Items Similar to Dina Brodsky, Tree No. 120, July 30, 2016, Miniature ink on paper still life
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Dina BrodskyDina Brodsky, Tree No. 120, July 30, 2016, Miniature ink on paper still life2016
2016
About the Item
Framed: 10.5 x 10.5 in.
In her ink on paper miniature still life, Tree No. 120, July 30, 2016, Dina Brodsky replicates the texture of the tree bark in uncompromising detail. Brodsky delivers a tactile experience, despite the size of the image. The use of ink allows Brodsky to create rich wells and shadows where the bark knots and gnarls.
Dina Brodsky is a contemporary realist miniaturist, painter and curator. She was educated at University of Massachusetts, Amherst and the New York Academy of Art, where she received her MFA. She lives and works in New York City. She has taught privately, and in several institutions including the Castle Hill Center for the Arts, the Long Island Academy of Fine Art and the Metropolitan Museum of Art.
Signature: Signed verso, dated and numbered front lower right
Provenance: Artist to GarveySimon, New York, NY
- Creator:
- Creation Year:2016
- Dimensions:Height: 8 in (20.32 cm)Width: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:
Dina Brodsky
Dina Brodsky is a contemporary realist miniaturist, painter and curator. She was educated at the University of Massachusetts Amherst and the New York Academy of Art, where she received her MFA. Brodsky lives and works in New York City. She has taught privately and in several institutions, including the Castle Hill Center for the Arts, the Long Island Academy of Fine Art and the Metropolitan Museum of Art.
About the Seller
4.7
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2010
1stDibs seller since 2016
76 sales on 1stDibs
Typical response time: 5 hours
Associations
Association of Women Art Dealers
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Dandelions with Two Buds, 2023, black walnut ink botanical still life drawingBy Sandy LitchfieldLocated in New York, NYMargot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...Category
2010s Still-life Drawings and Watercolors
MaterialsCotton, Walnut, Paper, Ink
- Wild Geranium 1, gold acrylic ink botanical still life drawingBy Margot GlassLocated in New York, NYMargot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsInk, Paper
- Anemone 2, contemporary realist botanical still life drawingBy Margot GlassLocated in New York, NYMargot Glass reimagines color with her newest specimen, anemones, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemera...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsInk, Paper
- Lady's Thumb, gold acrylic ink botanical still life drawingBy Margot GlassLocated in New York, NYMargot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsInk, Paper
- Anemone 1, contemporary realist botanical still life drawingBy Margot GlassLocated in New York, NYMargot Glass reimagines color with her newest specimen, anemones, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemera...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsInk, Paper
- Large Thistle 1, contemporary realist botanical still life drawingBy Margot GlassLocated in New York, NYMargot Glass reimagines color and tone, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemerality, Glass lingers over t...Category
2010s American Realist Still-life Drawings and Watercolors
MaterialsInk, Paper
You May Also Like
- Blue Vase, Ink on Watercolor Paper, Original Work on Paper, SignedLocated in New york, NYInspired by Greek vases, Blue Vase, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on ...Category
2010s Contemporary Still-life Drawings and Watercolors
MaterialsRag Paper, Ink
- Tall Vase, Ink on Watercolor Paper, Original Work on Paper, SignedLocated in New york, NYTall Vase, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on recto (front of work) - o...Category
2010s Contemporary Still-life Drawings and Watercolors
MaterialsInk, Rag Paper
- Two Bowls, Ink on Watercolor Paper, Original Work on Paper, SignedLocated in New york, NYInspired by chinoiserie, Two Bowls, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on ...Category
2010s Contemporary Still-life Drawings and Watercolors
MaterialsInk, Rag Paper
- Dreamers #1 Caroline Veith Contemporary art drawing nature flora flower redBy Caroline VeithLocated in Paris, FRInk on tracing paper Hand-signed and dated lower leftCategory
2010s Contemporary Figurative Drawings and Watercolors
MaterialsPaper, Ink
- Dreamers #2 Caroline Veith Contemporary art drawing nature flora flower redBy Caroline VeithLocated in Paris, FRAcrylic paint and ink on tracing paper Hand-signed and dated lower rightCategory
2010s Contemporary Figurative Drawings and Watercolors
MaterialsPaper, Ink, Acrylic
- Plant 133Located in Westport, CT"My life as a painter began in the late 1950s when abstraction was “The only game in town”. I followed and progressed through gesture, organic and finally, geometric non-objective painting. The radical move for me was to discover that the real world of landscape lurked behind all that past work. My childhood in the mountains of Pennsylvania pervaded my “way of seeing” and I wanted to investigate and celebrate the infinite variety of tone, color and composition that I found around me. Sky, the structure of trees, mist and water appeared to fill a hunger to look again and again. There was mystery and danger lurking behind the beauty, and my aim was to try to avoid the cliché and explore the infinite structure of the visual landscape. Now I use my camera as a sketchbook and search for images that seem to offer odd structure and “mystery”. I shoot multiple points of view, cull, crop, and mostly discard. The surviving photographs become the catalyst for the paintings and the process is always a mediation between memory and the small image pinned to my easel...Category
2010s Contemporary Still-life Drawings and Watercolors
MaterialsInk, Paper