Abstract Prints

Lithograph, 1968 Handsigned by the artist in pencil Edition : 119/120 Printer : Mourlot, Paris Catalog : [Sorlier 168] 71.50 cm. x 50.00 cm. 28.15 in. x 19.69 in. (paper) 69.00 cm. ...

Hand Signed. Edition of 100 pieces.

Jim Dine Untitled from the Castelli Sonnabend Collection, 1973 Screenprint on rag paper in original portfolio sleeve Hand signed and numbered 158/300 by Jim Dine on the front. Printe...

Alfred Manessier Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Signed in the Stone Annotated verso Publisher: Mourlot, Paris Printer: M...

Abstract Flowers is an original modern artwork realized in the1970s by Franco Gentilini. Mixed colored lithograph Hand signed and dated on the lower margin. Edition of 35/100 Inc...

Signed, titled and numbered artist proof (3/10). Daniel Beugniot, who signs his prints Dul, was born in Bordeaux in 1954 and died in April 2010. He spent many years teaching etching...

Print, limited edition of 15. Photographed in Bratislava a detail of a technical building-architect Jurkovic. Signed by the author.

Helen Frankenthaler Frankenthaler (Hand signed and inscribed), 1988 Offset lithograph (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Landscapes of The Mind is an original hand drawn, limited edition lithograph by Marius Sznajderman(Born-Paris,France 1926-2018) printed in black ink on white archival Arches paper, 1...

large format photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic ...

an homage to Caspar David Friedrich, towering thunder clouds over the Mediterranean Sea, captured with a large format camera to allow epic scale photograph...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O l by Erik ...

111.8 x 140.3 cms (44 x 55.25 ins) Edition of 50 Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...

Solidly grounded in Abstract Expressionist tradition, process-oriented painter Thomas Nozkowski’s method is predicated on relinquishing the idea of an end result. To highlight this, ...

Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...

mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from Christian Stoll‘s body of works titled 'Hemisphere' Hemisphere I by Christian Stoll 58 x 58 inches (147 x 147cm) signed edition of 7 48 x 48 inches (122 x 122cm) signed edition of 7 40 x 40 inches (102 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered by artist on certificate label „frameless“ glass face mounting available on request _________________________ Christian Stoll has experimented with the photography medium since 1991. His predominant interest is the still-life on a monumental scale. As his subject matter, Stoll shoots static objects, forms...

From a series of large scale abstract photographs of muted color monochromatic ocean water surface and cloudscapes SEASCAPE IV by Frank Schott an homage t...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 27 x 40 inches (68 x 102...

Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm) Signed, numbered and dated '68 in ...

From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color 48 x 72 inches (122 x 18...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O IV by Erik...

large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...

mesmerizing large scale capture of a strikingly abstract water surface WAVE II by Christian Stoll 48 x 48 inches (122 x 122cm) signed edition of 7 5...

