Linderman Desk

The cofounder of New York Heartwoods, a sustainable furniture and woodworking business, Megan Offner helps clients part with their broken, diseased or fallen trees by turning them into sleek tables, case pieces and other furniture that is inspired by Shaker tradition as well as mid-century modernism.

Offner spends her days in Kingston, New York, talking to emotional homeowners considering removing their trees, fearing damage from severe weather, and with commercial clients yearning to create jaw-dropping statement interiors.

If unusual, her occupation is hardly surprising, given Offner’s outdoorsy upbringing in Missoula, Montana. She spent a lot of time camping in national parks like Glacier and while visiting family in Oregon. Those trips revealed to her the prevalence of clear-cutting in forests and the harm it does, which left a lasting impression.

“People in the city experience wood as something that comes from Home Depot,” she says with a laugh. “For me, I experience a tree as a conscious being.”

A self-described creative, Offner fell into set design after moving to New York City a few years after college. “I was building things that just ended up in the dumpster after a week,” she says of her creations for magazine shoots and ad campaigns.

The attacks of 9/11 provoked existential doubts about her career. Looking for an alternative, she enrolled in a sustainable design program at Yestermorrow Design/Build School in Vermont.

After finishing her certificate, she began volunteering on a property in Upstate New York, where she met Dave Washburn, who taught a workshop on harvesting dying and diseased trees to improve the health of a forest. Washburn eked out a living transforming these trees into boards for flooring.

“It was a model of how one could have a beautiful and creative life that produced no waste,” Offner says. “I had this a-ha moment of ‘That’s what I’m going to do.’”

Washburn introduced her to another mentor who would influence her career trajectory. Jed Bark, a fine art framer, had purchased a sawmill in Warwick, New York, to make lumber for his frames and agreed to train Offner there.

In 2011, Offner cofounded New York Heartwoods on Bark’s land with Washburn (who continued to work for the company for about two years). Initially, they sold lumber and slabs made from fallen trees to New York designers. Soon, however, the firm was fielding requests from tree services and landowners to turn their downed trees — which otherwise would have wound up in chippers or landfills — into one-of-a-kind tables.

A particularly meaningful project for Offner’s firm was the construction of a massive wraparound bench made of ash for upscale kaiseki restaurant Uchu, on the Lower East Side.

The species is disappearing across North America, so “it was one of the last big ash trees we might work with,” says Offner, who considered the opportunity to do so an honor, and especially apt that it was for a Japanese client whose traditional culture is known for revering nature.

The different species also speak to her differently. Walnut, for instance, which Offner has used for a stunning mid-century-style credenza, appears emerald and amethyst before it’s cut, but once it meets air, she says, “there’s this magical moment” when the colors start to change. It’s a kind of alchemy. As, indeed, is Offner’s work.

Find New York Heartwoods furniture on 1stDibs.

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Few pieces of furniture are celebrated for their functionality as much as their decorative attributes in the way that console tables are. While these furnishings are not as common in today’s interiors as their coffee-table and side-table counterparts, console tables are stylish home accents and have become more prevalent over the years.

The popularity of wood console tables took shape during the 17th and 18th centuries in French and Italian culture, and were exclusively featured in the palatial homes of the upper class. The era’s outwardly sculptural examples of these small structures were paired with mirrors or matching stools and had tabletops of marble. They were most often half-moon-shaped and stood on two scrolled giltwood legs, and because they weren’t wholly supported on their two legs rather than the traditional four, their flat-backed supports were intended to hug the wall behind them and were commonly joined by an ornate stretcher. The legs were affixed or bolted to the wall with architectural brackets called console brackets — hence, the name we know them by today — which gave the impression that they were freestanding furnishings. While console tables introduced a dose of drama in the foyer of any given aristocrat — an embodiment of Rococo-style furniture — the table actually occupied minimal floor space (an attractive feature in home furniture). As demand grew and console tables made their way to other countries, they gained recognition as versatile additions to any home.

Contemporary console tables comprise many different materials and are characterized today by varying shapes and design styles. It is typical to find them made of marble, walnut or oak and metal. While modern console tables commonly feature four legs, you can still find the two-legged variety, which is ideal for nestling behind the sofa. A narrow console table is a practical option if you need to save space — having outgrown their origins as purely ornamental, today’s console tables are home to treasured decorative objects, help fill empty foyers and, outfitted with drawers or a shelf, can provide a modest amount of storage as needed.

The rich collection of antique, new and vintage console tables on 1stDibs includes everything from 19th-century gems designed in the Empire style to unique rattan pieces and more.