A. Costa

Antoni Costa Woman. original figurative academician drawing painting

1950

woman. original figurative academician drawing painting. virtual frame Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and t...

woman. original figurative academician drawing painting. FRAMED Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD...

woman. original figurative academician drawing painting Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD. He was ...

Man. original figurative drawing painting. virtual frame Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD. He wa...

Woman. original figurative academician drawing painting Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD. He was f...

man. original figurative academician drawing painting. framed Barcelona, 1904 - Barcelona, 1965 It was formed in Buenos Aires, in the Circle of San Lucas of Barcelona and the FAD. H...

"Simplicity consists in making the trip through life, only with luggage necessary". - Charles Dudley Warner Materials: Wooden frame, triptych of antique books, inks, acrylic paint,...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent c...

'Wrestling the Shadows' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2007. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

'Once Upon a Table' is a figurative portrait by multi-disciplinary artist Kim Frohsin. Professionally framed in a white ash hardwood floater frame, with an opening on the back, to reveal the artist's signature, title of the painting, and year of its making - 2008. Ready for hanging and also suitable to sit of a table as a sculpture. Frohsin’s work is held by the San Jose Museum of Art, the Crocker Art Museum in Sacramento, the Office of the Governor, State Capital, Sacramento, and the United States Department of State. Her work is also in numerous corporate and private collections, among them the Morgan Flagg Family Collection, Buck Fine Arts, Adobe Systems, Inc Neiman Marcus and the Gap, Inc. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

This brilliant study sheet, of which we present here a counterproof, is a souvenir of Fragonard's return journey from Italy. Between April and September 1761, he accompanied the abbot of Saint-Non on his way back to France. Three studies after the masters taken from the Pitti Palace’s gallery in Florence are gathered on this sheet. Although The Ecstasy of Saint Margaret...