Items Similar to Mr Ward on Quicksilver, the hunt beyond
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Richard Barrett DavisMr Ward on Quicksilver, the hunt beyond
About the Item
Richard Barrett Davis (1782-1854)
Mr Ward on Quicksilver
Oil on canvas
Canvas Size - 25 x 30 in
Provenance
with Ackermann & Son, London;
where purchased by the present owner.
Born at Watford, this painter was the son of another Richard Davis (1750-1825) who was huntsman to George III's private harriers. One of nine children, Richard Junior was also the brother of W.H. Davis and Charles Davis the famous huntsman to the Royal Buckhounds who was so highly thought of both as a rider and a huntsman.
Davis spent most of his life at Windsor; it was George III who first saw his work and arranged for him to be placed under Sir Francis Bourgeois. He also studied under William Evans at Eton, Sir William Beechey and at the RA schools, although he was never registered as a student. He first exhibited at the Rain 1802 and although he was an exhibitor for fifty years he was, like Chalon, never elected to ARA but, like him, also had a successful career. In 1829 Davis became a member of the Suffolk Street Academy Society and in 1831 was appointed animal painter to William IV. In this year he painted an enormous frieze of William IV's coronation procession which was 1,540 inches long. It is interesting to note that in 1827 the same year as Agasse, he too painted the Nubian Giraffe for George IV. George III and Queen Victoria were both patrons and for the latter he painted three of her favourite horses.
A painter of landscapes and shooting scenes as well as horses, Davis has thirty plates published in The Sporting Magazine. A number of his works were reproduced as prints, but he was probably the first artist to produce a series of prints of different hunts. Coming from so famous a hunting family he had many opportunities to follow hounds on foot and had a thorough knowledge of the subject. In 1836 he produced the first four prints in his 'Hunter's Annual' series. Each picture depicted a huntsman and hounds of a different pack. In 1839 and 1841 he produced further sets of four to complete series of twelve. This was an idea not really followed seriously until G.D. Giles but frequently used by modern artists, most notably Alain, Edwards and King.
Davis' work is variable, at best it is outstanding, strong and well finished, and his horses and hounds both delightfully painted. His hound portraitures really superb. One might describe his horses as a cross between Ferneley Senior and Chalon.
- Creator:Richard Barrett Davis (1782 - 1854, English)
- Dimensions:Height: 30 in (76.2 cm)Width: 25 in (63.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Stoke, GB
- Reference Number:1stDibs: LU446311596962
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2009
1stDibs seller since 2016
147 sales on 1stDibs
Typical response time: 2 hours
Associations
LAPADA - The Association of Arts & Antiques DealersInternational Confederation of Art and Antique Dealers' AssociationsThe British Antique Dealers' Association
- ShippingRetrieving quote...Ships From: Andover, United Kingdom
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Setters on the scentLocated in Stoke, HampshireMartin Theodore Ward (1799-1874) Setters on the scent Signed M T Ward lower left Oil on canvas Canvas Size - 18 x 24 in Framed Size - 23 x 29 in Martin Theodore Ward, a distinguishe...Category
19th Century Victorian Animal Paintings
MaterialsOil
- The Hunt Breaking coverBy Samuel Alken Jnr.Located in Stoke, HampshireSamuel Alken Jnr (1784-1825) The Hunt Breaking cover Signed 'S. Alken.' lower right Oil on canvas Canvas size - 24 x 36 in Framed size - 31 x 42 1/2 in Samuel Alken junior was the eldest son of Sporting artist Samuel Alken (1756-1815), he was born on April 10th. The family mostly became sporting artists, his younger brothers Henry Thomas (Ben Tally Ho), George and Sefferien. Little is known about his life, in his father's will he was the only son mentioned, but this was to leave him 1s., which presumably was a derogatory legacy perhaps because, as Shaw Sparrow suggests, he traded on his father's name, signing in the same manner. However, as he often signed quite clearly S. Alken Jnr one feels it unlikely, but it does imply S. Alken Snr also painted sporting pictures. There has always been great confusion over the Samuel Alkens and for a long time they were looked upon as one person. number of prints were published after Samuel Junior's work including a set of sixteen published in the early 1820's depicting various sports, including hunting, racing, shooting and fishing. In the works recorded by him, his style would seem closer to that of Barenger. A lot of small wooded shooting scenes...Category
19th Century Victorian Landscape Paintings
MaterialsOil
