Jeanne Daour

Nude - Original China Ink and Watercolor on Paper - Mid-20th Century

Mid-20th Century

Female Nude is a black China ink and watercolor original drawing on green paper by an unknown artist in Early 20th century. This beautiful original drawing represents a splendid sen...

Nude is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in China Ink and Watercolor on paper. Good conditi...

Woman With Fish is a colored artwork realized by Atelier Bernard Lelong (as written on the higher-margin) during the 1980s. Mixed colored watercolor o...

Composition is an original contemporary artwork realized in the 1980s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in mixed media (watercolor, pen...

The Hermaphrodite is an original modern artwork realized in the half of the 20th Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original ink and watercolor o...

China ink, pastel, tempera and watercolor on paper realized in the 1930s. Hand Signed lower right. Includes certificate of authenticity by the Fondazione Marino Marini signed by Maria Teresa Tosi. Archived in the Marino Marino...

"Personnages" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 67". Although renowned for his innovative and groundbreaking sculptures, Alex...

"Fall to Grace" is an original ink and watercolor painting on paper mounted to wood by artist Robert Kraiza measuring 19in height x 9in width. Artist Statement // In my work I invoke a whimsical world inspired by Victorian and Edwardian eras. To me they represent a romantic time period that has roots that extend directly into the modern world, both good and bad. The customs and aesthetics of the period are both fascinating and breathtaking but a vast portion of the population was victim to subjugation. It has since been eradicated on paper but still permeates to this day. I am exploring an imagined supernatural world hidden just out of sight where these woman could escape. This is an evolution from my earlier work set in the same time period with a continuous thread of humans and their animal companions. Through witchcraft these women find strength in their abilities and each other to leave the oppressive world they inhabit behind and escape to the woods to their Covendom, the boundary that defines the territory of their coven. They shed their customs, their corsets, and their concerns at the edge of the forest and gather among the trees to explore their magical potential with their familiars at the side. This body of work is exploring multiple media with a consistent theme and setting; combining watercolor painting, pen and ink illustrations, and graphite drawings. All pieces are created in monochrome on hot press watercolor paper mounted on wood with a gold painted border reminiscent of daguerreotype frames. Watercolor allows me to achieve results ranging from soft ethereal layered washes similar to oil glazes to precise minute details I include in all of my works. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

This work clearly has homosexual overtones which in the mid-'40s was as daring as showing nudity. I am not sure if this was the artist's intention but the salesgirl and the model look identical and she signs it twice Shermond. Added to this is a strobe light effect where the model's image is partly replicated giving the impression of 2 figures. She's lost in thought pondering the notion of removing the bows and seeing the consequences. Meanwhile, the sales girls ( perhaps her alta ego - perhaps an admirer ) eggs her on. Caption: "You can always remove the bows if you think they're too fussy." Cover cartoon for unknown publication - Signed "Shermund" twice in the lower right image, dated on verso, and captioned in graphite in the lower margin. Original Matte and not framed - Barbara Shermund...

Barbara Nessim is an artist/ illustrator who has contributed to Harper's Bazaar, Esquire, New York Magazine, Rolling Stone, Time, Ms among others. Sign...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...

Despite its explicit content, this intimate scene conveys a sense of tenderness and romantic love characteristic of Chinese erotic art. Known as “sp...