Drake

"ASKING FOR RAIN" SNAKE DANCE NATIVE AMERICAN WESTERN INDIAN 20 X 10 X 10 BRONZE

Drake Texas Artist Image Size: 22 x 18 x 10 Medium: Bronze "Comanche Spirit" Drake Bio and Artist's Statement Bronze sculpture, Western art, human and animal, horse art, equine art, equine sculpture, horse sculpture, sculptures of dancers, bronze dancers, fine art, sculpture, bronzes Drake lives on a ranch near Glen Rose, Texas. Originally hailing from a small ranching community in northwestern Colorado, she has been around horses most of her life. After retiring from the medical industry in 2008, she devoted herself to a year of studying three-dimensional portraiture. After that, she focused on figurative art, taking multiple workshops at Scottsdale Artist's School. She works with both water- and oil-based clays, and creates realistic figures of the athletic human form, horses and other animals. Her work has been accepted into juried competitions such as: Bosque Art Classic, the American Academy of Equine Art Museum show, The Texas Masters of Fine Arts and Crafts, the Breckenridge Fine Art Show, the Mountain Oyster Show, Little Rock's "Sculpture at the River market", Cattlemen’s Western Art Show Loveland Sculpture in the Park, and the Museum of Western Art Awards include "Best of Show" 2016, at Breckenridge Fine Art ShowIn 2017, the Museum of Western Art in Kerrville, Texas acquired one of Drake's pieces for permanent exhibition. In 2019 and 2020, Drake was selected to be one of two sculptors who taught elite art students at the Western Art Academy at Schreiner University, Kerrville Texas. Artist's Statement What is "ART" if it doesn't arouse strong emotion from the viewer? I strive to express strength, grace, motion, rhythm, and beauty. Working in the mediums of both water- and oil-based clays, I look for topics that will allow me to express symmetry, balance, rhythm, and motion, as well as beauty. My subject matter comes from my own imagination. I have always been an animal lover, and I have always been fascinated with the grace, beauty, and strength of true athletes. My favorite tool is a kitchen paring knife...

Drake Texas Artist Image Size: 22 x 18 x 10 Medium: Bronze "Comanche Song" Drake Bio and Artist's Statement Bronze sculpture, Western art, human and animal, horse art, equine art, equine sculpture, horse sculpture, sculptures of dancers, bronze dancers, fine art, sculpture, bronzes Drake lives on a ranch near Glen Rose, Texas. Originally hailing from a small ranching community in northwestern Colorado, she has been around horses most of her life. After retiring from the medical industry in 2008, she devoted herself to a year of studying three-dimensional portraiture. After that, she focused on figurative art, taking multiple workshops at Scottsdale Artist's School. She works with both water- and oil-based clays, and creates realistic figures of the athletic human form, horses and other animals. Her work has been accepted into juried competitions such as: Bosque Art Classic, the American Academy of Equine Art Museum show, The Texas Masters of Fine Arts and Crafts, the Breckenridge Fine Art Show, the Mountain Oyster Show, Little Rock's "Sculpture at the River market", Cattlemen’s Western Art Show Loveland Sculpture in the Park, and the Museum of Western Art Awards include "Best of Show" 2016, at Breckenridge Fine Art ShowIn 2017, the Museum of Western Art in Kerrville, Texas acquired one of Drake's pieces for permanent exhibition. In 2019 and 2020, Drake was selected to be one of two sculptors who taught elite art students at the Western Art Academy at Schreiner University, Kerrville Texas. Artist's Statement What is "ART" if it doesn't arouse strong emotion from the viewer? I strive to express strength, grace, motion, rhythm, and beauty. Working in the mediums of both water- and oil-based clays, I look for topics that will allow me to express symmetry, balance, rhythm, and motion, as well as beauty. My subject matter comes from my own imagination. I have always been an animal lover, and I have always been fascinated with the grace, beauty, and strength of true athletes. My favorite tool is a kitchen paring knife...

