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Dominique Polles Pollès - Bronze Sculpture - Oxynamide2011
2011
About the Item
Pollès - Bronze Sculpture - Oxynamide
Bronze
Edition: 1/4
2011
21 x 13 x 17 cm
Signed and Numbered
BIOGRAPHY
Pollès was born in Paris in 1945
Like Leonard de Vinci in an anatomical search of perfection, of representation of movement,with an almost scientifical or medical glance, Pollès holds the utmost passion of anatomy: he learns about the human body, the complicated hank of muscles, movements of members and all the bodily mechanics. That’s why in 1964 he starts medicine school and along side goes to the Charpentier Academy where he follows art lessons.
In 1966, he encountered sculpture in London where he was invited by his friend Enzo Plazota.
This final step teaching him all the bases of sculpture.
Pollès then decides to go to live in Italy, in Carrare, an important art place. He moved in 1970 and settled in Pietrasanta where he still lives.
His sculptures, by creating a vision of the moving being, polished and smoothed, break the pureness of aestheticism. He just knows one theme, one model: the female form.
According to Pollès, this is the most beautiful one, the most harmonious one.
“When we are looking at a feminine body, it is splendid, it is musical”.
His love of women, the sensuality, the complexity, the shapes and passions, brought him to explore the female form. Since the beginning he has created a singularly stylized cubist form; this becoming his signature form.
All are cast in bronze by Pollès himself and made in a series of four with one artist's proof. His masterliness of the patina is considered unparalleled. The world's recognition of his craft is evidenced by the many awards he has won, the unique places he has shown and the prestigious private collections he is in, including that of Princess Caroline of Monaco.
Pollès was recently honored in an exhibition outside Paris, sponsored by the French Government, called “Sculptors From Rodin to The Present”. He was one of the few living sculptors to be so honored; the others include Abakanowicz, Arman, Saint-Phalle & Wesselmann.
Maurice Rheims, a respected Art Critic, and a member of The French Academy, has said “I consider Pollès to be one of the outstanding sculptors of our time.”
His show in the Bagatelle Gardens in Paris in 1998 was a major honor as he was one of only two artists who have ever been allowed to present their work in the Bagatelle. The other artist is Henry Moore.
Main Exhibitions
2018 : Exposition Sculptures Monumentales – Place du Louvre, Paris
2001 : Le corps mis à nu: sculptures de Rodin à Vanessa Beecroft, Donjon de Vez
1998 : Orangerie et jardin de Bagatelle, Paris
1997 : Fondation Prince Pierre 1er de Monaco - prix de la Fondation Florence Gould.
1994 : Musée Despiau-Wlérick,
1991 : Palais Carnolès, Musée municipal
1989 : Palais Esterhazy, Vienne
1986 : Poliakof-Pollès, Musée Campredon- Centre d’Art
1983 : Orangerie du Luxembourg
1976 : Musée Rodin, Prix formes humaines
- Creator:Dominique Polles (1945)
- Creation Year:2011
- Dimensions:Height: 8.27 in (21 cm)Width: 5.12 in (13 cm)Depth: 6.7 in (17 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16124025842
Pollès is a French sculptor born in Paris in 1945. He is considered the inventor of “Organic Cubism” . Fascinated by anatomy, he studied medicine and also attended drawing classes at the Academy Charpentier. In 1966, he discovered sculpture from a friend, the sculptor Enzo Plazota. He affirmed: “Overnight, as soon as I discovered form, I felt that I could give up everything for it.” In 1970, he went to Carrara and has lived ever since in Pietrasanta. A few years later, he created his own foundry and almost exclusively uses bronze for his works. His creations represent a continuity to the tradition of Greek sculpture. They could be considered as a short-circuit between Brancusi's purity, Henry Moore's figurative abstraction, and Modigliani's lines and forms. His love for the female figure, for her sensuality, complexity, and shape, led him to explore mainly the female form. Since the beginning of his career, Pollès has created a singularly stylized cubistish form, which became his signature.
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