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Dasha Pogodina
Venice-where love live
2021

About the Item

ABOUT THE ARTWORK "Venice—Where Love Lives" is an enchanting portrayal of the timeless romance that the city of Venice embodies. The artist captures the warm, sun-drenched hues of the historic buildings that line the canal, a testament to the enduring beauty and charm of this ancient city. The rich textures and vibrant colors of the walls and windows evoke stories of the countless lovers who have strolled these paths. The tranquil waters of the canal reflect the dance of light and shadow, suggesting the fluidity of love itself. A quaint wooden bridge invites the viewer to imagine crossing into a world filled with the whispers of star-crossed lovers. This painting is more than a mere cityscape; it's a love letter to Venice, a city where every corner, every stone, and every ripple in the water tells a tale of passion and devotion. It captures a moment in time where the essence of love is almost palpable, lingering in the air like a gentle sigh.

Creator:

Dasha Pogodina (1992, Ukrainian)

Creation Year:

2021

Dimensions:

Height: 19.69 in (50 cm)Width: 15.75 in (40 cm)Depth: 0.79 in (2 cm)

Medium:

Canvas,Oil

Movement & Style:

Impressionist

Period:

2010-

Condition:

Gallery Location:

Zofingen, CH

Reference Number:

1stDibs: LU2203213471402

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Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions 2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland 2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia 2018 Group exhibitions Room of my Minds, Ukraine 2017 Group exhibitions Garden as an Art, Kyiv, Ukraine 2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine 2013 Group exhibitions Fragment of Life, Luhansk, Ukraine 2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice. In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”. I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.