Drake Texas Artist Image Size: 26 x 10 x 10 Medium: Bronze "Ohitika II" Biography Drake Drake Bio and Artist's Statement Bronze sculpture, Western art, human and animal, horse art, equine art, equine sculpture, horse sculpture, sculptures of dancers, bronze dancers, fine art, sculpture, bronzes Drake lives on a ranch near Glen Rose, Texas. Originally hailing from a small ranching community in northwestern Colorado, she has been around horses most of her life. After retiring from the medical industry in 2008, she devoted herself to a year of studying three-dimensional portraiture. After that, she focused on figurative art, taking multiple workshops at Scottsdale Artist's School. She works with both water- and oil-based clays, and creates realistic figures of the athletic human form, horses and other animals. Her work has been accepted into juried competitions such as: Bosque Art Classic, the American Academy of Equine Art Museum show, The Texas Masters of Fine Arts and Crafts, the Breckenridge Fine Art Show, the Mountain Oyster Show, Little Rock's "Sculpture at the River market", Cattlemen’s Western Art Show Loveland Sculpture in the Park, and the Museum of Western Art Awards include "Best of Show" 2016, at Breckenridge Fine Art ShowIn 2017, the Museum of Western Art in Kerrville, Texas acquired one of Drake's pieces for permanent exhibition. In 2019 and 2020, Drake was selected to be one of two sculptors who taught elite art students at the Western Art Academy at Schreiner University, Kerrville Texas. Artist's Statement What is "ART" if it doesn't arouse strong emotion from the viewer? I strive to express strength, grace, motion, rhythm, and beauty. Working in the mediums of both water- and oil-based clays, I look for topics that will allow me to express symmetry, balance, rhythm, and motion, as well as beauty. My subject matter comes from my own imagination. I have always been an animal lover, and I have always been fascinated with the grace, beauty, and strength of true athletes. My favorite tool is a kitchen paring knife...

Drake Texas Artist Image Size: 11 x 13 x 5 Medium: Bronze "Tatanka" Bison Buffalo Biography Drake Drake Bio and Artist's Statement Bronze sculpture, Western art, human and animal, horse art, equine art, equine sculpture, horse sculpture, sculptures of dancers, bronze dancers, fine art, sculpture, bronzes Drake lives on a ranch near Glen Rose, Texas. Originally hailing from a small ranching community in northwestern Colorado, she has been around horses most of her life. After retiring from the medical industry in 2008, she devoted herself to a year of studying three-dimensional portraiture. After that, she focused on figurative art, taking multiple workshops at Scottsdale Artist's School. She works with both water- and oil-based clays, and creates realistic figures of the athletic human form, horses and other animals. Her work has been accepted into juried competitions such as: Bosque Art Classic, the American Academy of Equine Art Museum show, The Texas Masters of Fine Arts and Crafts, the Breckenridge Fine Art Show, the Mountain Oyster Show, Little Rock's "Sculpture at the River market", Cattlemen’s Western Art Show Loveland Sculpture in the Park, and the Museum of Western Art Awards include "Best of Show" 2016, at Breckenridge Fine Art ShowIn 2017, the Museum of Western Art in Kerrville, Texas acquired one of Drake's pieces for permanent exhibition. In 2019 and 2020, Drake was selected to be one of two sculptors who taught elite art students at the Western Art Academy at Schreiner University, Kerrville Texas. Artist's Statement What is "ART" if it doesn't arouse strong emotion from the viewer? I strive to express strength, grace, motion, rhythm, and beauty. Working in the mediums of both water- and oil-based clays, I look for topics that will allow me to express symmetry, balance, rhythm, and motion, as well as beauty. My subject matter comes from my own imagination. I have always been an animal lover, and I have always been fascinated with the grace, beauty, and strength of true athletes. My favorite tool is a kitchen paring knife...

