John Winslow

In the Studio, Large Painting by John Winslow

1977

This oil painting is a portrait of artist Page Ogden capturing a moment in time when she was sitting at a table reading a book by American artist John Hardy.

Life’s Souvenirs by Tito Salomoni, Italian (1928–1989) Date: 1984 Oil on Canvas, signed lower left Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 25 x 2...

Two Women Andre Minaux, French (1923–1986) Date: circa 1970 Oil on Canvas, signed lower right Size: 77 x 61 in. (195.58 x 154.94 cm) Frame Size: 80.5 x 65 inches

Plugged In by Tito Salomoni, Italian (1928–1989) Date: circa 1984 Oil on Canvas, signed lower left Size: 20 x 20 in. (50.8 x 50.8 cm) Frame Size: 28 x 28...

An original oil on canvas painting by African American artist, Charles Alston. Completed sometime in the 1930s, "Restaurant Scene" focuses on a crowded ...

"Stairways to the Stable Mind" is Pop Artist Mark Kostabi's homage to the great MC Escher's "Relativity". Signed and dated lower left and verso.

Superbe original painting on canvas depicting an Anonymous man holding a Brown leather satchel. keywords; Brown leather, satchel, travel bag, americana, surrealism, vintage, oil pai...

Paul G. Oxborough's mastery as a painter has been firmly established over a decades-long career. His ability to render light in a room has been compared to the work of Velázquez; the...

Light and briefly executed genre scene depicts cozy domestic atmosphere with few people singing and playing guitars surrounded by listeners. All inhabitants of the moment are greatly...

"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style painting was created by American genre ...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

Exhibited: National Academy of Design, New York, 1906 (as no. 101) Art Institute of Chicago, 1908 (as no. 74)