Miquel Aparici

Rinoceronte - 21st Century, Contemporary Sculpture, Figurative, Recycled Objects

2016

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in ...

Trofeos - Homenaje a Picasso II Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses ...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ingenious way. ...

Pájaro Azul Y Rojo Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist r...

"Midnight," is a stunning sculpture by Canadian artist, Yulia Shtern. She as modeled this work after the endangered Mongolian species Altai Argali. The animal is brightly colored, in a rainbow color scheme in this work. She has done a fabulous job of making her subject matter eye catching and dynamic. Shtern styles this series after the tradition of mounting heads by hunters, but instead she gives life to her up-cycled materials and fights against the inhumane act of trophy hanging. Follow our storefront, or message us for more works by Yulia Shtern, and for special pricing. From the artist: "One of the biggest, ugliest truths of our time is that we have been knowingly destroying our planet and killing off its natural life in pursuit of the falsehoods promised by mass consumption. Displaying a trophy of a stuffed dead animal...

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net 'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend...

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net 'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend...

assemblage sculpture: old wood mantle clock box refashioned to resemble a Morocco Riad mansion, 6 antique painted skittles pins, antique photo with ...

"Goat" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of species on ...

“Amur” is a multimedia sculpture by the Canadian artist Yulia Shtern. This work is created with upcycled materials, taking pieces of material that would normally end up in a landfill to create her sculptures. She models the presentation of this work after the tradition of hunters presenting the heads of their kill as a trophy. She creates a multifaceted dynamic piece that brings attention to the beauty of the animal that is being unfairly hunted. “Amur” is created in representation of a rare Siberian tiger that is found in Asia. Often called the Amur tiger because of the major river that runs near its natural habitat. Currently, the Amur tiger is on the endangered species list, with only around 600 tigers left. This sculpture can be free-standing, or hung on the wall. From the artist: "One of the biggest, ugliest truths of our time is that we have been knowingly destroying our planet and killing off its natural life in pursuit of the falsehoods promised by mass consumption. Displaying a trophy of a stuffed dead animal in one’s interior is an odd way of showing off one’s perceived affluence, or bravery, or honour. It is an absurd social construct of flaunting one’s status, especially today, in the context of the planet-wide ecological disaster we are living through. Magical realism is a way of conveying an alternative, happier reality, a choice to reflect on the terrible truth through the means of whimsy and joy. My new series of sculptures Magical Zoo observes this calamity through the prism of the wonder and playfulness of the natural world, through the miracle and majesty that is found in each and every animal, big and small, aquatic and land. The medium of the series consists of post mass consumption up-cycled material: paper products, packaging, non-recyclable plastics, fabric leftovers, other items that would have otherwise gone to a landfill. All the colour on the finished sculptures comes from swatches of the up-cycled material itself. The only other substance added to the work is the transparent varnish glue. The pieces in the series are produced in an environmentally sustainable manner. Magical Zoo creates its own reality through the dualism of a colourful, whimsical representation of an animal whose habitat has been destroyed by industrial expansion or deforestation. Or an animal that was a hair away from going extinct, or an animal that could be next unless we do something today to stop this tragedy. The element of magic makes it easier to cope with the fact that our planet is dying...