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Pascal Pierme
Bloc 289

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    French-born sculptor, Pascal Pierme is inspired by his surroundings. For the last 20 years, those surroundings have been Santa Fe, New Mexico. A lover of the outdoors, his work is di...
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  • Angel's Secrets 1
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    French-born sculptor, Pascal Pierme is inspired by his surroundings. For the last 20 years, those surroundings have been Santa Fe, New Mexico. A lover of the outdoors, his work is di...
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  • DEUX TEMPS 3
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    Located in Tulsa, OK
    DEUX TEMPS 3 by Pascal Pierme is a Mixed Media that measures 22.00 X 50.00 in and is priced at $4,750.00. French-born sculptor, Pascal Pierme is inspired by his surroundings. For th...
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  • BLOC 261
    By Pascal Pierme
    Located in Tulsa, OK
    BLOC 261 by Pascal Pierme is a Mixed Media that measures 32.00 X 32.00 in and is priced at $6,000. French-born sculptor, Pascal Pierme is inspired by his surroundings. For the last ...
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  • Tangle 2
    By Morgan Robinson
    Located in Tulsa, OK
    Morgan Robinson TANGLE 2 stand measurement 14.00x5.00x2.00 sculpture measurement 12.50x16.00x15.00 $2,100.00
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    2010s Abstract Abstract Sculptures

    Materials

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  • Tangle 1
    By Morgan Robinson
    Located in Tulsa, OK
    Morgan Robinson TANGLE 1 stand measurements 14.00x5.00x2.00 sculpture measurements 17.00x14.00x6.00 $2,100.00
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    Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 48-inch high by 44-inch wide and 4-inch deep metal sculpture is a lightweight form. It is created from aluminum and copper mesh, gesso, acrylic paint, and wire. It has metal rings affixed on the back which allows for easy installation. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...
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