Dan Super "SAM HOUSTON" (1873-1953) Houston Artist Image Size: 3 3/4 inches tall Medium: Carved Horn of Sam Houston to celebrate the Texas Centennial. Texas Centennial 1936 "Sam Houston Pin Cushion Holder" Biography Dan Super (1873-1953) Dan E. Super, Jr. (1873 – 1953) Dan Super had the eye of a sculptor, envisioning and then creating hundreds of objects from the elongated form of a Texas Longhorn’s tusk. At the age of six, Dan Super carved his first drawing into a piece of the horn of a Texas Longhorn. Over the next 56 years, he made utilitarian pieces like pencil cups, pin cushions, and backscratchers, realistic replicas of animals and birds, and imaginative carvings of elegant nudes. While these carvings resemble the traditional art of scrimshaw, carvings from whale bone, we’ve not been able to identify another carver who used the Texas Longhorn as his material. “My work is done with an ordinary pocketknife, hacksaw file and rasp,” Super wrote in 1937. He used the horn in every way conceivable; whole, allowing the shape to define the object he was making, flattened to make mosaic or inlay work. He incised and pierced it and carved in the round. His own hands polished the horn to a sheen. Daniel Super, Jr. was born in Houston on August 22, 1873. His father owned stock years, D. Super and Brothers Co., providing the young Super with ready access to his raw material. Throughout his life, he worked in the businesses key to the identity and success of young, booming Houston, cattle, oil, real estate and rail. In 1896 he married Lula, and took over the family business, expanding it to include a grocery. He closed the company in 1912 and got into the oil business...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 81 Inches Tall Medium: Bronze Sculpture Dated 2006 "The Spirit Of Texas" Bucking Bronco & Rider They are very scarce. I only know about 2 others that have even come up for sale in the last 10 years or so. Please not the dedication on the wooden base of the sculpture. There is one on Gerald Harvey Jones (G. Harvey) tombstone in the Texas State Cemetery in Austin, Texas. Western, Cowboy, Horse, Bronc, Bronco Riata, Rodeo G. Harvey (Gerald Harvey Jones) (1933-2017) Known for paintings closely linked in mood and subject matter to Edouard Cortes [1882-1962], G Harvey creates romanticized street scenes of turn of the century towns in America. Rain slick streets reflect urban lights, and the weather is obviously cold. He grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend for his grandson. So the American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduating cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream, commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. G. Harvey lived in Fredericksburg, Texas, with his wife Pat in a 150-year-old stone home built by German settlers. His studio and residence are nestled within the Historic District of Fredericksburg. It is obligation of fine artists to present us with more than pretty pictures. They must also make us feel. Among the western painters of today, there is none more capable of accomplishing this than G. Harvey. In his paintings, the viewer into only sees the physical elements of his subject, but also senses the mood that surrounds them. It is a remarkable aspect of fine art, which few artists are able to master. Gerald Harvey Jones was born in San Antonio, Texas, in 1933. His grandfather was a cowboy during the trail-driving era when legends grew up along the dusty trails north from Texas. Family stories of wild cattle and tough men were absorbed by a wide-eyed boy and became the genesis of G. Harvey's art. A graduate in fine arts at North Texas State University, Harvey taught full-time and painted nights and weekends for several years. It was through painting that he found his greatest satisfaction, and his native central Texas hill country provided the inspiration for most of his earliest work. With the development of his talent and the growth of his following, Harvey began to expand his artistic horizons. He left teaching and concentrated on a career in fine art. He sought the essence that is Texas and found it not only along the banks of the Guadalupe, but in cow camps west of the Pecos, and in the shadows of tall buildings in big Texas cities. The streets of Dallas once echoed with the sound of horse hooves and the jingle of spurs. Historic photographs reveal what it looked like, but only an artist like Harvey can enable a viewer to experience the mood and flavor or the time. Contemporary western art has too often centered on the literal representations from its roots in illustrations. Artists like G. Harvey take us a step further, to the subjective impressions that are unique to each great talent and which constitutes something special and basic to fine art expression. Harvey was a soft-spoken and unassuming man who cared deeply about what he painted without becoming maudlin or melodramatic. We sense there is more in each Harvey painting than just that which is confined to the canvas. Resources include: The American West: Legendary Artists of the Frontier, Dr. Rick Stewart, Hawthorne Publishing Company, 1986 Artist G. Harvey grew up in the rugged hills north of San Antonio, Texas from where herds of longhorn cattle were once driven up dusty trails to the Kansas railheads. His grandfather was a trail boss at 18 and helped create an American legend. The American West is not only the artist's inspiration but his birthright. Harvey's early interest in sketching and drawing slowly evolved into a passion for painting in oils. After graduation cum laude from North Texas State University, Harvey took a position with the University of Texas in Austin, but he soon realized that weekends and nights at the easel did not satisfy his love of painting. He abandoned the security of a full-time job in 1963 and threw his total energy into a fine art career. Two years as a struggling artist followed, but 1965 brought acclaim for the artist's first prestigious show, The Grand National exhibition in New York, and the American Artists' Professional League presented him with their New Master's Award. President Lyndon Johnson discovered his fellow Texan's talent, became a Harvey collector and introduced John Connally to the artist's work. Connally was enthusiastic about Harvey's art, and, on one occasion, he presented a G. Harvey original to each governor of Mexico's four northern states. Harvey paints the spirit of America from its western hills and prairies to the commerce of its great cities. His original paintings and bronze sculptures are in the collections of major corporations, prestigious museums, the United States government, American presidents, governors, foreign leader and captains of industry. The Smithsonian Institution chose Harvey to paint The Smithsonian Dream commemorating its 150th Anniversary. The Christmas Pageant of Peace commissioned Harvey to create a painting celebrating this national event. He has been the recipient of innumerable awards and the subject of three books. Through his art, our history lives. Gerald Harvey Jones, better known as G. Harvey, grew up in the Texas Hill Country listening to his father and grandfather tell stories about ranch life, frontier days in Texas, and driving cattle across the Red River. Early in his career, he began to draw inspiration from that collective memory for paintings that would eventually earn him the reputation as one of America's most recognized and successful artists. His art is rooted in the scenic beauty of the land he grew up in and the staunch independence of the people who live there. He says, "My paintings have never been literal representations. They are part first-hand experience, and part dreams generated by those early stories I heard. They are a product of every place I have been, everything I have ever seen and heard." G. Harvey graduated from North Texas State University. He taught in Austin, but continued to study art in his spare time, eventually devoting full time to his painting. The year 1965 was a turning point when he won the prestigious New Masters Award in the American Artist Professional League Grand National Exhibition in New York. It is often said that in viewing a work of art, one is granted a unique look into the thoughts and expressions of values that give meaning to the artist work. Nowhere does this ring truer than the art of G. Harvey. Though Harvey has had nearly two decades of sell-out shows, an outstanding honor came with a series of one-man shows in Washington, D.C. in 1991. The first was at the National Archives featuring his paintings of the Civil War era, then a selection of paintings of notable Washington landmarks was exhibited at the Treasury Department, culminating in a one-man show of 35 paintings at the Smithsonian Institution during their exhibition of The All-American Horse. His work was featured in Gilcrease Museum exhibitions from 1992-1997. In 1987 his alma matter...

