Laddie John DillUntitledc. 1971
c. 1971
About the Item
- Creator:Laddie John Dill (1943, American)
- Creation Year:c. 1971
- Dimensions:Height: 24 in (60.96 cm)Width: 19 in (48.26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Laddie John Dill
Laddie John Dill was born in Long Beach, California, in 1943. He graduated from the Chouinard Art Institute in 1968 with a BFA. After graduating, Dill became a printing apprentice and worked closely with established artists such as Robert Rauschenberg, Claes Oldenburg, Roy Lichtenstein and Jasper Johns.
A Los Angeles artist, Dill had his first solo exhibition in New York City with Sonnabend Gallery in 1971. He was one of the first Los Angeles artists to exhibit Light and Space work in New York. He exhibited the “Light Sentences” and “Light Plains” sculptures in institutions across the United States and globally, and has enjoyed a resurgence of interest in these pieces in the last decade as well, including an acquisition of a “Light Plains” sculpture by the Museum of Modern Art in New York. It is currently on view in the Museum of Modern Art in Manhattan.
Dill has been crafting light and earthly materials like concrete, glass, sand, and metal into luminous sculptures, wall pieces, and installations since the 1970s. Referring to his choice of materials, Dill explains: “I was influenced by (Robert) Rauschenberg, Keith Sonnier, Robert Smithson, Dennis Oppenheim and Robert Irwin, who were working with earth materials, light and space as an alternative to easel painting.” When Dill does use canvas, he paints with pigments derived from cement and natural oxides.
Dill’s works are in the permanent collections of national and international institutions such as the Museum of Modern Art, New York; the Los Angeles County Museum of Art, California; the Museum of Contemporary Art, California; the San Francisco Museum of Modern Art, California; the High Museum, Atlanta; and elsewhere. He currently lives and works in Venice, California, where he maintains a studio.
Find original Laddie John Dill art on 1stDibs.
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
- UntitledBy Dorothy HellerLocated in Fairlawn, OHUntitled Watercolor on paper, 1990 Signed lower left corner Provenance: Gift of the Artist to one of hr patrons Distinguished Midwest Private Collection Conditi...Category
1990s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor
- Nickle DrawingBy Dorothy DehnerLocated in Fairlawn, OHNickle Drawing Ink and watercolor on laid paper, 1982 Signed and dated lower right in ink The title references a comment that her husband, David Smith, made regarding her drawings. He said that they were only worth a nickle and the name stuck even thought her works are highly prized. The dating of this work reflects the date inscribed on the watercolor. The style and black ink lines with dots terminating the line is a compositional device the artist used in the 1950's. Condition: Very fine/excellent 4 old hinge residue in the corners verso from previous matting Sheet/image size: 7 1/2 x 4 7/8 inches Dorothy Dehner (1901-1994) Painter, sculptor, art writer, and poet, Dorothy Dehner explored abstraction, cubism, realism and surrealism during her artistic journey. Early in her career she was known for painting and for large-cast metal sculptures, but in the 1950s and 1960s, turned increasingly to wood cut into hard-edge geometric shapes. From 1950, she lived primarily in New York City. Dorothy Dehner was born in 1901 in Cleveland, Ohio, but, as a teenager in 1916, moved to Pasadena, California when her parents died. Her artistic interests were initially in acting. She majored in drama at UCLA for the school year of 1922-1923, then moved to New York City to study acting at the American Academy of Dramatic Art. After travel to Europe in France, Italy and Switzerland in 1925, where she saw Cubist and Fauve paintings as well as the great art of the ages, Dehner entered the Art Students League to study sculpture, but switched to painting because she felt the former was bound in academic formula. She studied drawing with Kimon Nicolaides and painting with Kenneth Hayes Miller. In 1929, she studied painting with Jan Matulka. Meeting artist John Graham