ROU Materiaal Furniture

vintage desk desk 70's adjustable period 70s design unknown Sweden condition good signs of use; scratches; discoloration; size 71 (highest position)...

Onyx Cube, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Onyx Cube in Pink Onyx, a decorative piece that draws the eye with it's beautiful color and texture. ...

Solid wood, mahogany stained. Baluster-shaped table legs with roller feet. Profiled 2-drawer frame box, slightly protruding tabletop. Green writing surface decorated with extraordinary gold embossing. Decorative brass fittings. Victoria style. According to our agreement with Tammy Connor Interior Designs...

Brushed steel frame enclosing two mahogany drawers, faced with aluminum and inset with a dark-green tinted glass work surface. The top drawer locks.

Thonet side table.

Domus is a coffee table made from a single block of wood.‎ The purpose of this coffee table is to be placed next to a warm hearth, a place where the whole family gathers and tells st...

Horse sculpture, signed Jo Mead.

A vintage Italian tile top table with solid pegged wood frame and wrought iron base. The six oversized tiles on the top are vintage renditions o...

Materiality series represents the thinnest line between design and sculpture. Technical Data: Each piece is entirely made by hand by Eduard Locota himself, from acrylic glass & cold cast bronze. Each artwork is accompanied with a certificate of authenticity signed and dated by the artist. Made to order; build process takes 4-6 weeks; please allow extra time for custom orders (colors can be customized upon request). Every object has his own persona and is entirely made by hand using similar techniques used in metal casting. We have literally endless color combinations, and each color accentuates the different personalities of the objects. Ultra limited edition of 12 + 4 ap. * shipping worldwide: all our artworks are insured and packed in a custom-made wooden box. * dimensions may vary 1 – 2 cm. Few Words From The Artist: “I left on the surface of the object the imprints of my own fingers, of my hands, as well as the strikes and marks left by the actual tools used to shape the work. Later on, i took molds of my hands, fingers and of the tools that were actually used in the making of this unique piece, and duplicated them in cold cast bronze to complete the artistic statement.” For this set of works, the synthetic materials were chosen rationally in order to explain both the physical and conceptual materiality of the theme. Though, exactly the opposite for our case, the common perception of any synthetic material is usually disposable, mass-produces and low-grad. This gives birth to a discussion about the ethical value of synthetic materials and man’s ability to perceive it culturally. The story of the transformation of matter into an object, about the transformation of the object into a good, about the monetization of the good. Plastic Concept: From the oldest of times, our species has experienced a strong symbiosis with matter. Humans have learned to model matter, turned it into tools, and then used it to create objects. The man of the 21st century has shaped the Anthropocene era to his liking; and plasticized it to his own mirror. The project called materiality, is centered around the last geological era, popularly known as the plastic age...

This extendable/adjustable desk is by André Sornay made with an exotic wood circa 1930. Its structure and design with the circular table top is very re...

Thonet side table professionally stained and repolished.

T-shaped nickel-plated steel structure, originally created for the Foncolin Building, Brussels. Literature: Marie Ferran-Wabbes’ Jules Wabbes 1919-1974, ...