The Battle - Soldiers riding horses in the heat of a violent battle 19th century

19th Century

This item is located in our New York City warehouse and can be viewed by appointment. A self-taught artist, Dermot Seymour was born in Belfast in 1956. Like many of his contempora...

Christian-Henri Roullier was born in Lyon, France, in 1845, and was an infant when his parents arrived in gold-rush San Francisco. After much difficulty, Roullier senior found employment at the White House, a pioneer department store owned by a popular and successful French businessman, Raphael Weill. From then, the Roulliers' life took a prosperous turn. Christian-Henri resided with his family in San Francisco at the beginning of his career. During the Franco-Prussian War he was listed, with other members of the city's French community, as a local subscriber to a French patriotic fund. He subsequently traveled to Paris to study painting with Jean-Leon Gerome the leading teacher of the day. He also studied sculpture with W. E. Fremiet and explored both media throughout his life. A successful artist, Roullier exhibited widely in France. His work was included in most Paris Salon exhibits between 1878 and 1914. He exhibited at the San Francisco Art Association and the Mechanics' Institute of San Francisco in 1883, suggesting that he had returned to San Francisco, perhaps working with Jules Tavernier, whom he depicted in buckskin and knee-high boots in an oil entitled Tavernier Painting. Roullier probably joined the gregarious Tavernier in Monterey as well. Among his portraits, he executed two of Josiah Stanford, now in the collection at the Cantor Center for Visual Arts at Stanford University. When in France, Roullier and his sister Blanche spent half of their time in Paris, the remainder at a beautiful property the family bought in the small town of Saint-Nizier sous Charlieu, some ten miles from Roanne. Blanche became a successful pastellist who also exhibited at the French salons and received several awards. Like his friend and fellow-painter Armand Charnay, Roullier painted rustic, local scenes of his native region, except for a few canvases of Tunisia done in colors reminiscent of his California work. He died in Paris on July 25, 1926. A retrospective exhibit of his work was held at the 1926 Paris Winter...

Dated: 1987/55 Signed and dated upper edge Provenance: The artist Coe Kerr Gallery, New York Wright Gallery, New York Private collection, New York (Purchased from above, 1995) This...

Beautiful 22k Gold Leaf Frame

Alberto Zardo, Italian Impressionist painter. Born in 1876, died in 1959. Framed (12.75 x 16.75 inches)

Aaron Berkman (New York, 1900 - 1929) "Beach" Oil on canvas 20 x 24 inches Signed lower right: Aaron Berkman Unframed Provenance: Private collection, USA An abstract oil painting o...

A stunning and atmospheric painting by Marius Petit (1882-1960). It dates from the 1920s, the height of the art deco period. Glorious, scintillating and beautifully coloured; it is a...

Work on canvas

The Favourite Pet by Lucien Gerard (French 1852-1935) signed lower right corner oil on wood panel, framed panel: 8.75 x 6.75 inches plus the substantial antique gilt frame provenance...

Working Horses is an original oil painting on canvas realized by Alessandro Lupo in 1913. Hand signed and dated lower right. Good conditions, slightly stretched canvas, slight mark...

We are please to announce that we are now representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been exci...

Woman, Dog & Spring Flowers, Large Scale Figurative Abstract with Petroglyphs by Cindy Kane Absolutely stunning large scale abstract expressionist painting titled "Bending Forward," by San Francisco and now Martha's Vineyard artist Cindy Kane (American, b. 1957). This unique monumental piece, created in 1987, has a netherworld primal quality depicting a petroglyph-like blonde woman and her animal spirit dog bending toward a flower-strewn earth. Additional petroglyph vignettes add mystery to narrative. Signed and dated "Kane '87" upper right. Unframed. Image size: 66.5"H x 84"W. Her early works were influenced by her memories of these hieroglyphs, and embellished with symbols from her dreams. “I hope [that viewers] get what I get from my work, which is enjoyment, visual satisfaction, and a story — whatever their own story is,” she said. “I can’t give them one, but I can tell my own, and the story they take with them is something personal.” Her early work was influenced by the experience of living and working at the bottom of the Grand Canyon National Park, where she had the opportunity to document Anasazi Indian pictographs in pen and ink drawings. These images would inform her work for years to come. While working in Grand Canyon National Park, she became familiar with the Anasazi Indian ruins...