REGENCY SEDAN Clock

A late 18th century mahogany pad top bracket clock, the 8 day original verge movement signed in a plaque by Thwaites, London. The flame mahogany case of goo...

A super lyre-shaped mid 19th century skeleton clock by Haynes of Stamford, with the original mahogany base having an engraved makers plaque, wit...

A fine example of an 18th century mahogany long case clock with fantastic carved details to the hood and a flame mahogany door, the eight day ...

A fine example of an eight day longcase clock with wonderful full brass dial, moon roller and date hand. The superb mahogany case has a cross banded door veneered in flame mahogany w...

An imposing 18th century eight day long case clock by Simister of Birmingham. The amazing mahogany case has a flame mahogany veneered door and the large reeded columns with ormolu mounts to the top. The whole case inlaid with bandings and stringing. The early painted dial...

A Belgium slate perpetual moon phase clock with visible brocot escapement to the enamelled dial. The enamel dial to the calendar beautifully painte...

Maker: R & Co., Paris – Clockmaker Cotton – Artist Case: The large cast Rococo style gilt-bronze sedan style case is elaborately decorated with s...

A superb English Regency library mantel (fireplace) clock in patinated bronze and original ormolu. Set on four finely cast feet with very finely cast inset ormolu mounts, and figures of two classically dressed females sitting back to back against the clock drum and reading from ormolu books. The clock drum is surmouted by a very finely cast ormolu eagle finial with wings out stretched. Above the bezel is a garland of acorns and leaves. The ormolu bezel surrounds a very fine white enamel, convex dial...

A very fine triple fusee quarter chiming bracket clock in an ebonised case in remarkable original condition. The eight day triple fusee movement with anchor escapement and long heavy bob pendulum and hold fast, chimes on a nest of eight graduated bells with a seperate bell to strike the hours. The movement also has a pull correction lever. The cream painted roman dial is fitted behind the original convex glass held in with a brass ogee bezel, the case has front and rear locks with the movement visible through a glaze back door. The movement is housed in an oak case veneered in ebonised fruitwood with brass case decorations and fish scale sound frets backed with yellow silk, the break arch top is surmounted by a single brass bound pad. The dial and back plate both signed by Thomas Bray, the movement is also stamped J Thwaites 4677 on the front plate behind the dial. This leads us to believe this is one of the two clocks recorded as being made by Thwaites for Thomas Bray to retail. The serial number can be traced in the Thwaites day books and dates the clock to 1811. John Thwaites was a prolific clock maker who specialised in quarter chiming and musical clocks often manufacturing movements for some of London’s most prestigious clock makers. John Thwaites was Master of the Clockmakers Company in 1815, 1819 and 1820, his company eventually went on to found the famous Thwaites and Reed company. Examples of Thomas Bray’s work can be found in the British Museum, John Thwaites clocks...

The waisted sides surmounted by a brass urn finial, above a rectangular base raised on bracket feet, decorated with braided border and depictions of floral swags, garland, and hunt t...

Regency bracket clock by John Garth, Harrogate Mahogany case standing on a stepped base with ribbed decoration and standing on four brass bal...

Small regency bracket clock. Mahogany chamfered top case surmounted by a brass pineapple finial with brass inlay, standing on a raised plint...