings of floral imagery. The way I combine surface and form is inspired by Ming Dynasty porcelain...

Irmgard Biernath (1905 Waldheim in Saxony - 1998 Mainz), Hommage à Kahnweiler, 1984. Terracotta relief, burnished red body, 43.5 x 38 cm, mounted on support plate, in wooden frame 57 x 49.5 cm, monogrammed "IB" at lower right. - Isolated patina losses, but overall good condition, frame slightly bumped. - The Appearance of Genius- This homage to Daniel-Henry Kahnweiler shows the gallerist and art theorist as Pablo Picasso portrayed him in his lithographic portrait of 1957. As an innovative Parisian gallery owner, Kahnweiler had exclusively represented Picasso since 1911, while Picasso had painted his famous portrait of Kahnweiler the previous year as a major work of Cubism. And it is Picasso who appears at the centre of Irmgard Biernath's image. Here, his face echoes the features of the self-portrait he painted in 1907 in the Prague National Gallery. His eyes are wide open as he gazes into the distance, surrounded by the works of his artistic vision that have already taken shape. On the right is the bronze "Man with Sheep...