Barbara Leadabrand

Abstract Expressionist framed oil on newsprint paper painting, created in the 1950s by Peter Robert Keil in his studio in Palma. Signed 'Keil' on the ...

Knife painting involves using a palette knife instead of a brush to apply the paint, as in the case of this oil painting. In the context of a seascape at sunset, this technique adds ...

Depicting an Italian scene; likely 18th century. The painter is unknown but likely Flemish. The canvas is in good overall good condition, now mounted on a hardboard backing. The comp...

This captivating landscape oil painting captures the essence of nature with a logger seated in a lush green meadow. The vivid hues and intricate details bring the scene to life, invi...

Artist Pawel August Kontny (1923-2002) Stunning and expressive landscape. This artist had a minimal approach with the paint, giving us transparency and texture. Thick lines create building outlines. To get to the desired texture, Kontny used a mix of dust marble with oil paint. An earlier piece by Kontny. Made before he moved out of Germany into Denver. In 1960, Pawel Kontny decided to relocate to the Mile High City from Nuremberg, Germany. He had enjoyed a successful career thereafter World War II but, like many artists before him, he quickly became enamored of Colorado’s healthful and sunny climate, the freedom of its wide-open spaces, and the Rocky Mountains that reminded him of the Bavarian Alps. In the early 1960s, he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre...

California landscape painting signed Joseph Bennett. Oil on canvas in carved and painted wood frame. Joseph Hastings Bennett (b.1889 - d.1969) was a pa...

A late 19th century oil painting of a dutch cannel scene by Marris.

Mid 20th century oil on board landscape painting by William Thon titled "Mountain Town, Calabria," No. 841. Shows a sweeping abstract expressionist landscape featuring the white stucco buildings of a town perched on the green and gold hills of Calabria, Italy, with a backdrop of blue mountains melding with the sky. Signed lower right corner. Label on reverse from Midtown Galleries (New York, New York). Rustic wood frame with red stained recessed bevel and white linen mat. "William Thon (1906-2000) was an American artist noted for highly abstracted landscape paintings. He debuted as a professional artist in 1939 at the Corcoran Gallery Biennial* exhibition. He was born in New York City in 1906, and spent his childhood summers camping on Staten Island. He also developed a great love of travel, and in 1933 made an eight-month voyage to the Cocos Islands in the Pacific. He joined the Navy during World War II, and shortly after the war won the Prix de Rome*, a fellowship in Rome to the American Academy,* which he later served as trustee. Recognition for him continued with his participation in the 1942 "Artists for Victory" exhibit at the Metropolitan Museum of Art*, and in 1944, Midtown Galleries in New York held his first one-person show. This gallery then continued to be his representative throughout his career. He had subsequent solo exhibitions at Smith College Art Museum, Fort Wayne Museum and Farnsworth Museum in Rockland, Maine. He earned an honorary Doctor of Arts from Bates College in Lewiston, Maine in 1957, and was a member of The American Academy* and Institute of Arts and Letters, as well as the National Academy of Design*. In 1947, the year-long study at the American Academy proved highly influential on his career, especially with him beginning to paint as much with watercolor as oil. Returning to America, he submitted a watercolor into the 1949 exhibition of the National Academy of Design, and that year was voted into Academy membership. From thereon, he exhibited frequently at the Academy and won prizes including the Benjamin Altman Prize* in 1951, 1954, 1961, 1967 and 1969. In 1951, Thon received a grant from the American Academy of Arts and Letters. He also taught painting at Ohio University, and painted aspects of the Apollo Space Program...

A beautiful, large and impressive antique landscape oil painting, this dates from around the 19th century. It depicts a lovely countryside scene of a water mill. It is very well executed, with lovely details and gorgeous, subtle colour tones. It is in excellent condition for its age, there is no damage to the painting and it is signed : J. Marow. The gilt wood frame looks to be original, it is also antique and of extremely fine quality. There is an old label on the back with German writing...

This is an antique Mountain landscape oil painting with lake, XIXth century. 19th century. This oil painting on paper has an original gold leaf frame, original and coeval with the antique painting.  The ancient painting is signed by a French painter at the bottom left Lortet and dated 1857, a landscape painter. Leberecht Lortet (1828-1901) was born of French parents in Heidelberg, Germany, but lived for a long time in Lyon, France. A pupil of Alexandre Calame...

A charming oil painting of a countryside scene, depicting a small white cottage and a bridge with lovely trees blooming along a creek. The painting is presented in a painted frame wi...

Mid 20th century oil on board landscape painting by William Thon, titled "Olive Trees," No. 850. Shows an abstract expressionist forestscape with black trunked trees with green and white leaves over a golden forest floor. Signed lower right corner. Rustic wood frame with red stained recessed bevel and white linen mat. Labels on reverse from Midtown Galleries (New York, New York), Frost Gully Gallery (Portland, Maine). Exhibited at The Ogunquit Museum of American Art (Ogunquit, Maine) - "Creative Lives" July 1 - September 30, 1996. "William Thon (1906-2000) was an American artist noted for highly abstracted landscape paintings. He debuted as a professional artist in 1939 at the Corcoran Gallery Biennial* exhibition. He was born in New York City in 1906, and spent his childhood summers camping on Staten Island. He also developed a great love of travel, and in 1933 made an eight-month voyage to the Cocos Islands in the Pacific. He joined the Navy during World War II, and shortly after the war won the Prix de Rome*, a fellowship in Rome to the American Academy,* which he later served as trustee. Recognition for him continued with his participation in the 1942 "Artists for Victory" exhibit at the Metropolitan Museum of Art*, and in 1944, Midtown Galleries in New York held his first one-person show. This gallery then continued to be his representative throughout his career. He had subsequent solo exhibitions at Smith College Art Museum, Fort Wayne Museum and Farnsworth Museum in Rockland, Maine. He earned an honorary Doctor of Arts from Bates College in Lewiston, Maine in 1957, and was a member of The American Academy* and Institute of Arts and Letters, as well as the National Academy of Design*. In 1947, the year-long study at the American Academy proved highly influential on his career, especially with him beginning to paint as much with watercolor as oil. Returning to America, he submitted a watercolor into the 1949 exhibition of the National Academy of Design, and that year was voted into Academy membership. From thereon, he exhibited frequently at the Academy and won prizes including the Benjamin Altman Prize* in 1951, 1954, 1961, 1967 and 1969. In 1951, Thon received a grant from the American Academy of Arts and Letters. He also taught painting at Ohio University, and painted aspects of the Apollo Space...