Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 19

David Gourlay Steell
Portrait of Tennis Dogs Scottish Victorian animal art oil painting tennis match

1889

About the Item

This superb love match Victorian Scottish oil painting is by noted animal artist David Gourlay Steell. Painted in 1889, the composition is two Terrier dogs in the foreground, sweetly snuggled up together under a bench with a tennis racket and discarded outer clothing on the bench. To the left of them a lady and gentleman stand at the bottom of stone steps, watching a tennis match from the corner of the court, the players out of view. In Victorian days, tennis was an ideal way for the sexes to mix and court. This painting suggests courtship and romance with both the dogs and the couple watching. The casual lounging of the smaller dog on the larger one and the way they innocently gaze at the artist/viewer, as if butter wouldn't melt in their mouths is just perfect. It is painted in a super palette of muted tones with lovely brushwork and detail. This is an excellent example of Steell's work and Scottish Victorian dog art. This beautiful painting would appeal to both tennis lovers and dog lovers alike. Signed David G Steell and dated 1889 lower right. Provenance. Hampshire estate. Condition. Oil on canvas, 22 inches by 18 inches unframed, in good condition. Frame. Housed in a gilt frame with 23 carat gold leaf 29 inches by 25 inches and in good condition. David Gourlay Steell RSA (1819–1894) was a 19th-century Scottish artist. Gourlay was born at 20 Calton Hill in Edinburgh on 22 March 1819 the son of John Steell, a wood-carver and Margaret Gourlay of Dundee. His elder brother John was a sculptor of national standing. He studied under William Allan and Robert Scott Lauder. Aged only 13 he had his first piece displayed at the Royal Scottish Academy, a model of a greyhound, and in 1835 he displayed a full-size sculpture of a bloodhound. From that year until death he exhibited almost continually. By the 1840s he had established himself and was living in a fine house at 33 East Claremont Street in Edinburgh's New Town. In 1872 he was appointed the official painter of animals to Queen Victoria, succeeding Sir Edwin Landseer. In 1882 he replaced Sir William Fettes Douglas as Curator of the National Gallery of Scotland. At this time he was living with his family at 4 Palmerston Place in Edinburgh's West End. In 1882 he succeeded William Fettes Douglas as Principal Curator of the National Gallery of Scotland, serving until death, and eventually after an inter-regnum being replaced by Robert Gibb. He died on 31 January 1894 at 23 Minto Street, Edinburgh and was buried in Morningside Cemetery, Edinburgh with his wife Jessie Anderson who had died in 1883. The exceptionally modest gravestone has fallen, and lies forlornly in the westmost section of the cemetery, adjacent to modern housing developments.
  • Creator:
    David Gourlay Steell
  • Creation Year:
    1889
  • Dimensions:
    Height: 25 in (63.5 cm)Width: 29 in (73.66 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU853114375072
More From This SellerView All
  • Portrait of Girl with Puppy - British Victorian portrait oil painting dog art
    Located in London, GB
    This Beautiful Victorian oil painting is attributed to Scottish master Sir George Reid. Painted circa 1870, the detail in the young girl's facial features and hair are just stunning,...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Oil

  • Cattle Watering in a Landscape - British 19th century art Victorian oil painting
    By Samuel Bough
    Located in London, GB
    This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...
    Category

    1850s Victorian Landscape Paintings

    Materials

    Oil

  • Cattle Grazing in a Wooded Landscape - British Victorian art oil painting
    By Thomas Baker of Leamington
    Located in London, GB
    This lovely British Victorian oil painting is by noted 19th century landscape artist Thomas Baker of Leamington. It was painted on 18th September 1854 as a special commission. The co...
    Category

    1850s Victorian Animal Paintings

    Materials

    Oil

  • Portrait of a Farmer Daughter and Dog - British 19th century genre oil painting
    Located in London, GB
    This lovely colourful British 19th century genre oil painting is by Victorian artist William Henry Midwood. Painted circa 1870 it is a charming Victorian interior genre scene of a farmer and his daughter and their collie dog. The artist has perfectly captured the interaction between the three characters and the colouring and brushwork is superb. A lovely example of British Victorian genre painting...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Oil

