Koji Takei

Dorothy's Chair

2022

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood and resin that reference a kinship with other artists: to the sensuality of Brancusi, the arch...

As much as Takei’s pieces are Cubist in nature there is also an unmistakable Asian influence in the working method of the Japanese native. A quiet solidarity and respect for the individual parts set the pieces apart from the noisy commentary that Cubism often invokes. Takei’s pieces are minimal in nature, but powerful in presence and seem to reference the interlocking sculptures...

The Madame X works exemplify Eric Johnson’s passionate embrace of the sensuality of form. The sculptures are imbued with abstract bursts of color beneath pristine surfaces, which app...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Bloom No. 1 from the Bloom Series by Norman Mooney Acrylic, mirror-polished stainless steel, birch plywood base Ediion of 3 Inspired by the work of the 19th century biologist Ernst ...

Bloom No. 2 from the Bloom Series by Norman Mooney White frosted acrylic, mirror-polished stainless steel, birch plywood base Edition of 3 Inspired by the work of the 19th century b...

Bloom No. 4 from the Bloom Series by Norman Mooney Mirror-polished stainless steel, birch plywood base Inspired by the work of the 19th century biologist Ernst Haeckel and his study...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

A unique root creature sculpture made from lacquered wood with colored pencil by American artist Jon Brooks (20th century). Brooks was born in Manchester, N...

Colorful abstract contemporary collage sculpture that incorporates collage, paint, and found wood. The organic, amorphous form features a primarily red grouping of spires attached to a natural wood base. This creates an interesting contrast between the painted surface and the natural base. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...