in that year, he introduced her to Milton Avery, Stuart Davis and Arshile Gorky. She would also take art courses years later at Skidmore College in 1951. Dehner married sculptor David Smith in 1927. She was evidently very helpful in his artistic growth, but friction would develop because Smith allegedly saw his wife as artistic competition. Although she painted and drew Cubist and Surrealist works during their marriage, and realistic ones of life on their Bolton Landing, New York farm during the period 1941 to 1944, Dehner would essentially put her exhibition life on hold until their divorce in 1952. Meanwhile, they traveled to Europe in 1935. She later wrote about Smith, as well as painter John Graham and Jan Matulka, her teacher. Although she had shown in the 1946 Audubon Artists exhibition, winning first prize in drawing, and in the Whitney Annual of 1951, it was the year of her divorce, 1952, that Dehner had her first one-person exhibition at the Rose Fried Gallery...Category
1980s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor
- Black and White CatBy Sam SpanierLocated in Fairlawn, OHBlack and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...Category
1970s Abstract Abstract Drawings and Watercolors
MaterialsInk, Watercolor
- Untitled (Abstraction)By Charles Harris ( Beni Kosh )Located in Fairlawn, OHaka Beni Kosh Untitled (Abstraction) Watercolor on paper, 1970's Unsigned Ben Kosh Estate Stamp verso, No. 754 Condition: Very good Sheet size: 10 5/8 x 14 9/16 inches Provenance: Es...Category
1970s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor
- Untitled (six vignettes)By Pierre CourtinLocated in Fairlawn, OHSigned lower center edge Annotated verso: “5 Juin 1966 _____ et de soleil, de et d’oseille” Image: 6 3/4 x 4 5/8" Frame: 14 1/2 x 12 3/4" Finishe...Category
1960s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor, Gouache
- Untitled AbstractionBy John von WichtLocated in Fairlawn, OHUntitled Abstrraction Gouache, watercolor and pigments on paper, c. 1960 Signed lower right in pencil (see photo) Image: 17 x 22 inches Sheet: 25 1/4 x 29 3/4 inches Frame: 25 1/4 x ...Category
1960s Abstract Expressionist Abstract Drawings and Watercolors
MaterialsWatercolor
- Yellow Geometric Watercolor by Susan MichodBy Susan MichodLocated in Long Island City, NYArtist: Susan Michod, American Title: Untitled Year: 1977 Medium: Watercolor on Paper, signed and dated Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)Category
1970s Abstract Geometric Abstract Drawings and Watercolors
MaterialsWatercolor
- Black Flower - Original Charcoal and Watercolor by Mario Surbone - 1987Located in Roma, ITBlack flower is an original contemporary artwork realized in 1987 by Mario Surbone. Colored mixed media (watercolor and carchoal) on paper. Hand signe...Category
1980s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor, Charcoal
- Composition - Watercolor by G. Schneider - 1963Located in Roma, ITComposition is an original watercolor on paper, realized in 1963 by Gérard Ernest Schneider Hand signed and dated by the artist on lower margin. Provenance: Carlo Pellizzari Colle...Category
1960s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor
- Abstract Composition - Ink and Watercolor on Paper by Peter Dischleit - 1973By Peter DischleitLocated in Roma, ITAbstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in 1973. Hand-signed in pencil on the lower right marg...Category
1970s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor, Ink
- Abstract Composition - Ink and Watercolor on Paper by Peter Dischleit - 1973By Peter DischleitLocated in Roma, ITAbstract Composition is an original mixed media drawing in ink and watercolor on paper realized by Peter Dischleit (1940-1993) in 1973. Hand-signed in pencil on the lower right marg...Category
1970s Abstract Abstract Drawings and Watercolors
MaterialsInk, Watercolor
- Abstract Watercolor Painting, New Mexico Artist, Orange, Blue, Yellow, GrayBy William LumpkinsLocated in Denver, COAbstract painting by New Mexico artist, William Lumpkins (1909-2000), painted in vivid colors of blue, orange, yellow, pink, gray, green, and black....Category
1980s Abstract Abstract Drawings and Watercolors
MaterialsWatercolor