DE YOUNG by Frank Schott an hommage to the architectural details of Herzog DeMeuron's famous de Young Museum in San Francisco's Golden Gate Park 29 x 40 in...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Artist: Helen Frankenthaler (American, 1928-2011) Title: "Sun Corner" Portfolio: The Metropolitan Scene *Signed, dated, and numbered by Frankenthaler (inscribed into the metal) lower right Year: 1968 Medium: Original Screenprint on core-filled, baked Aluminum Panel Limited edition: 17/50, (there were also 4 artist's proofs) Printer: Sheila Marbain of Maurel Studios, New York, NY Publisher: Tanglewood Press, New York, NY Reference: "Frankenthaler: A Catalogue Raisonné - Prints 1961-1994" - Harrison No. 12, page 90-91; Berggruen No. 13; Clark No. 13 Framing: Recently framed in a white maple moulding and conservation clear glass with frame-space. All archival Framed size: 37.38" x 37.38" Sheet size: 36.13" x 36.13" Image size: approx. 32" x 32" Condition: Faint crease upper right. Mild creasing lower right. Some light scuffmarks and scratches across sheet. In otherwise very good condition with strong colors Very rare Notes: Provenance: private collection - Upton, MA. Comes from the 1968 "The Metropolitan Scene" portfolio of five screenprints by various artists. Printed in four colors from four screens: blue, orange-red, green, and yellow. This is the third screenprint edition Frankenthaler ever made. "The Metropolitan Scene", a portfolio of prints by Richard Anuszkiewicz, Helen Frankenthaler, Adolph Gottlieb, Nicholas Krushenick, Roy Lichtenstein, and George Segal, was commissioned for a traveling exhibition organized by the Education Department of The Metropolitan Museum of Art, New York, NY. The museum received ten Roman-numbered copies for this purpose. Tanglewood Press then released all but Gottlieb's print in numbered editions of fifty. (Gottlieb's contract with Marlborough Gallery, New York, NY, did not permit commercial release of his print by the publisher). "Air Frame" (cat. no. 6) was Frankenthaler's first silkscreen - a medium that Universal Limited Art Editions, West Islip, NY did not use, although it became increasingly popular for artists' prints, both in Europe and the United States, during the sixties. Several other silkscreens followed in the next few years: "Untitled" (cat no. 11), in 1967, and "Sun Corner" (cat. no. 12) by Tanglewood Press, New York, in 1968. - "What Red Lines Can Do" (cat. nos. 22-26) is a suite of silkscreens published by Multiples, Inc., at that time directed by Rosa Esman, in 1970. - (Harrison - page 19). Biography: Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1958 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer: ...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Untitled (page 8, 9)" Portfolio: Derrière Le Miroir (No. 149) *Issued unsigned Year: 1964 Medium: Origina...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the body of works titled 'Hemisphere' Hemisp...

WALLSCAPE IV by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 48 x 72 inches / 122cm x 182...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Untitled (Fresh Air School)" Portfolio: Fresh Air School *Unsigned edition Year: 1972 Mediu...

LA Parking by Frank Schott a burst of red in an urban landscape of striking minimalism from a series of photographs capturing the mid century modern architecture and architectural el...

Artist: (after) Helen Frankenthaler (American, 1928-2011) Title: "Helen Frankenthaler: Tales of Genji (Catalog of 6 Prints)" Series: (after) Tales of Genji *Issued unsigned Year: 1998 Medium: The Complete Set of 6 Offset-Lithograph reproductions on light smooth wove paper Limited edition: Unknown Printer: Swan Engraving...

Artist: Sewell Sillman (American, 1924-1992) Title: "I-S #1" *Signed and dated by Sillman in pencil lower right Year: 1968 Medium: Original Screenprint on unbranded heavy white wove ...

Hand Signed. Etching and aquatint. Artist's Proof. Edition of 90 prints. Image Dimensions : 48 x 62 cm

The work is an original photo-lithograph by Lucio Fontana, signed and numbered in pencil at lower right, accompanied by a booklet containing six full-page black-and-white offset plat...

Artist: Alexander Calder (American, 1898-1976) Title: "Flying Colors '76 (Stars and Stripes)" Portfolio: Flying Colors *Issued unsigned, though signed by Calder in the plate (printed...

From a series of large scale abstract photographs of muted color monochromatic water surface color clouds and horizon SEASCAPE IV by Frank Schott an homage to Mark Rothko 60" x 48" / 152cm x 122cm signed edition of 7 75 x 58 inches / 190cm x 147cm signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux...

Artist: Pierre Clerk, Canadian (1928 - ) Title: Morocco Series #10 Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: 300, AP 45 Image Size: 21 x 36 inches Paper S...

This is a Five colour screen print Including a metallic Silver layer. This print is then finished off by drawing over the print with multi-coloured paint including Gold, Yellow and G...

'EVEN THE HEART SKIPS A BEAT' is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. This exquisite p...

Artist: Gene Davis (American, 1920-1985) Title: "Royal Curtain" *Signed by Davis in pencil lower right Year: 1980 Medium: Original Screenprint on Arches paper Limited edition: 250, (the number may differ from what is shown in the photos) Printer: Alpha Omega...

Untitled (Plate 2) Engraving, sugar-lift, and aquatint , 1970 Signed and numbered in pencil (see photo) From: Variations (8 plates) Edition: 100 (100/100) (see photo) Printed by Lac...

