Jules Oury dit Marcel-Lenoir

Marcel-Lenoir, Portrait of a bearded man, supposed self-portrait, pencil

circa 1920

Henry Mirande (1877-1955) Self-portrait, circa 1940 Graphite pencil and charcoal on paper Signed "HM" lower right and signed with the stamp on the reverse Annotation faintly legible ...

Jules OURY dit MARCEL-LENOIR (1872-1931) Portrait of Raphaël Fumet (1898-1979) ; preparatory study for "La Famille mystique", 1914 Charcoal and pencil on paper Signed "Marcel-Lenoi...

Henry MIRANDE (1877-1955) Self-portrait, circa 1940 Graphite pencil and charcoal on paper Anotated "L'Indien du haut Orénoque qui me réclame 4 femmes blanches pour lui seul" upper ri...

Karl HUBBUCH (1891-1979) Thoughtful young woman, circa 1920-30 Pen and ink, pink colored pencil on paper Stamp of the Karl Hubbuch estate in the upper left corner 14,5 x 14 inch German artist and figure of the New Objectivity, Karl Hubbuch was born in Karlsruhe in 1891. He received his first artistic training at the Academy of Fine Arts in 1908, where he became friends with Georg Scholz and Rudolf...

Alfred DEHODENCQ (1822-1982) Study of a hand; preparatory to the painting Jewish Bride in Morocco, 1867 Pencil on paper Dimensions of work: 15.5 x 17.5 cm Frame size : 30 x 30 cm A...

Victor François Éloi BIENNOURRY (1823-1893) Study of Christ, hands crossed Three pencils on blue paper Signed "V. Biennourry" and located in "Paris" at the top right 10 x 8,5 inch Fr...

In the National Museum of the American Indian in Washington DC I learned that all indigenous peoples in Latin America, from Alaska to Patagonia, are connected through their DNA. In o...

John Heliker Self Portrait, 1991 Charcoal Pencil on Paper (with original Kraushaar Galleries label verso) Signed on the front bears the original KRAUSHAAR GALLERIES label on the verso on the frame Vintage metal frame included Self portrait done in charcoal pencil by distinguished American artist John Heliker. Hand signed on the front This work is framed - bears the label of the renowned KRAUSHAAR GALLERIES on the verso. Image size: 13 inches by 10 inches; Framed: 18 1/2 inches by 14 1/2 inches About John Heliker from The New York Times Obituary, 2000 (Roberta Smith) John Heliker, a painter and teacher who was a fixture of the New York art world for nearly seven decades, died on Tuesday at the Sonojee Estate, a health center in Bar Harbor, Me. He was 91 and had lived in New York during most of his career, spending summers on Cranberry Island...

Maurycy Trębacz (1861 – 1941) was one of the most popular Jewish painters in Poland in the late 19th and early 20th century. Many of his paintings were lost in the Holocaust, but a representative selection of his artwork survived.Trębacz died of starvation in the Litzmannstadt Ghetto during the Nazi German occupation of Poland. Maurycy Trębacz, along with Samuel Hirszenberg, Jakub Weinles, and Leopold Pilichowski, belonged to the first generation of Jewish artists in Poland who broke away from the religious prohibition on portraying a human figure (see below). The studies show his mastery of painting, his own unique style and great imagination. Trębacz was noted within the European art-world as a master portrait and landscape painter,[1] but above all he was also a rare chronicler of the contemporary Jewish life, depicting a world that is now lost. His popular subjects included praying Rabbis, old men, street and Jewish domestic scenes, and genre painting depicting the everyday side of life. His psychological portraits of Jews earned him the greatest popularity and critical acclaim, and influenced the work of other Jewish painters in Poland. Notably, Trębacz's oil painting "The Good Samaritan", reportedly stolen in 1904 at the World's Fair, was recently sold at auction at Sotheby's. Born in 1861 in Warsaw, the son of David Trębacz, a house painter, Maurycy (Mojżesz) at the age of 16 years was admitted to the school of drawing by professor Wojciech Gerson and Aleksander Kamiński. Three years later, with the support of Leopold Horowitz, he received a scholarship sponsored by lawyer Stanisław Rotwand, and moved to Kraków where he enrolled in the Academy of Fine Arts in the studios of Jan Matejko, Leopold Loeffler and Władysław Łuszczkiewicz. From 1882, he studied at the Academy of Fine Arts in Munich with Sandor Wagner (until 1884) and received the grand silver medal there at the completion of his studies for the work "Martyrdom". Between 1889 and 1890, he studied in Paris at the Académie Colarossi. He lived and worked in Munich for 4 years before returning to Warsaw. Over time, Trębacz worked in Lviv and Drohobych, and eventually moved permanently to Łódź, where he founded and ran a private art school until September 1939. He is often criticized for giving in to popular demand later on in his career. Pressured by financial sponsors, he began to produce sentimental theme portraits pertaining to the bucolic life of country folk. Trębacz made his successful artistic début twice, first at the Munich Kunstverein, and then at the Krywult Salon in Warsaw as a 23-year-old painter. His another big success was the participation of painting "Good Samaritan" (1886, pictured) in a Kunstverein exhibition in Munich as well as at the I National Art Exhibition in Kraków and in Warsaw at the Zachęta Society for the Promotion of Fine Arts. The painting was also awarded a gold medal at the Universal World Exposition in Chicago. Subsequently, Trębacz also received a bronze medal at the Paris Universal World Exposition of 1889. "Good Samaritan" (1886), book engraving from painting by Maurycy Trębacz, Warsaw Maurycy Trębacz died of hunger in the Łódź Ghetto...

This “Academia” (pencil and white lead on paper, 48 x 32,5 cm) is the kind of study from live that was the most frequent way of training in Arts Academies since the 18th century. The...

This beautiful Victorian pencil drawing dates to around 1890 and is by an unknown hand. It is a profile head and shoulders portrait of a young lady sat in a chair. Her dark hair is t...

Man at work is a drawing in pencil and charcoal realized by the French painter Emile-Louis Minet in 1899. Hand signed and dated on the right margin. Good conditions. Louis Minet ...