- A huntsman with pointer in a landscapeBy Philip ReinagleLocated in Stoke, HampshirePhilip Reinagle (1749-1833) A huntsman with pointer in a landscape Oil on canvas Canvas size - 17 x 23 in Framed size - 22 x 28 in Philip Reinagle RA (1749-1833) was an English pain...Category
19th Century Victorian Landscape Paintings
MaterialsOil
- A dark bay racehorse held by his trainer at Newmarket HeathLocated in Stoke, HampshireBenjamin Killingbeck (act. 1769-1783) A dark bay racehorse held by his trainer on a racecourse Oil on canvas Canvas Size - 40 x 50 in Framed Size ...Category
18th Century Old Masters Animal Paintings
MaterialsOil
- The Devon and Somerset Staghounds Hunting at Hawcombe HeadBy Michael LyneLocated in Stoke, HampshireMichael Lyne (1912-1989) The Devon and Somerset Staghounds at Hawcombe Head Signed lower left Oil on canvas Canvas Size - 24 x 36 in Framed Size - 30 x 42 in Michael Lyne (1912-1989) was a celebrated British artist renowned for his striking depictions of the equestrian world. Born in London, England, Lyne developed a passion for art and horses from an early age. He studied at the Slade School of Fine Art in London and was greatly influenced by the works of Sir Alfred Munnings, one of the most renowned equestrian painters of the time. Lyne's career flourished when he was commissioned to illustrate several books, including "In the Shire Country" by Susan Shaw...Category
20th Century Modern Animal Paintings
MaterialsOil
- Sir Richard Sutton's foxhoundsBy John Ferneley SeniorLocated in Stoke, HampshireJohn Ferneley Snr (1782-1860 Melton Mowbray) Sir Richard Sutton's foxhounds signed J. Ferneley lower right Oil on canvas Canvas Size 16 1/8 x 20 1/2 in Framed Size 21 x 25 in Proven...Category
18th Century Old Masters Animal Paintings
MaterialsOil
You May Also Like
- Enormous 19th Century British Sporting Horses & Hounds Hunting Oil PaintingBy Charles Augustus Henry LutyensLocated in London, GBCharles Augustus Henry LUTYENS (1829 – 1915, British) On the Scent c.1880 Unframed 50 x 84 inches Framed 64 x 98 inches Oil on Canvas Signed Provenance: Possibly commissioned by George William Coventry, 9th Earl of Coventry (1838-1930); thence by family descent; Croome Court House Sale, Worcestershire 1948 Lord Coventry was a keen huntsman having founded the North Cotswold Hunt in 1867 and in 1882 The Croome. Besides founding two Hunts, he also held the unique distinction of owning racehorses that won two Grand Nationals in consecutive years. Daphne Moore, the hunting correspondent writing about the Croome Hounds c.1950, emphasised the influence of Rambler as a perfect type of hound. ‘Who could have dreamed that in 1949 well-bred hounds in almost every kennel in England would have at least a trace of Rambler’s blood in their veins?’ … to the hound man The Croome and the name Coventry immediately recalls Rambler. Anyone who has seen his portrait by Lutyens, will remember him as being the perfect type of hound for any country…’ Charles Lutyens the artist spent his early adult life in the Army, joining the 20th foot and siled with them in 1850 to serve in Canada. In 1857 he left the army to take up life as a professional artist. He based himself at Onslow Square...Category
1880s Victorian Animal Paintings
MaterialsOil
- 19th century Scottish Highland lock landscape with Highland Cattle drinkingLocated in Woodbury, CTLate 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...Category
1890s Victorian Landscape Paintings
MaterialsOil, Canvas
- Huge Traditional Oil Painting Soldiers on Horseback Lakeland Landscape signedLocated in Cirencester, GloucestershireArtist/ School: American School, 20th century, indistinctly signed Title: Soldiers on Horseback Medium: signed oil painting on canvas, framed. framed: 31.75 x 43.75 inches canva...Category
20th Century Victorian Landscape Paintings
MaterialsOil
- French 19th century Chickens in a barn or chicken coop interiorBy Charles-Emile JacqueLocated in Woodbury, CTFrench 19th century Chickens in a barn or Chicken coop interior Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals ...Category
1870s Victorian Animal Paintings
MaterialsOil, Wood Panel
- Sunrise in North Wales - Large 19th Century Exhibition Landscape Oil PaintingBy Edwin H. BoddingtonLocated in Gerrards Cross, GB‘Morning in North Wales’ by Edwin Henry Boddington (1836-1905). This large fine 19th century oil painting is signed by the artist and dated 1867, in which year it was exhibited at th...Category
1860s Victorian Landscape Paintings
MaterialsOil
- Longhorn Cattle on Highland Pass - 19th Century Oil Painting Scottish LandscapeBy Henry GarlandLocated in Gerrards Cross, GB‘Longhorn Cattle on a Highland Pass’ by Henry Garland (1834-1913). The painting – which depicts a herd of longhorn cattle on a high mountain pass in the Scottish Highlands – is sig...Category
1860s Victorian Landscape Paintings
MaterialsOil
