Joseph Cremer Furniture

A good quality late 19th century French Louis XVI style Kingwood vitrine, having gilded ormolu mounts, serpentine fronted with shaped glass panels, glass shelves within, foliate marq...

19th century chinoiserie display cabinet with glass shelves, two hidden drawers, and opening to two bottom doors.

Antique English 19th century Sheraton revival mahogany display cabinet on stand. A 19th century mahogany display cabinet on stand,...

Early 19th century French Renaissance Revival hand carved walnut display cabinet with exterior design details. The display cabinet is in good antique condition with age / use appropr...

A pair of Marquetry display cabinets in the transitional manner By Edmund Kahn of London & Paris Constructed from kingwood, with tulipwood, bois satiné and harewood inlays; f...

A display cabinet in the manner of Thomas Chippendale. Constructed in a well-figured Honduras mahogany, with carved highlights; rising from cabriole leg 'ball and claw' feet, with acanthus carving at the knees, with swept and carved corner blocks; over, a running 'egg-and-dart moulding with a central leaf carved cartouche centred about a scallop shell, are two lockable glazed doors, with astragals delineating fifteen panes enclosing a shelved interior; surmounted by a pierced swan neck pediment with paterae teminals set about a turned finial, circa 1910. Thomas Chippendale the Elder (1718-1779) Yorkshire born, a highly skilled cabinet maker and designer, published in 1754 his 'Gentleman & Cabinet Maker's Director', a volume of instantly recognisable and idiosyncratic designs, that was reprinted time and again, serving as an essential manual for cabinet makers the length and breadth of England. Working from 60-62 St Martins Lane, London his output is regarded as the ne plus ultra of 18th century...

Hand crafted in Normandy, northern France circa 1870, and built in two sections, the antique oak and glass cabinet stands on a thick bottom plinth, and dressed at the pediment with a large carved decorative cornice. Each section features side glass panels and dressed with a central glass door decorated with hand carved floral and leaf motifs, opening to adjustable shelving (one glass shelf in each cabinet, but could accommodate 3 or 4). The elegant tall and narrow vitrine...

Early 20th century French giltwood display cabinet French, early 20th century Measures: Height 175cm, width 130cm, depth 40cm This beauti...

A sensational and extremely decorative French 19th century Louis XIV st. Napoleon III period Ebony, Walnut and brass Boulle cabinet vitrine. The two door vitrine is raised by a strai...

An extraordinary Antique Chinoiserie Display Cabinet dating to the 19th Century. Made in six sections, mounted on a later base. An ebonized cabinet with overall fine chinoiserie gilt decoration. The center section with broken bonnet with fine carved and gilt urn finial and figural decoration with flowers and little dogs...

An Italian carved walnut vitrine. Constructed in carved walnut, rising from a serpentine ogee edged plinth base with a mirror back, having a central mythological winged figure flank...

An Important Napoleon III Exhibition-Quality Ormolu-Mounted Carved Cabinet By Maison Guéret of Paris A tour-de-force glazed boxwood cabinet celebrating the art of woodcarving, the monumental vitrine of slight breakfront proportions, with rounded corners, all surfaces carved with the most exquisite designs and refined detail with ormolu banding, the base of tripartite design, the central cupboard door with a carved roundel depicting a triumphant muse, flanked by two doors with carved musical trophies enclosing a single adjustable-shelved interior, the frieze incorporating a further three drawers with slides above; the superstructure with three glazed casements separated by carved and fluted pilasters with ionic capitals; enclosing a red velvet-lined and shelved interior; the tripartite pediment each with rounded cornices, the central tympanum carved with laurel leaves and instruments of the arts & wisdom topped with a carved finial and a draped lambrequin below, the flanking entablatures with cartouches depicting Bacchus and Ariadne below urn finials with carved Vitruvian scrolls and ribbon-tied cascading bunches of laurel leaves, the symbol of triumph. Signed on the cartouche "Guéret Frères...