Gio Ponti F.A. 33 Large Mirror in Black Brass
About the Item
- Creator:
- Dimensions:Height: 57.48 in (146 cm)Width: 27.55 in (69.98 cm)Depth: 0.98 in (2.49 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Contemporary
- Production Type:New & Custom(Re-Edition)
- Estimated Production Time:2-3 weeks
- Condition:
- Seller Location:Glendale, CA
- Reference Number:
Gio Ponti
An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.
Ponti designed thousands of furnishings and products — from cabinets, mirrors and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.
The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre.
In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.
Ponti's signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.)
Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.
Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph, which was written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.
Find a range of vintage Gio Ponti desks, dining chairs, coffee tables and other furniture on 1stDibs.
Gubi
Iconic Danish furniture and lighting manufacturer Gubi was founded in Copenhagen by designer-couple Lisbeth and Gubi Olsen in 1967. The brand is celebrated globally for its innovative chairs, lighting fixtures, mirrors, sofas and other furnishings and decor.
The company began as a platform to manufacture the textiles and furniture designed by Lisbeth and Gubi. Soon, the business model broadened. While recent contemporary pieces manufactured by Gubi such as GamFratesi’s Beetle chair have become darlings of today’s interiors, the company is also widely known as a leader in reissuing exquisite Scandinavian and other mid-century modern furniture by a range of design legends.
Swedish architect and interior designer Greta Magnusson Grossman — the first woman to receive a prize for furniture design from the Swedish Society of Industrial Design — emigrated to the United States and built 14 homes in Los Angeles in the postwar era that were inspired by the Case Study Houses. She furnished these homes with her own designs, and her impossibly sleek Grasshopper table lamps and floor lamps — created for Barker Bros. but today made by Gubi — were frequent fixtures in the interiors. Another Scandinavian architect and industrial designer, Louis Weisdorf designed the wildly popular Multi-Lite line of lighting fixtures, which were originally created during the early 1970s and reissued by Gubi in 2016.
Beyond lighting, Spanish designer Barbara Corsini created the distinctively geometric Pedrera coffee table during the mid-1950s that is now made by Gubi, while the Hungarian-born French master of postwar design, Mathieu Matégot, created the Tropique dining table and an elegant three-legged Nagasaki chair, both of which were reissued by the Danish brand. French furniture designer Pierre Paulin created the inviting, organically shaped Pacha lounge chair in 1975. This design yielded a loveseat and a sofa as well. All of these pieces were reissued by Gubi.
Since 2001, Gubi founders’ son, Jacob Olsen, has managed the company, and travels the world to find heirs to the iconic designers of yesteryear in order to secure permission to give their works a second life.
- ShippingRetrieving quote...Ships From: Mount Prospect, IL
- Return PolicyA return for this item may be initiated within 1 day of delivery.
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