Arita

This antique 'pigeon' sake bottle is from the Edo period (1603-1868). It is ceramic and in perfect condition with an incredible patina. Has a tan, slight olive color tone to it.

These are a high quality pair of very decorative gilded hand enameled Japanese porcelain lidded vases which we date to the Edo period of the 19th century, circa 1830. Each vase has a baluster open necked shape and has been hand painted in an Imari design with varying shades of under-glaze cobalt blue, with over-glaze burnt orange, salmon and grey enamels. The decoration alternates around the central section with many flowers, buildings, fences and other motifs. The quality of the painting is high and there are border designs around the vases and the lids. There are no marks to the base. Overall a very beautiful pair of Japanese vases. Notes: Imari porcelain is the name given to Japanese export porcelain...

This is a beautiful example of a Japanese, Arita- Imari porcelain Dish or Plate with finely hand painted decoration, dating to the Edo period circa 1770 or possibly earlier. This di...

Japanese Meiji period satsuma scalloped shaped bowl. The bowl of beautiful form with gilt pin-striping and dotting to the accented areas. The exterior decorated with multiple fish swimming around the outside with small flower sprays between. To the inside a painted netting covers the bowl with butterflies and further floral sprays. The centre decorated with representations of each of the woodcut prints from Hiroshige's Tokaido gojusan tsugi (53 Stations of the Tokaido Road). To the base a stylised cartouche signature within an oval for Suizan.  This Japanese satsuma bowl...

Meiji period large Japanese Imari bowl centerpiece This large, distinctive, octagonal porcelain Imari bowl is painted in rich, inky blue, co...

From our Japanese collection, we are delighted to offer this Japanese Meiji period Satsuma Bowl by Kinkozan. The earthenware bowl with pinched rim extensively decorated on both the exterior and interior. The bowl with a cobalt blue base glaze decorated to the borders with gilt shippo-tsunagi (linked-cash) with scattered medallion roundells. Around the exterior two elongated scenes are featured, one with boys playing games in a courtyard with the other featuring seated scholars in full dress both with raised enamel decoration. The interior features a central scene with Samurai warriors in training fully armoured with swords in a courtyard with landscapes scenes to the background. The central scene bordered by further stylised shippo-tsunagi type decoration with a greek key rim border. The bowl signed to the base Kinkozan dating to the Meiji Period (1868-1912) circa 1900. Shippo-Tsunagi (linked-cash) or seven treasures, is a traditional Japanese geometric pattern that combines four ellipses in a circle. These ellipses repeat outward to then create more circles, symbolising eternal peace and happiness. Kinkozan the Kinkozan family have been associated with pottery dating back to 1645. They went on to become the largest producer of Satsuma ware by one individual company, from the end of the 19th century until 1927 after which the factory closed. By the 1850s Kobayashi Sobei (1824-84), Kinkozan Sobei...

A gorgeous 19th-Century Japanese Meiji Period Imari porcelain charger with a hand painted floral design in the traditional Imari colors. This fine large plate has lovely scalloped ed...

A fine of antique Japanese Imari porcelain cup & saucer. In the 'Black Ship' pattern. Decorated throughout with painted depictions of Western sailors and their ships in reds, blues...

A bold and unusual large 18.5" diameter Japanese gilt ground Imari porcelain charger featuring the Rokkasen, the Six Immortal Poets, Meiji Period, circa 1900, Japan. The impressive charger features a striking image of the Six Immortal Poets, known as the Rakkasen, seated in fenced pavilion within a lush garden setting and surrounded by numerous books and scrolls. Gnarled pine trees and and branches laden with plum blossoms tower overhead, while chrysanthemum and massive peonies bloom among rocky outcrops. The scene is unexpectedly and masterfully executed as if on a byobu, a traditional Japanese six panel folding screen. The screen is opened in a dramatic manner, slightly akimbo, almost jumping off the dish, reminiscent of the "screens within screens" genre that developed during the Edo Period. Despite the folds and changes in perspective, the painting remains harmonious and lyrical, with the fully gilt ground adding a sense of warmth and sumptuousness. The screen is bordered with a geometric bands in the shippo pattern. The shippo pattern features interlocking circles, and symbolizes the Seven Treasures. The shippo pattern on a larger scale serves at the background fo the rest of the charger. The backside of the charger decorated with two bands with underglaze blue designs. The reserve decorated with scattered stylized blossoms in iron red and gilt. The Rakkasen, known in English as the Six Immortal Poets, are a group of 9th century Heian Period waka poets whose works were included and praised by name in an anthology of poetry collected by the courtier, poet, and writer, Ki no Tsurayuki. Waka poems are a strict five line...

Signed, Meiji period (late 19th century), Decorated in various coloured enamels and lavish gilt on a blue ground with panels containing samurai, ladies in kimono, the interior with a...

Exceptional Japanese early Meiji period (circa 1870) signed Imari ribbed porcelain Bowl, extremely intricately hand-painted on both sides in cobalt blue underglaze and polychrome en...

A large Japanese blue and white decorated Arita porcelain charger, Edo Period, early 19th century, Japan. The large and shallow blue and white Arita porcelain charger measures 18 ...