Items Similar to Canvas Confidential Vincent Van Gogh "Starry Night" Original Art
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Frank Kelly FreasCanvas Confidential Vincent Van Gogh "Starry Night" Original Art1963
1963
About the Item
Medium: Ink and Paint on Board
Kelly Freas Canvas Confidential Vincent Van Gogh "Starry Night" Original Art (Dial Press, 1963). Canvas Confidential was a book put together by Sy Reit and Frank Jacobs, with Kelly Freas illustrations, that lampooned famous paintings. Here's Freas' take on Vincent Van Gogh's immortal classic, "Starry Night," that reveals the night swirls to be snow -- with Santa Claus and his sleigh cruising through the sky! This great presentation features color copies of the book's cover and a black & white print of the original painting, plus the Freas version, painted in ink with grey and white paint on illustration board, plus his preliminary penciled version on tracing paper. The painting has an image area of 9" x 7.25"; the entire presentation on Foamcore board measures 24.5" x 19.5". In Excellent condition. From the MAD Collection.
- Creator:Frank Kelly Freas (1922 - 2005)
- Creation Year:1963
- Dimensions:Height: 9 in (22.86 cm)Width: 7.25 in (18.42 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:1stDibs: LU38436300862
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1995
1stDibs seller since 2016
107 sales on 1stDibs
Typical response time: 6 hours
- ShippingRetrieving quote...Ships From: Fort Washington, PA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- "The Last of the School Builders" Story Illustration, Saturday Evening PostBy Peter HelckLocated in Fort Washington, PASignature: Signed Lower Right "The Last of the School Builders," by Alvin F. Harrow and illustrated by Peter Helck for the Saturday Evening Post, July 12, 1941.Category
1940s Landscape Drawings and Watercolors
MaterialsInk, Charcoal, Board, Pen
- Jerusalem Street SceneLocated in Fort Washington, PAMedium: Watercolor on Board Signature: Signed Lower Left Jerusalem Street SceneCategory
20th Century Landscape Drawings and Watercolors
MaterialsBoard, Watercolor
- Attributed to; Design for the Battle of Brooklyn Heights Scene in 1924 FilmBy Everett ShinnLocated in Fort Washington, PAMedium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Christies Stamp Verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst's Cosmopolitan Pictures film, shot in New York City and Tarrytown, NY. Directed by E. Mason Hopper, starring Marion Davies...Category
20th Century Landscape Drawings and Watercolors
MaterialsIllustration Board, Watercolor, Graphite
- Attributed to; Design for the Battle of Lexington Scene in 1924 Film "JaniBy Everett ShinnLocated in Fort Washington, PAMedium: Watercolor and Graphite on Illustration Board Signature: Unsigned, Marked "Cosmo #51" Lower Left Contact for exact dimensions. Christies stamp verso. In silver molded frame, french-lined mat, glazed. OS: 18 1/2" x 22", SS: 11" x 15". Shinn took over from Joseph Urban as the Art Director on the William Randolph Hearst...Category
20th Century Landscape Drawings and Watercolors
MaterialsIllustration Board, Watercolor, Graphite
- Court SceneBy Mort KünstlerLocated in Fort Washington, PAMedium: Watercolor over pencil on card Signature: Signed and Dated Lower RightCategory
1970s Landscape Drawings and Watercolors
MaterialsBoard, Pencil, Watercolor
- The Bright ShawlLocated in Fort Washington, PAMedium: Watercolor and Gouache on Board Signature: Unsigned Due to Shinn's fascination with the theater, the booming motion picture industry of the early 20th Century certainly capt...Category
20th Century Landscape Drawings and Watercolors
MaterialsGouache, Watercolor, Board
You May Also Like
- William Daniell (British, 1769-1837) Fortification 19th Century Ink Wash DrawingBy William DaniellLocated in Meinisberg, CHWilliam Daniell (British, 1769-1837) Bridged Fortification in a Mountainous River • Blue wash on paper, laid on card, ca. 18 x 32 cm • Presented behi...Category
Early 19th Century English School Landscape Drawings and Watercolors
MaterialsWatercolor, Paper, Cardboard, Ink
- Bronx Post Office Mural Study WPA Horse Social Realism Mid 20th Century ModernBy Jo CainLocated in New York, NYBronx Post Office Mural Study WPA Horse Social Realism Mid 20th Century Modern Jo Cain (1904 - 2003) Couriers of History Bronx Post Office Mural Study Horse in the Sun (with two ad...Category
1930s American Realist Animal Drawings and Watercolors
MaterialsInk, Gouache, Board
- Airacuda Fighter Planes Art Deco Machine Age 20th Century American ModernismLocated in New York, NYAiracuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...Category
1930s American Modern Landscape Drawings and Watercolors
MaterialsInk, Gouache, Board
- Environmental Prognostication Coil Narrative "Homo Sapiens R.I.P."Located in Miami, FL"They paved paradise and put up a parking lot," Joni Mitchell said. - - Created in 1969, at the dawn of the American environmental movement, artist Richard Erdoes draws a sequential narrative in the form of a coil. From inception to destruction, it illustrates a list of things that humans are doing to destroy the world we live in. The work was commissioned for school-age humans and executed in a whimsically comic way. Yet the underlying narrative is sophisticated and foreshadows a world that could be on the brink of ecological disaster. Graphically and conceptually, this work exhibits an endless amount of creativity and Erdoes cartoony style is one to fall in love with. Signed lower right. Unframed 12.4 inches Width: 12.85 inches Height is the live area. Board is 16x22 inches. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...Category
1960s American Realist Landscape Drawings and Watercolors
MaterialsInk, Gouache, Illustration Board
- Whimsical Illustration "Snow" Cartoon, 1938 Mt Tremblant Ski Lodge William SteigBy William Steig (b.1907)Located in Surfside, FLLighthearted Illustration of Outdoor Pursuits This one being cross country Snow Shoes signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by ...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsIndia Ink, Watercolor, Illustration Board
- Whimsical Illustration Hiking Cartoon, 1938 Mt Tremblant Ski Lodge William SteigBy William Steig (b.1907)Located in Surfside, FLLighthearted Illustration of Outdoor Pursuits This one being cross country hiking signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...Category
1930s Naturalistic Figurative Drawings and Watercolors
MaterialsArchival Ink, Watercolor, Illustration Board
Recently Viewed
View AllMore Ways To Browse
Famous Vintage Paintings
Retro Book Covers
Painting By Van Gogh
Van Gogh Vincent
Van Gogh Vintage
Van Gogh Prints
Kelly Canvas
Original Painting Book Cover Art
Van Gogh Drawings
Van Gogh Original
Vincent Van Gogh Paint
Starry Art
Starry Night
Starry Starry Night
Vintage Santa Book
Van Gogh Book
Vincent Van Gogh Original
The Starry Night