Bruno Lucchesi

Standing Bather with Ponytail

Circa 1960

Metallic porcelain multiple. Numbered 13872/2300 on the base. Original printed booklet numbered 1382/2300 in ink on the justification page. Produced by Bernardaud, Limoges. Published...

Vacuum-formed acrylic and cellulose multiple from an edition of 117, enclosed in a plexiglass case. Signed and numbered "30" in felt-tip pen and black ink on the verso. Produced by t...

Polished bronze on marble base. Incised with the artist's signature and numbered 6/8 on the verso.

Boldly colored floral motif color aquatint. Signed and numbered 48/300 in pencil by Braque.

A very good impression of this color lithograph on wove paper. Signed and numbered 74/175 in pencil by Bearden. Published by London Arts, Inc., Detroit. Catalogue reference: Gelburg...

A very good impression of this color screenprint. Signed and numbered 200/15 in pencil by Bearden. Catalogue reference: Gelburd/Rosenberg GG#59

Artist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art studio left...

"Untitled" bronze sculpture of a female nude by artist Felipe Castañeda. Inscribed F. Castañeda 1984 P/A on base.

Original bronze and Millefiori Unique piece Height: 37 cm, 14,57 in Width: 17 cm, 6,69 in Signed on the base. Work sold with invoice and certificate of authenticity Fast shipping in a secure box with insurance. Yannick LE BLOAS...

Artist: Unknown, possibly Russian Title: Profile Pitcher Medium: Bronze Sculpture with Patina Size: 26.5 in. x 9 in. x 5 in. (67.31 cm x 22.86 cm x 12.7 cm) Base: 2.5 x 10.5 x 10.5 i...

This modern and distinctive artwork by contemporary artist and sculptor David Sprakes pushes the boundaries of modern sculpture. Sprakes uses materiality and design to create unique ...

Mathias Goeritz (German Mexican, 1915-1990) Bronze sculpture Signed and numbered Dimensions: (approximate) Height: 10 inches, Width: 4 inches, Depth: 2 inches. This is a cast bronze sculpture in an amorphous figure shape, quite heavy. Reminiscent of the biomorphic sculpture of Hans Jean Arp. This came from an estate and bears his signature It is not dated. there is no accompanying documentation. it is priced accordingly. Werner Mathias Goeritz Brunner (Danzig, Germany, April 4th, 1915/ now Gdansk, Poland – Mexico City, Mexico; August 4th, 1990). Mathias Goeritz has had several gallery and museum exhibitions, including at the Museo Nacional Centro de Arte Reina Sofía and at the Museo Experimental El Eco. Numerous works by the artist have been sold at auction, including 'MENSAJE' sold at Sotheby's New York 'Latin American Modern Art' in 2015 for $466,000. There have been Several articles about Mathias Goeritz, including 'LACMA remaps Latin America' written by Suzanne Muchnic for the Los Angeles Times. Painter, sculptor and Mexican architect associated with the trend of constructive abstraction. He studied medicine at the University of Berlin, but this only lasted a year. The concerns of the young student were aesthetic in nature so he he studied figurative drawing at the Berlin Charlottenburg School of Art. Some of his friends and colleagues were the sculptor Ernst Barlach, painter George Grosz and draughtsman Kaethe Kollwitz. Goeritz studied philosophy and history of art, discipline in which earned a doctorate. He travelled in France, Switzerland, Czechoslovakia, Poland, Austria and Italy, among other countries. It is known that he left Germany to live in Tetuan, Morocco in 1941 and then Granada, Spain in 1945. In 1946 he had a large exhibition in the Sala Clan in Madrid under the pseudonym "Mago". Two years later, living in Santilla del Mar, Spain he was a founder of the Escuela de Altamira. The following year he married Marianne Gast, writer and his companion for more than fifteen years. In Spain followed his artistic work by important artists of the avant-garde. Of Jewish descent, he found refuge from the Second World War in Mexico where in 1949 he was invited by Ignacio Diaz Morales to be a part of the faculty of the School of Architecture at the Universidad de Jalisco. In 1953 he wrote the "Manifiesto de la Arquitectura Emocional" (The Emotional Architecture Manifesto), where he points out that only achieving true emotions from architecture can it then be considered an art form. In Mexico he entered controversy with the artistic stablishment of that country; in an open letter, Diego Rivera and David Alfaro Siqueiros described him as "an impostor without the most insignificant talent and preparation" to be an artist. Despite this, in 1957 he was elected director of visual design of the National School of architecture This same year he founded the Museo del Eco in Mexico City. In 1961 Goeritz participated at the Galería Antonio Souza in a group exhibition, Los hartos, for which he published another manifesto. Other participants included Jose Luis Cuevas and Pedro Friedeberg, with whom he was instrumental in establishing abstraction and other modern trends in Mexico.His work is included in the Gelman Collection of modern and contemporary Mexican art based in Cuernavaca, Mexico. Established by Jacques and Natasha Gelman in 1943 as a private collection. it includes many iconic works by major Mexican Modernists including Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, Leonora Carrington, Rufino Tamayo and Francisco Toledo, Lola Alvarez...