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Ferdinand Victor Leon Roybet19th-century Orientalist Antique Oil Painting on Wood Panel Signed and Dated1872
1872
About the Item
The painting is signed and dated 1872 in Algiers
Description:
Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for his depictions of costumed figures and historical scenes. His career took off in the mid-1860s, with notable success when one of his works was purchased by Mathilde Bonaparte. Roybet became renowned for his portrayal of costumed figures, securing a contract to produce three canvases per month.
He gained recognition and had prominent clients, including Cornelius Vanderbilt. Roybet's works can be found in various museums and collections, including the Musée Roybet Fould in Courbevoie, France, established in 1927 by Consuelo Fould, who owned a substantial number of his paintings. His art continues to captivate with its meticulous attention to detail and portrayal of historical and costumed figures.
Roybet's artistic expertise lay in portraiture and historical scenes, where he showcased his remarkable ability to depict various cultures and their traditions. One of his notable artworks that exemplifies his skill is "Waiting for his Arrival," dated 1872 and set in Algiers.
In "Waiting for his Arrival," Roybet presents a compelling scene featuring a woman adorned in beautiful traditional clothing and jewelry, representing her cultural heritage. The painting exudes an air of anticipation and elegance as the woman sits upon a fur rug, holding a feather fan. Roybet's meticulous attention to detail is evident in every aspect of the composition.
The woman's attire, with its intricate patterns and vibrant colors, reflects the richness and splendor of her culture. Roybet's careful brushwork brings out the texture of the fabric, allowing viewers to appreciate the delicacy and artistry involved in its creation. The woman's jewelry sparkles with exquisite detail, adding a touch of opulence to the scene.
Roybet's mastery of anatomy is apparent in the painting, as he skillfully renders the woman's hands and feet with precision and grace. Every contour and gesture is captured flawlessly, lending a sense of realism to the artwork. Through his attention to anatomical detail, Roybet adds a layer of authenticity to the portrayal of his subject.
"Waiting for his Arrival" showcases Roybet's ability to capture the essence of a cultural moment and evoke a sense of anticipation and beauty. The painting serves as a testament to his technical prowess and his commitment to portraying the intricacies of his subjects with remarkable precision.
Ferdinand Victor Léon Roybet's works gained recognition during his lifetime, and his artistic contributions were celebrated in prestigious exhibitions and institutions. His meticulous approach to painting and his dedication to capturing the essence of various cultures continue to inspire and captivate art enthusiasts worldwide.
- Creator:Ferdinand Victor Leon Roybet (1840 - 1920)
- Creation Year:1872
- Dimensions:Height: 22 in (55.88 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Jacksonville, FL
- Reference Number:
Ferdinand Victor Leon Roybet
Ferdinand Victor Léon Roybet (12 April 1840 – 11 April 1920) was a French painter and engraver, best known for his historical and costume genre scenes. He was born in Uzès. His father was the owner of a café and a liqueur manufacturer who moved his family to Lyon in 1846. He began by studying engraving at the École nationale des beaux-arts de Lyon. After his father's death in 1863, he took his new wife and baby to Paris, where he studied with Jean-Georges Vibert and copied the Old Masters at the Louvre.
In 1865, after some financial hardships, he presented two paintings at the Salon and, the following year, achieved success when one of his works was purchased by Mathilde Bonaparte for 5,000 francs. He then decided to concentrate on costumed figures, mostly from the 18th century, and was awarded a contract for three canvases per month at an annual salary of 25,000 francs.
Following the Siege of Paris, he embarked on a long period of travelling, visiting Belgium and Algeria. Upon his return, he sold the works he had created for 10,000 francs, settled into a mansion and began collecting antiquities from the Middle Ages and the Renaissance. This eventually led to financial difficulties and his mansion was repossessed by his creditors.
He was named a knight in the Legion of Honour in 1893 and had many wealthy people among his clients – notably Cornelius Vanderbilt, who paid 100,000 francs for one of his works at the Palais de l'Industrie in 1893. He also painted many notable people in period costume, including Count Robert de Montesquiou, Madame Henriette Poincaré and General Joseph Gallieni.
He died in Paris on 11 April 1920.
Toward the end of his life, he had turned to religious subjects, producing a tableau of 22 paintings depicting the Passion of Christ. After his death, in 1921, they were the subject of a special showing at the Salon. Six years later, the Musée Roybet Fould was established in Courbevoie by Consuelo Fould, who owned a large number of Roybet's paintings.
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