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Jacques LipchitzStudy for Bull and Condor1964
1964
About the Item
JACQUES LIPCHITZ
Study for Bull and Condor, 1964
Original Ink on gouache on Paper drawing
and signed lower left front
Unique
This work is from the Collection of renowned art dealers and world authorities on African art Helena and Ladislav Segy, who were also close friends of Lipchitz. This work is a study for the sculpture "Bull and Condor", a maquette that is now in the permanent collection of the Tate Gallery. According to the Tate, "The poet Juan Larrea told Lipchitz about fiestas in Peru where a condor is bound to a bull so that they fight. Lipchitz said that he heard the story at a time when he was profoundly depressed by the rise of Nazism, and that: 'the bull and the condor, and particularly the human beings who delighted in their struggle, signified the insane brutality of the world.' The rough handling of this maquette embodies the violence of its subject. Although he acknowledged its potential, Lipchitz never made a larger-scale work on this theme."
- Creator:Jacques Lipchitz (1891-1973, French)
- Creation Year:1964
- Dimensions:Height: 15.5 in (39.37 cm)Width: 13.5 in (34.29 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good vintage condition in original vintage frame; there is some time staining to the sheet (see photos). Frames are not guaranteed. The work is kept in the original vintage frame for provenance, but it will look terrific when re-framed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU174529912352
Jacques Lipchitz
Biography: Jacques Lipchitz was a celebrated Lithuanian-born French sculptor best known for his Cubist works depicting figures, portraits, and still lifes made of bronze or stone. Born Chaim Jacob Lipchitz on August 22, 1891 in Druskinikai, Lithuania to a Litvak (Lithuanian Jewish) family. To please his parents, Lipchitz studied engineering as a young man. But around 1909, he decided to pursue art instead and moved to Paris to study at the Ecole des Beaux Arts and the Académie Julian in Paris. Lipichitz was a part of the artistic milieu in the famed Montmarte neighborhood of Paris, which included Pablo Picasso, Amedeo Modigliani, and Juan Gris. He became especially influenced with work by Pablo Picasso, who had pioneered a style of art called Cubism. Cubism was an art movement in which images were fractured and broken into simultaneous fragmented shards of perspective. It was strongly geometric and not based on traditional representational art like portraits or landscapes. At the beginning of his career, Lipchitz created figural sculptures, but by around 1913 he'd shifted direction toward Cubism. At the time, most Cubist artists were painters, but Lipchitz had met Russian sculptor Alexander Archipenko, who was experimenting with Cubist sculpture. However he always retained recognizable figural elements in his work.
When faced with the Nazi occupation, he fled to the United States during World War II. Lipchitz went on to have a retrospective exhibition in 1954 which travelled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis, and finally to the Cleveland Museum of Art. Today, his works are in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Tate Gallery in London, the Los Angeles County Museum of Art, and the National Gallery of Art in Washington, D.C., among others. Lipchitz died on May 16, 1973 in Capri, Italy.
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