Maurizio Gracceva

Flower Pot - Ink Drawing by Maurizio Gracceva - 2010

2010

Enamel paint on cardboard. Signed, titled, and dated on overleaf. Authenticity certificate by Fondazione Pablo Echaurren.

We never met is a beautiful artwork realized by Maurizio Gracceva in the 2017. Mixed media on paper: ink, watercolor. Hand signed by the artist. Original title: Non ci incontriamo...

Dance is a beautiful artwork realized by Maurizio Gracceva in the 2017. Black and white ink on paper. Original title: Danza Hand signed by the artist. Author of numerous philosoph...

Movie Room is an original artwork in mixed media applied on cardboard, realized by Sergio Barletta. Hand-signed on the lower right. Titled in Italian on t...

Espandersi is a beautiful artwork realized by  Maurizio Gracceva   in the 2017. China ink on paper.  Hand signed by the artist. Title, date, techinique and sign on the back. Auth...

Place de la Bastille is a really joyful original drawing on paper, realized around the first decades of XX century by the French artist Eliane Diverly (1914 - 2012). Titled and date...

"Fragments of Memory III" is a new abstract work by award-winning artist Katherine Filice. This piece is sculptural in its form, mounted in a shadow box frame to enhance the ebbs an...

"Calm Before," is a text based contemporary abstraction by artist Vivian Liddell. This piece is built with washes of ink layered up leaving detailed forms through the piece inviting viewers to take it in up close. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. This piece is currently unframed, but framing options are available. For more works follow our storefront at Gallery 1202. "As a painter, I often work on large, raw canvas. My abstract paintings merge formal painting and “bad” craft to challenge the high-low separation of materials (and related gender hierarchies) that have traditionally been present in the art world. The monotypes are like a calligraphic practice. I use them as a warm up to allow me to feel confident with a gesture before committing it to a larger scale. I work in layers, often sewing or incorporating fabric into the finished piece, and incorporate chance into each stage of my process. The text/titles often come from song lyrics, local radio commercials, and news headlines. I edit these snippets and piece them together to reflect my interpretation of current politics and social norms, especially as they relate to gender. Liddell often walks the line between contemporary art and craft. Working to bring materials that are traditionally labeled as "craft" and lesser into the contemporary conversation. Mixing craft with one of the most respected and oldest forms of fine art, painting, really encourages the viewer to view the two on the same playing field. The idea of craft is settled into these gestural, layered works, constantly critiquing contemporary culture. Vivian Liddell is an interdisciplinary artist in Athens, Georgia who works with painting, fiber and craft techniques, sculpture, printmaking, photography, animation and sound. Born in Memphis, Tennessee, she received her BFA from the University of Georgia and her MFA from the Pratt Institute in Brooklyn. Liddell’s work has been featured in solo and curated exhibitions throughout the United States, including at the Wiregrass Museum of Art, the Macon Museum of Arts and Sciences, and Trestle Gallery in Brooklyn. In 2019 she had two solo exhibitions of her “Men” series at the Versa Gallery in Chattanooga and 621 Gallery in Tallahassee, with a review of the Versa exhibition in BURNAWAY and was recently picked by Berlin curator Tina Sauerlaender as a featured artist on Foundwork. Liddell hosts a podcast (Peachy Keen) as an extension of her art practice, interviewing women on art and the South. She is an Assistant Professor of Painting and Drawing at the University of North Georgia...

Sweet Life, 2022 by a.muse is an abstract watercolor collage․ This work on paper is a collection of memories of summer, fragments of everyday life sequenced...

Inspired by architecture, historical urbanism, passion for creation with intense multicultural experiences thru traveling and living in different parts of the planet, my drawings are...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Red River Inside my Eyelids by Yayoi Kusama (b. 1929) Ink, pastel, felt pen on paper 55 x 39.8 cm (21 ⁵/₈ ...

"Laser Beams from Star Cities" Felt Tip Pen Drawing on Canvas by Contemporary British Artist. This unique original depicts an imagined abstract interpretation of a distant planet in ...