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Ed RossbachStaplers (1976), Woven Paper Sculpture by Ed Rossbach1976
1976
About the Item
Ed Rossbach was known for experimenting by using unexpected materials and symbols in his baskets, vessels, and assemblages including plastic, cotton balls, cardboard and iconic images. In Staplers, he has woven, sculpted, and collaged together paper in several forms.
Rossbach expressed, “Well, I love all this mixture of things that people might interpret in various ways that I didn’t intend...I think it’s sort of amusing to have people misunderstand things and take things seriously that you mean not to be serious. Of course I don’t persuade myself that people think much about these things at all; I think they just sort of pass before their eyes. Maybe somebody will think a little bit about it, but I don’t think anybody is very concerned about what the meaning is of what I’m doing. I think it’s very unusual for people to look seriously at what someone else is offering as a work of art. You’re very much doing it for yourself. And I suppose that’s the essence of what I’m doing….”
- Creator:Ed Rossbach (1914 - 2002, American)
- Creation Year:1976
- Dimensions:Height: 17.25 in (43.82 cm)Width: 17.25 in (43.82 cm)Depth: 2.25 in (5.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton, CT
- Reference Number:
Ed Rossbach
Ed Rossbach (1914-2002) completed his graduate studies at Cranbrook in 1946. He, along with Marianne Strengell worked within the narrow parameters of Euro-Bauhaus-Scandinavian weaving traditions for industry. “In reaction to this tight definition of textiles,” Jo Ann C. Stabb wrote in Retro/Prospective: 25+ Years of Art Textiles and Sculpture (vol. 37), “Rossbach became fascinated by indigenous textile processes and the use of found materials as he studied artifacts in the anthropology collection at University of California, Berkeley, as a faculty member from 1950 to 1979. Noted for creating three-dimensional, structural forms from unexpected, humble materials including plastic, reeds, newspaper, stapled cardboard, twigs, Rossbach inspired a renaissance in basketry and vessel forms and influenced other artists, including his students Gyöngy Laky and Lia Cook.” Rossbach began making baskets out of tundra grasses while stationed in the Aleutians during World War II, and went on to earn a Master of Fine Arts degree from Cranbrook Academy on the GI Bill. Like Pat Hickman and Lillian Elliott, he became part of the Bay Area fiber arts movement of the 1960s and 1970s, challenging traditional forms and media in basketmaking. He used plastic, metal, food cartons, and old newspapers to express his delight in American popular culture. A carefully crafted basket made out of trash was Rossbach's challenge to his audience to rediscover the joy of doing, of creating something of no value that was still beautiful.
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