Amalia Schulthess

Harlequin Lady and Her Owl - Color Drawing by Amalia Schulthess

1940s

Born in Yorkshire he spent his life in Cheshire, Anglesey, and Rutland. He was self-taught and his paintings are very distinctive and always full of strong, warm, and vibrant colors. Well-drawn and realistic beach landscape by artist Stuart Ball...

This minimalist drawing features an interesting combination of red, black, and grey lines and blocks. The main grey block on the right part shows a fabric-like area topped...

Shiro Ikegawa was born on July 15, 1933 in Tokyo. He studied art in Japan and moved to Los Angeles in 1956 to study Abstract Expressionism. He attended O...

This Mac Mechem's drawing features a seated nude man draped in a small loincloth. Sitting in a wood-crafted chair, his gaze fixed downward as though he were brooding over some bad news. Despite the defeatist posture, his physique radiates a stark contrast—the sculpted body exudes strength and athleticism through pronounced abdominal lines, robust thighs, and defined biceps. Both hands rest passively on his knees, amplifying the sense of resignation portrayed in the artwork. The artist signed in the lower right part of the artwork. Mac Mechem, a figurative contemporary painter...

Reclining Female figure, original signed line drawing, in pencil and ink by Albert Radoczy. Albert Radoczy was a master at exploring the female form. Throughout his career, his draw...

Gracious nude of a woman drawn with ink on craft paper. Jerry O'Day is also known as Geraldine Heib. Born in Oakland, CA on June 17, 1912. Geraldine Heib assumed the name Jerry O'Day at an early age. She grew up in Washington and studied in Seattle at the Cornish School of Fine Arts. Upon moving to the San Francisco Bay area in 1938, she further studied with Bufano as a muralist for two years. She wed sculptor David Lemon and had a gallery in a converted cod fishery in Belvedere from 1942 until 1963. At that time the couple moved to a houseboat in Sausalito where she remained until her demise on March 30, 1986. Exh: San Francisco Art Association, 1941; CPLH, 1962. Solo Exhibitions: City of Paris, Rotunda Gallery; Lucien Labaudt Gallery, 1963; Torrance Gallery, San Anselmo...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object of fascination, only its visual a...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object of fascination, only its visual a...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object o...

Silverpoint and colored pencil on paper, 29 x 23 in. Signed (at lower right): Joseph Stella Executed about 1919 EXHIBITED: Hirschl & Adler Galleries, New York, November 23, 1985–January 4, 1986, American Masterworks on Paper: Drawings, Watercolors, and Prints, pp. 6, 46 no. 47 illus. // (probably) Richard York Gallery, New York, October 5–November 17, 1990, Joseph Stella: 100 Works on Paper, no. 36 EX COLL.: [Dudensing Galleries, New York]; sale, Christie’s, New York, December 7, 1984, lot 324; [Hirschl & Adler Galleries, New York, 1984]; to private collection, 2006 until the present An independent-minded artist who adhered to the credo “Rules don’t exist,” Joseph Stella explored a range of styles, media, and themes, willfully ignoring the “barricades erected by ... [the] self-appointed dictators” of the art establishment (Joseph Stella, “On Painting,” Broom 11 [December 1921], pp. 122–23; Joseph Stella, “Discovery of America: Autobiographical Notes,” Art News 59 [November 1960], p. 41). By doing so, he produced a diverse and highly eclectic body of work, ranging from realist figure subjects, pulsating Futurist cityscapes, and modernist religious...