Lone Boat At Dusk - Serigraph Print Original serigraph depicting a landscape scene with contrasts of black, blue and green. Hues of blue make up the night sky, while the blues fade ...

Pablo Picasso executed the Vollard Suite, a set of etchings depicting classically inspired imagery (the suite is name after Ambroise Vollard, the dealer who commissioned the work). T...

Untitled (Martha Jackson Gallery Poster) Lithograph, 1960 Signed and dated in red crayon by the artist Edition 90 (63/90) 1st state before letters for the poster created for the Mart...

A tribute to Harland Miller’s time spent in Paris as a young artist and writer during the 1990s, OUI is inspired by the frontispiece from Miller’s 2021 exhibition, The French Letter ...

Untitled (for the journal, XXe Siécle) Color lithograph on wove paper, 1973 Unsigned (as issued) From: XXe Siecle,, December 1973, No. 41 Published by G. di San Lazzaro for A. Maeght...

Centered Rings Screen print, 1971 Signed and numbered in pencil From: Twelve Progressions Commissioned by Martha Jackson Graphics Printer: Domberger, Stuttgart, Germany Their drystam...

Patti Smith Devotions to Arthur Rimbaud 1973: A rare early Patti Smith print featuring her poetry and artwork; constructed by Smith as a declaration of her admiration & love for Arth...

Bold modern colours synonymous with the modern art movement make up this original Mourlot printed Henri Matisse lithograph, after a gouache on paper cut-out. The cut-out is based on ...

Created in 1983/2024, 'Odours of Punt' by Jean-Michel Basquiat is a screenprint in the artist's signature style. This exquisite piece if from an edition of only 60 in existence This ...

Artist: Robert Indiana (1928-2018) Title: Autoportraits Vinalhaven Suite, 1980, The complete set of ten screenprints in colors, all framed Year: 1980 Medium: Screen print on Fabrian...

Richard Proctor pays tribute to painters like the cubist Albert Gleizes in this abstract lithograph numbered 14/30. The artist uses the principle of the kaleidoscope. He turns tradit...

This abstract limited edition print by Teodora Guererra features a warm palette, with thin layers of warm grey and burnt sienna tones layered over top of one another. White is layere...

Artist: Joan Mitchell (American, 1925-1992) Title: "Meditations in an Emergency" Portfolio: In Memory of My Feelings *Issued unsigned Year: 1967 (First edition) Medium: Original Lithograph on Mohawk Superfine Smooth paper Limited edition: 514/2,500 Printer: Crafton Graphic Company, Inc., New York, NY Publisher: The Museum of Modern Art, New York, NY Sheet size: 12" x 9" Condition: In excellent condition Rare Notes: Comes with its accompanying poetry pages. Numbered on colophon page. Comes from the 1967 "In Memory of My Feelings: A Selection of Poems" book volume by Frank O'Hara with approx. 46 unbound original lithographs by various artists. Collaboration: Edward Katz (printing). The last image of the complete book is for reference/provenance; it is not included. This image Mitchell contributed to "In Memory of My Feelings: A Selection of Poems" by Frank O'Hara, edited by Bill Berkson, for the Museum of Modern Art. The project was published in 1967 in memory of Frank O'Hara, poet and associate curator at the museum, who died in a tragic accident in 1966. Bill Berkson (with the assistance of Kenneth Koch and John Ashbery) selected the poems and (with advice from Robert Motherwell) asked the following artists to contribute: Nell Blaine, Norman Bluhm, Joe Branaird, John Buton, Giorgio Cavallon, Allan D'Arcangelo, Elaine de Kooning, Willem de Kooning, Niki de Saint-Phalle, Helen Frankenthaler, Jane Freilicher, Michael Goldberg, Philip Guston, Grace Hartigan, Al Held, Jasper Johns, Matsumi Kanemitsu, Alex Katz, Lee Krasner, Alfred Leslie, Roy Lichtenstein, Marisol, Joan Mitchell, Robert Motherwell, Reuben Nakian, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, and Jane Wilson...

Artist: (after) Robert Indiana (American, 1928-2018) Title: "Louisiana Museum of Modern Art (LOVE)" Year: 1972 (First edition) Medium: Original Screenprint, Exhibition Poster on heav...