Carl August Walther

Ruins in San Gimignano

20th century

Carl August Walther (1880 Leipzig - 1956 Dresden): Notre Dame de Paris with Seine and Bridge, 1911, Etching Technique: Etching on Paper Stamp: Lower right Estate stamp, Carl Walthe...

George Augustus Wallis (1761 Merton (London) - 1847 Florence): Italian landscape with fortified town, 19th century, Pencil Technique: Pencil on Paper Date: 19th century Descriptio...

Leo Primavesi (1871 Cologne - after 1937 ): Nature piece with trees and cloud play, 20th century, Watercolor Technique: Watercolor on Paper Inscription: signed at the bottom: "Leo ...

Carl August Walther (1880 Leipzig - 1956 Dresden): Landscape with trees by the sea, 20th century, Pencil Technique: Pencil on Paper Inscription: lower left with estate stamp Date:...

Carl August Walther (1880 Leipzig - 1956 Dresden): View of Osterfeld with the Luther Church (Burgenlandkreis in Saxony-Anhalt), 1948, Charcoal Technique: Charcoal over Pencil on Pap...

George Augustus Wallis (1761 Merton (London) - 1847 Florence): Italian Landscape: Homestead in front of Mountains, 19th century, Pencil Technique: White heightened Pencil on Paper ...

Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...

Market under the Banyan tree, 1937 Signed with initials and dated bottom right Pencil and ink on paper, 28 cm x 34.5 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First ...

Incoming rain, Den Pasar, Bali 1937 Signed with initials, dated and titled, bottom right Black chalk and ink on paper, 42 by 46 cm Literature: Ernst Braches en J.F. Heijbroek, W.O...

Premises in North Bali, 1906 Signed with initials and titled bottom left and fully signed, bottom right Pencil and ink on paper, 10.5 x 18 cm Black ebonized frame with white mount ...

I made this sketch from nature while I was in one of the old and beautiful streets of Oxford. It was a gray day, sometimes it started to rain a little, and there were not many people...

Wobbly bridge, Tabanan, Bali, 1937 Signed with initials bottom right and dated, bottom left Pencil and ink on paper, 22 x 26.3 cm In ebonized frame with white mount Willem Otto Wi...