BOLLEL. Child and conch shell. Original multiple bronze sculpture

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

ALFRED STEVENS (1817-1875) Judith Bronze 22 cm., 8 ¾ in. high Provenance: Handley-Read Collection; Fine Art Society, London, 1979; Collection of Peter Rose and Albert Gallichan. ...

Gratitude Bronze 76 3/4 x 21 5/8 x 13 3/4 in 195 x 55 x 35 cm "My great hope for my work is that it makes people experience a truly special feeling that only they can explain. I hope that they experience a sense of what I feel...These feelings and emotions can’t be expressed in words, as it’s on such a deeper level."– John Fitzgerald: Anthology (2023) Born in Co. Meath in 1976, John Fitzgerald is now established as one of Irelands leading Equine, Sporting and Portrait Artists. Originally John studied Industrial Design in Letterkennny RTC & at the University of Wales, Swansea. It was while in college that he developed a strong understanding of drawing and design, and the different techniques used in completing a piece from initial concept sketches, to oberservation, to 3 dimensional form. In 2013 John was asked to be the artist in residence by the Curragh Racecourse where he now has his own studio/gallery, which is open to the public on race days. 2014 saw Johns work reach a huge audience at the Cheltenham festival, where he was filmed by Channel 4 racing while completing a range of works including A.P.Mc Coys portrait, and a set of sketches...

"Vaquero" is numbered 5 out of an edition of 10 by Scott Rogers. Scott is a sculpting artist, specializing in creating unique ‘Old West’ and ‘Americana’ themed sculptures. He sculpts using clay as his medium and casts these pieces into bronze. This piece is very large at 70% life size with the dimensions of 82x84x38 in. The ‘Vaquero’ is the original cowboy. Ever heard of the name, ‘buckaroo’? It is a derivative of the word ‘vaquero’ (in Spanish the ‘v’ is pronounced like a ‘b’). The Mexican vaqueros...

Life size child on life size tortoise. Combination of young child's imagination and reality.