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Luc TuymansIsabel, Diorama, Scramble, Twenty Seventeen2017
2017
About the Item
Hand signed and numbered out of 20 by Tuymans. Printed on Hahnemühle Bright White 300 gsm paper. Comes in a blue linen folder. The four colour etchings Isabel, Diorama, Scramble, and Twenty Seventeen are based on iPhone photographs that Tuymans took while painting. They reveal an early, unfinished stage, which immediately evaporates during the creative process. The paint strokes that Tuymans places in the margin of the painting and the edges of the canvas are also incorporated in the etched image. The ephemeral plays a crucial role in the artist’s work: these colour etchings belong to the same category as his tempera murals which no longer exist. At the same time, they offer a special insight into Tuymans’ working process. The crumpled piece of paper in Scramble – still pale in the etching – becomes a monumental, colourful ball in the painting, which contrasts sharply with the dark background. The canary in Isabel will eventually become bright yellow, a surprising colour in Tuymans’ work.
- Creator:Luc Tuymans (1958, Belgian)
- Creation Year:2017
- Dimensions:Height: 31.75 in (80.65 cm)Width: 25.75 in (65.41 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:
Luc Tuymans
Luc Tuymans (b. 1958) is a Belgian visual artist best known for his paintings which explore our relationship with history and confront our seeming ability to ignore it. World War II is a recurring theme in his work. He is a key figure of the generation of European figurative painters who gained renown at a time when many believed the medium had lost its relevance due to the new digital age. Much of Tuymans’ work deals with moral complexity, specifically the coexistence of ‘good’ and ‘evil’. His subjects range from major historical events such as the Holocaust to the seemingly inconsequential or banal: wallpaper, Christmas decorations or everyday objects for example. The artist's sparsely-coloured figurative paintings are made up of quick brush strokes of wet paint. Tuymans paints from photographic or cinematic images drawn from the media or public sphere, as well as from his own photographs and drawings. They often appear intentionally out of focus. Often allegorical, his titles add a further layer of imagery to his work – a layer that exists beyond the visible. Over 100 solo exhibitions of Tuymans’ paintings were staged between 1985 and 2016, including over 70 international solo exhibitions. The first exhibition of Tuymans' paintings, for the Belgian Art Review (1985), took place in Ostend in a deserted swimming pool at the prestigious Thermae Palace. In 2007, Tuymans was appointed Commander of the Order of Leopold of Belgium by King Albert II, in 2013, he was made a Foreign Honorary Member of The American Academy of Arts and Letters in New York, and the Academy of Arts (Akademie der Künste) in Berlin. In 2019 he received the Medal of Honor from the International Congress of Contemporary Painting (ICOCEP) in Porto in Portugal.
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