21st Century by Arch. E. Mari "PAROS L" Marble Sculpture Ashtray Centerpiece

Enzo Mari was an influential industrial designer and a beloved curmudgeon who revered Marxism. His vintage mid-century modern designs are simple, functional and poetic. Widely known Mari-designed objects include desk accessories, such as the Formosa perpetual wall calendar, vases, cocktail tables and chandeliers. 

Enzo Mari's work is embedded within the city of Milan, the Italian capital of all things design. In fact, the traffic bollards he devised are part of the city itself: Shaped like "panettone" cakes, they simultaneously direct traffic and provide seating for pedestrians.

In 1974, Mari published Autoprogettazione? (roughly translated as self-design), a Marx-inspired, anti-industrial, do-it-yourself handbook for the everyday person to use to build furniture without the assistance of a glitzy designer or knowledge of complex joinery. Mari’s intent with the publication was to remove the alienation of the creator and manufacturer from the end product by teaching anyone to develop a critical eye for production.

Artek relaunched kits based on the blueprints in the manual in an exhibition at Spazio Rossana Orlandi in 2010. The subsequent collectability of his work was reportedly irksome for Mari because he abhorred the industrial production for which he was becoming known.

Mari’s meager upbringing heavily influenced his politics, and even in childhood, he would come up with ingenious ways to support the family financially. As a designer, the desire to envision and build significant pieces was more important to Mari than devising new marketing and retail sales tactics. He optimistically believed objects could change the world. This view went against the rising consumer mania for every next trend that surfaced in the late 20th century. Not surprisingly, his ecological and economical stance led him to produce fewer objects.

Mari's philosophy did not stop people from desiring his creations, nor prevent other designers from wanting to collaborate with him. Following World War II, he worked for companies like Danese, Olivetti, Artemide, Driade and Alessi, who brought his prodigious designs to the public, and Mari’s work was widely celebrated. 

The Golden Compass, Italy's highest honor for industrial design, was awarded to Mari four times before he died from COVID in 2020, and New York’s Museum of Modern Art has a permanent collection of his objects on display.

On 1stDibs, find a collection of Enzo Mari decorative objects, folk art and serveware.

With the establishment of Up & Up in 1969, marble takes on new forms and explores new applications becoming the favorite material of the greatest designers, who have transformed it into objects, furnishings, accessories, bathrooms, elegant cladding, refined inlays and exclusive workings for prestigious architectural projects. After a decade of development and growth, in 1979 Up & Up became UpGroup, a more complex reality that today stands out among the Italian excellence leaders in the production and processing of marble. The company resides in Tuscany, at the feet of the Apuan Alps, in a “middle” land between the blue sea and the whiteness of the extraordinary quarries of the Carrara area, in which Michelangelo came to personally choose the most unique and precious marbles to carry out his works. Over the long period, the company has developed important research projects on new processing technologies, taking a pioneering role towards innovative techniques that have contributed to the profound change in the roles and the way the designers work. Among these: laser cutting, a unique project developed in partnership with the CNR (National Research Council) and the universities of Pisa and Florence, thanks to which it was possible to cut and engrave the stone with extreme precision, up to a minimum thickness of 3 mm.