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Rembrandt Van Rijn Bust of a Man 1630 Etching Millenium Edition Framed
About the Item
A regal etching on Ingres d’Arches off-white laid paper paper titled “Bust of a Man Wearing a High Cap” by Rembrandt Van Rijn. Created in 1630. A 20th/21st Century impression printed by Marjorie Van Dyke. From the “Millenium” edition limited to 2500 examples. Art historians believe that this etching depicts Rembrandt’s father, although no conclusive evidence exists that supports this belief. Rembrandt’s father, Harmen Gerritszoon van Rijn, was a miller and owned a half-interest in a windmill called “De Rijn.” In this delicate and facile portrait, Rembrandt depicts a man with a resolute jaw, earnest eyes, and a focused and intent expression, all qualities one could easily associate with the wisdom and fortitude of one’s father. The exotic and ornate dress of the sitter—wearing a turban and coat—may suggest Rembrandt’s desire to portray his father as a man of importance. His father died the same year this etching was completed. From a private collection, originally purchased from Park West Gallery in 2005. Gallery tag on verso. Dimensions: 22”h x 21.5”w x 1.5”d (framed). In very good condition.
Rembrandt van Rijn (1606-1669) usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art. Rembrandt’s reputation as the greatest etcher in the history of the medium was established in his lifetime.
- Creator:Rembrandt van Rijn (Artist)
- Dimensions:Height: 22 in (55.88 cm)Width: 21.5 in (54.61 cm)Depth: 1.5 in (3.81 cm)
- Materials and Techniques:
- Period:1630-1639
- Date of Manufacture:1630
- Condition:
- Seller Location:Keego Harbor, MI
- Reference Number:1stDibs: LU2715336665182
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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