Unknown

Male Nude Bronze Sculpture by Marlo for MAC California

1998

Woman and Child sitting on the bench The sculpture is sitting on the wooden antique box/bench also can be replace for more contemporary look with ...

Bronze Marble Wood Sculpture Four separate pieces, unsigned artist Sarah Schwartz was born 1953 Chicago, Illinois. Education: 1971-72 York University/Ontario College of Art, Toronto...

After Shopping Modern Bronze Sculpture, signed. A wonderful bronze sculpture of a young mother resting with her child on a chair, with a handbag on the back of the chair on a limestone base. Bruno Lucchesi was born in 1926, an Italian-American sculptor known for his figurative work. Lucchesi was born in Fibbiano Montanino in Lucca, Italy. He studied at the Art Institute of Lucca, then moved to Florence, Italy where he became Assistant Professor at Florence University in 1953. In 1958 he moved to New York City and has since taught there at the National Academy of Design and the New School of Social Research. He continues to teach workshops in the United States and Europe Museums: Brooklyn Museum, Brooklyn, New York Columbia Museum of Art, Columbia, South Carolina Dallas Museum of Art, Dallas, Texas Metropolitan Museum of Art, New York, New York Museo de Bozzetti, Pietrasanta, Italy Museum of Fine Arts, Sofia, Bulgaria Museum of the City of New York, New York Museum of World Treasures...

Salvador Dali Femme En FLamme Woman Aflame Artist signed in the mold, edition 141/350 Edition of 350 + 35AP stamped 'Venturi Arte' and Camblest 1981 Edi...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...

Two Ballet Dancers Bronze Sculpture Artist signed, AP I artist proof, the sculpture stands on a steel base made to be place in the garden original patin...

Aharon Bezalel (Afghani-Israeli, 1925-2012) 1984 Edition 4/9 Family Grouping Hand signed in Hebrew with initials and in English Movable figures that fit together like puzzle pieces in solid cast bronze with original patina on a lucite bench base. 23 X 19 X 6 base is 24 X 6 X 6 Aharon Bezalel (born Afghanistan 1926) Born in Herat, Afghanistan in 1926 and immigrated to Israel at an early age. His father, Reuven Bezalel, was a rabbi and kabbalist. As a youth Aharon studied gold and silver casting as well as applied arts and worked in these fields as a silversmith and judaica craftsman, and was a student of the sculptor Zev Ben-Zvi at the Bezalel Academy for Art & Design where he also studied with Isidor Ascheim and Mordecai Ardon. There he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. He also studied miniature carving with the artists Martin and Helga Rost applying himself at their workshop. Aharon Bezalel worked and resided in Jerusalem, he taught art for many years. His sculptures - works of wood, bronze, aluminum, Plexiglas - were shown at his studio in Ein Kerem. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. His work bears a similarity to Berrocal as well as affinities to Henry Moore, Lynne Chadwick and Kenneth Armitage. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...

W 629 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such as Wond...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Vestment 628 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such ...

This Mixed Media piece titled "Too Many Teardrops Suncatcher" is an original artwork by Roxana Azar made of digital print on acrylic, plastic chain, metal, and glass. The piece measu...

Security Knight 646 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icon...