  • Portrait of a Baby and Dog - British Victorian Genre animal art oil painting
    By Henry Turner Munns
    Located in London, GB
    This charming British Victorian genre oil painting is by attributed to noted exhibited artist Henry Turner Munns. Painted circa 1870 the composition is of a baby by a hearth, asleep ...
    Category

    1870s Victorian Portrait Paintings

    Materials

    Oil

  • Portrait of Two Horses in a Landscape - British 19thC equine art oil painting
    By George Cole
    Located in London, GB
    This lovely British Victorian oil painting is attributed noted landscape and animal artist George Cole ans ascribed verso. Painted in 1840 it is a superb portrait of two horses, one ...
    Category

    1840s Victorian Animal Paintings

    Materials

    Oil

You May Also Like
  • Enormous 19th Century British Sporting Horses & Hounds Hunting Oil Painting
    By Charles Augustus Henry Lutyens
    Located in London, GB
    Charles Augustus Henry LUTYENS (1829 – 1915, British) On the Scent c.1880 Unframed 50 x 84 inches Framed 64 x 98 inches Oil on Canvas Signed Provenance: Possibly commissioned by George William Coventry, 9th Earl of Coventry (1838-1930); thence by family descent; Croome Court House Sale, Worcestershire 1948 Lord Coventry was a keen huntsman having founded the North Cotswold Hunt in 1867 and in 1882 The Croome. Besides founding two Hunts, he also held the unique distinction of owning racehorses that won two Grand Nationals in consecutive years. Daphne Moore, the hunting correspondent writing about the Croome Hounds c.1950, emphasised the influence of Rambler as a perfect type of hound. ‘Who could have dreamed that in 1949 well-bred hounds in almost every kennel in England would have at least a trace of Rambler’s blood in their veins?’ … to the hound man The Croome and the name Coventry immediately recalls Rambler. Anyone who has seen his portrait by Lutyens, will remember him as being the perfect type of hound for any country…’ Charles Lutyens the artist spent his early adult life in the Army, joining the 20th foot and siled with them in 1850 to serve in Canada. In 1857 he left the army to take up life as a professional artist. He based himself at Onslow Square...
    Category

    1880s Victorian Animal Paintings

    Materials

    Oil

  • 19th century Scottish Highland lock landscape with Highland Cattle drinking
    Located in Woodbury, CT
    Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...
    Category

    1890s Victorian Landscape Paintings

    Materials

    Oil, Canvas

  • 19th century Antique English portrait of a terrier dog head in profile
    By George Earl
    Located in Woodbury, CT
    Attributed to George Earl Exceptional English 19th century oil on board of a terrier head study in profile. The quality of the painting is totally outstanding with great skill in how the eyes and fur are painted throughout the painting. The Earl family were all very skilled painters of animal portraits . This piece has all the quality of either George or Thomas Earl...
    Category

    1860s Victorian Animal Paintings

    Materials

    Oil, Board

  • Huge Traditional Oil Painting Soldiers on Horseback Lakeland Landscape signed
    Located in Cirencester, Gloucestershire
    Artist/ School: American School, 20th century, indistinctly signed Title: Soldiers on Horseback Medium: signed oil painting on canvas, framed. framed: 31.75 x 43.75 inches canva...
    Category

    20th Century Victorian Landscape Paintings

    Materials

    Oil

  • French 19th century Chickens in a barn or chicken coop interior
    By Charles-Emile Jacque
    Located in Woodbury, CT
    French 19th century Chickens in a barn or Chicken coop interior Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals ...
    Category

    1870s Victorian Animal Paintings

    Materials

    Oil, Wood Panel

  • English early 20th century portrait of two dogs, terriers in a landscape
    By Lilian Cheviot
    Located in Woodbury, CT
    Investing in a late 20th-century Victorian-style portrait of two terrier dogs in a landscape is an opportunity to bring a touch of nostalgic charm and timeless elegance into your liv...
    Category

    1980s Victorian Animal Paintings

    Materials

    Wood, Oil

Recently Viewed

View All