Isaac Cohen Furniture

A vintage Native American Navajo turquoise stone necklace with authentic 26 pearls and two carved cross pendants in sterling silver. The necklace is attributed to the Jewelry designer T-Foree. This vintage necklace will make a statement and is a collectible piece. To the Navajo tribe, the color turquoise represents happiness, luck, and health. ... Black, white, blue, and green were the colors within the turquoise stone which represent the colors of the natural world. A horseshoe-shaped symbol or a symbol called “Naja” appeared often in tradition Navajo jewelry...

Open curb link bracelet with heart padlock clasp hung a variety of charms, including, a fire engine, motorcycle, trolley bus, doctor’s bag, dunce hat, barrel organ and an engagement ring with a jewel on top. A Lovely English sterling silver double-link charm bracelet with a safety chain. There are Twenty-Nine charms The bracelet is in excellent condition, with scratching as expected. We have given the bracelet a light clean. 96g total gross weight. Condition Excellent condition. This is a fabulous vintage 1960s silver charm...

This English 1950s heavy sterling silver bracelet has 17 large three-dimensional charms and opens or closes with a heart shaped padlock on a little safety chain. Some of the charms have moving or opening parts. The windmill really turns, the lid of the beer mug opens, the ship opens up, the leaves on the orange are separate from the orange, the bellow bellows, the treasury chest opens, the corn has loose leaves and the scissors 'cut'. Three of them are European solid silver pendants: the acorn (Italy 925) the long pendant (sword Dutch 835, used from 1906-1953) the German beer mug...

Modern sterling silver baby cup. Retailed by Tiffany & Co. In New York. Gently curved sides with rows of embossed hearts on stippled ground. Top vacant. High-looping scroll handle. M...

Bjorn Weckstrom scuptural sterling silver ring, Lapponia, Finland, 1969

Lovely silver necklace with wave shaped bars chained together by designer Jaana Toppila-Ikalainen -Finland 1998. The silver bars has a twisted shape. Natural patina and good vintage ...

20th century Jade and Stone Necklace by Fumiko Ukai of Berkeley, CA An elegant necklace created by the late Berkeley jewelry designer Fumiko Ukai, compose...

Unusual, sterling silver-mounted threaded crystal match striker with hand-blown light green handles, London, circa 1910. Hallmarks are rubbed in ...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

This 1960s silver beaded necklace is a vintage treasure, exuding retro charm and timeless elegance. Each delicate silver bead is meticulously craf...

Hardwood vintage toy Viking from the 1950 attributed to Kay Bojesen.

A beautiful set of six (6) Scandinavian Modern Danish Modern sterling silver, gold vermeil and enamel spoons by designer Anton Michelsen, circa early-20th century, Denmark. These bea...